Even when you were awake it was hard to know what grown-ups meant when they said things. One day he had worked out a way of guessing what they were going to do: no meant no, maybe meant perhaps, yes meant maybe and perhaps meant no, but the system did not work, and he decided that maybe everything meant perhaps.
Tomorrow the terraces would be crowded with grape-pickers filling their buckets with bunches of grapes. Last year François had taken him on the tractor. His hands were very strong and hard like wood. François was married to Yvette who had gold teeth you could see when she smiled. One day Patrick was going to have all his teeth made of gold, not just two or three. He sometimes sat in the kitchen with Yvette and she let him taste the things she was cooking. She came up to him with spoons full of tomato and meat and soup and said, ‘Ça te plait?’ And he could see her gold teeth when he nodded. Last year François told him to sit in the corner of the trailer next to two big barrels of grapes. Sometimes when the road was rough and steep he turned around and said, ‘Ça va?’ And Patrick shouted back, ‘Oui, merci,’ over the noise of the engine and the bumping and squealing of the trailer and the brakes. When they got to the place where the wine was made, Patrick was very excited. It was dark and cool in there, the floor was hosed with water, and there was a sharp smell of juice turning into wine. The room was vast and François took him up a ladder to a high ramp that ran above the wine press and all of the vats. The ramp was made of metal with holes in it and it was a funny feeling being so high up with holes under his feet.
When they got to the wine press Patrick looked down and saw two steel rollers turning in opposite directions with no space in between them. Stained with grape juice, they pressed against each other, spinning loudly. The lower railing of the ramp only came up to Patrick’s chin and he felt very close to the wine press. And looking at it, he felt that his eyes were like the grapes, made of the same soft translucent jelly and that they might fall out of his head and get crushed between the two rollers.
As Patrick approached the house, climbing as usual the right-hand flight of the double staircase because it was luckier, he turned into the garden to see if he could find the frog that lived in the fig tree. Seeing the tree frog was very lucky indeed. Its bright green skin was even smoother against the smooth grey skin of the fig tree, and it was hard to find it among the fig leaves which were almost the same colour as itself. In fact, Patrick had only seen the tree frog twice, but he had stood still for ages staring at its sharp skeleton and bulging eyes, like the beads on his mother’s yellow necklace, and at the suckers on its front feet that held it motionless against the trunk and, above all, at the swelling sides which enlivened a body as delicate as jewelry, but greedier for breath. The second time he saw the frog, Patrick stretched out his hand and carefully touched its head with the tip of his index finger, and it did not move and he felt that it trusted him.
The frog was not there today and so he climbed wearily up the last flight of steps, pushing against his knees with his hands. He walked around the house to the kitchen entrance and reached up to open the squealing door. He had expected to find Yvette in the kitchen, but she was not there. Bottles of white wine and champagne jostled and clinked as he opened the refrigerator door. He turned back into the larder, where he found two warm bottles of chocolate milk in the corner of the lower shelf. After several attempts he opened one and drank the soothing liquid straight from the bottle, something Yvette had told him not to do. Immediately after drinking he felt violently sad and sat for several minutes on the kitchen counter staring down at his dangling shoes.
He could hear the piano music, muted by distance and closed doors, but he did not pay any attention to it, until he recognized the tune his father had composed for him. He jumped off the counter and ran down the corridor that led to the hall, crossed the hall, and broke into a kind of cantering motion as he entered the drawing room and danced to his father’s tune. It was wild music with harsh flurries of high notes superimposed on a rumbling military march. Patrick hopped and skipped between the tables and chairs and around the edge of the piano, only coming to rest when his father ceased to play.
‘How are you today, Mr Master Man?’ asked his father, staring at him intently.
‘All right, thank you,’ said Patrick, wondering if it was a trick question. He was out of breath, but he knew he must concentrate because he was with his father. When he had asked what was the most important thing in the world, his father had said, ‘Observe everything.’ Patrick often forgot about this instruction, but in his father’s presence he looked at things carefully, without being sure what he was looking for. He had watched his father’s eyes behind their dark glasses. They moved from object to object and person to person, pausing for a moment on each and seeming to steal something vital from them, with a quick adhesive glance, like the flickering of a gecko’s tongue. When he was with his father, Patrick looked at everything seriously, hoping he looked serious to anyone who might watch his eyes, as he had watched his father’s.
‘Come here,’ said his father. Patrick stepped closer.
‘Shall I pick you up by the ears?’
‘No,’ shouted Patrick. It was a sort of game they played. His father reached out and clasped Patrick’s ears between his forefingers and thumbs. Patrick put his hands around his father’s wrists and his father pretended to pick him up by his ears, but Patrick really took the strain with his arms. His father stood up and lifted Patrick until their eyes were level.
‘Let go with your hands,’ he said.
‘No,’ shouted Patrick.
‘Let go and I’ll drop you at the same time,’ said his father persuasively.
Patrick released his father’s wrists, but his father continued to pinch his ears. For a moment the whole weight of his body was supported by his ears. He quickly caught his father’s wrists again.
‘Ouch,’ he said, ‘you said you were going to drop me. Please let go of my ears.’
His father still held him dangling in the air. ‘You’ve learned something very useful today,’ he said. ‘Always think for yourself. Never let other people make important decisions for you.’
‘Please let go,’ said Patrick. ‘Please.’ He felt that he was going to cry, but he pushed back his sense of desperation. His arms were exhausted, but if he relaxed them he felt as if his ears were going to be torn off, like the gold foil from a pot of cream, just ripped off the side of his head.
‘You said,’ he yelled, ‘you said.’
His father dropped him. ‘Don’t whimper,’ he said in a bored voice, ‘it’s very unattractive.’ He sat down at the piano and started playing the march again, but Patrick did not dance.
He ran from the room, through the hall, out of the kitchen, over the terrace, along the olive grove and into the pine wood. He found the thorn bush, ducked underneath it, and slid down a small slope into his most secret hiding place. Under a canopy of bushes, wedged up against a pine tree which was surrounded by thickets on every side, he sat down and tried to stop the sobs, like hiccups, that snarled his throat.
Nobody can find me here, he thought. He could not control the spasms that caught his breath as he tried to inhale. It was like being caught in sweaters, when he plunged his head in and couldn’t find the neck of the sweater and he tried to get out through the arm and it all got twisted and he thought he would never get out and he couldn’t breathe.