Jack the Ripper struck for the second time very early on September 8, 1888.
That last fact was hammered home in about seventeen thousand ways. I didn’t even watch the news and yet, news just got in. And the news really wanted us to know about the eighth of September. The eighth of September was a Saturday. And I had art history class on Saturday. This fact seemed much more relevant to my life, being unused to the idea of Saturday class. I had always assumed the weekend was a holy tradition, respected by good people everywhere. Not so at Wexford.
But our Saturday classes were our “art and enrichment classes,” which meant that they were supposed to be marginally less painful than the classes during the week, unless you hated arts or enrichment, which I suppose some people do.
Even though Jazza tried to wake me up on her way to the shower, and again on her way to breakfast, she succeeded only when she returned to the room to get her cello for music class. I fell out of bed as she hauled the massive black case out of the room.
I wasn’t alone among the Saturday late starters. I’d already developed the habit of throwing my skirt and blazer over the end of my bed at night, so all I had to do in the morning was grab a clean shirt, pull on the skirt, shoes, and blazer, and scoop my hair up into any formation that looked reasonably like a hairstyle. I showered at night, and like Jazza, I had given up on makeup. My grandmother would have been appalled.
So I was ready in five minutes and flying down the cobblestones to the classroom building. Art history was in one of the big, airy studio rooms on the top floor. I took a seat at one of the worktables. I was still wiping the crap out of the corners of my eyes when Jerome took the seat next to me. This was the first class I had with a friend, which wasn’t that shocking, considering that my friends numbered exactly two at this point. Out of everyone I’d seen, Jerome looked the most out of place in his uniform, certainly compared to the other prefects. His special prefect tie (their ties had gray stripes) was crooked and not quite tightened at the neck. His blazer pockets bulged with stuff—phone, pens, some notes. His hair was the most unkempt—but in a good way, I thought. It looked like he had trimmed his loose curls to just the regulation level, and maybe half an inch beyond. They fell just over his ears. And you could tell he just shook it out in the morning. His eyes were quick, always scanning around for information.
“Did you hear?” he asked. “They found another body around nine this morning. It’s the Ripper, definitely.”
“Good morning,” I replied.
“Morning. Listen to this. The second victim in the Jack the Ripper murders in 1888 was found in the back of a house on Hanbury Street, in the back garden by a set of steps at five forty-five in the morning. That house is gone now, and the police were all over the location where it stood. This new victim was found behind a pub called the Flowers and Archers, which has a back garden very much like the description of the Hanbury Street murder. The second victim in 1888 was a woman called Annie Chapman. The victim this time was named Fiona Chapman. All of the wounds were just like Annie Chapman’s. The cut to the neck. The abdomen opened up. The intestines removed and put over her shoulder. Her stomach taken out and put over the opposite shoulder. The murderer took the bladder and the—”
Our teacher came in. Of all the teachers I’d had so far, this one looked the mildest. The male teachers all wore jackets or ties, and the women tended to wear dresses or serious-looking skirts and blouses. Mark, as he introduced himself, wore a plain blue sweater and a pair of jeans. He looked to be in his midthirties, with tortoiseshell glasses.
“The police aren’t even trying to deny it anymore,” Jerome said quietly, right before Mark took roll. “There’s definitely a new Ripper.”
And with that, art history began. Mark was a full-time conservationist at the National Gallery, but he was coming in to teach us about art every Saturday. We were, he informed us, going to begin with paintings from the Dutch Golden Age. He distributed some textbooks, which weighed about as much as a human head (a guesstimate on my part, obviously, but once the Ripper was mentioned, body parts tended to come to mind).
It became immediately clear that even though this was a Saturday class under the general label of “art and enrichment,” this was not just a way of killing three hours that might otherwise have been spent sleeping or eating cereal. This was a class, just like any other, and many people in it (Mark checked) were planning on taking an A level in art history. More competition.
On the positive side, Mark informed us that on several Saturdays we would be going to the National Gallery to see the paintings up close. But today was not one of those days. Today we were going to look at slides. Three hours of slides isn’t as horrible as it sounds, not when you have a reasonably interesting person who really likes what he’s talking about explaining them. And I like art.
Jerome, I noticed, was a careful note taker. He sat far back in his chair, his arm extended, writing quickly in a loose, relaxed hand, his eyes flicking between the slide and the page. I started to copy his style. He took about twenty notes on each painting, just a few words each. Every once in a while, his elbow would make contact with my arm, and he’d glance over. When class was over, we fell in step beside each other as we walked to the refectory. Jerome picked up right where he left off.
“The Flowers and Archers isn’t far from here,” he said. “We should go.”
“We . . . should?”
Again, I knew many students at Wexford could legally drink, because you only had to be eighteen. I knew that pubs would be a part of life here somehow. But I hadn’t expected someone, especially a prefect, to invite me to one. Also, was he asking me out? Did you ask people to crime scenes on dates? My pulse did a little leap, but it was quickly regulated by his follow-up.
“You, me, Jazza,” he said. “You should get Jazza to come, otherwise she’ll start stressing from day one. You’re her keeper now.”
“Oh,” I said, trying not to sound disappointed. “Right.”
“I have desk duty at the library until dinner, but we could go right after. What do you think?”
“Sure,” I said. “I . . . I mean, I don’t have plans.”
He put his hands in his pockets and took a few steps backward.
“Have to go,” he said. “Don’t tell Jazza where we’re going. Just say the pub, okay?”
“Sure,” I said.
Jerome gave a slouchy, full upper body nod and walked off to the library.
9
IT DIDN’T TAKE A GREAT DEAL OF INSIGHT TO KNOW that Jazza was not going to want to go to a crime scene that evening. She was, to use the vernacular, a normal person. She was at her desk eating a sandwich when I returned.
“Sorry,” she said, turning as I came in. “My cello practice ran late, and I didn’t feel like going over to the refectory. On Saturdays I sometimes treat myself to a sandwich and a cake.”
“Treat myself ” was a little Jazza-ism I loved. Everything was a tiny celebration with her. A treat was a single cookie or a cup of hot chocolate. She made these things special. Even my Cheez Whiz had become a little treat. It was more precious now.
Something was beeping on my bed. I still wasn’t used to the unfamiliar ring and alerts of my English phone. I hadn’t even gotten into the habit of carrying it with me because there was no one likely to call me, except my parents. They had been scheduled to arrive in Bristol that morning. That’s who the message was from. I noticed an alarmed frequency in my mother’s voice.
“We think you should spend the weekends up here, in Bristol,” she said, once we’d gotten the basic hellos out of the way. “At least until this Ripper business is over.”