Wearing the GoPro camera on his head, Nash Edgars seemed agitated, hopped up, like he was on something chemical and a lot of it. In his left hand he held an SLR camera and in his right an AR-style assault rifle with a halo sight.
Edgars kept moving, videoing the women and the other man, who wore a black balaclava and carried a red plastic bucket and a knife with an obsidian-black blade that curved tightly back toward an ornate knuckle guard. It was the same knife I’d seen in several of the mock-execution videos.
The hooded man walked around behind Gretchen Lindel, who twisted, trying to see him, and dumped a bucket of blood over her head. She shuddered and trembled with revulsion but did not cry out.
“Last baptism before the fire,” he said, and I recognized his voice. It was Pratt, Edgars’s bodyguard.
Pratt dropped the empty bucket next to a second assault rifle leaned up against the tractor’s tire. He came around behind another of the alert women and pressed that wicked-looking knife to her throat.
She began to shriek and shriek. “Nash! Don’t let him! Please don’t let him! I’m not one of them! I’m Latina! I’m not a blonde!”
Edgars, the cameraman, came in close and laughed. “You’re a blonde in this scene, Lourdes.”
“Please, Nash,” Lourdes Rodriguez said, weeping. “You don’t have to do this!”
“Of course we do,” Edgars said in a reasonable tone. “It wouldn’t be a real snuff film if we didn’t snuff the blondes at the end.”
Pratt took the knife away from Rodriguez’s throat and gestured to one side at two stout green metal tanks about five feet tall and two feet around. They were chained to a metal post.
“We’re giving you a chance,” Pratt said. “You can die by the knife or take your chances and pray you pass out from the gas before this whole place ignites and blows you to kingdom come.”
Still videoing their reactions, Edgars moved sideways toward the gas tanks. He put the AR down, reached behind the tanks, and came up with a gas mask, which he tossed to Pratt before getting a second for himself. He put it half on his head, knelt, and retrieved the assault rifle.
Pratt said, “So what is it, ladies? Knife or fire?”
“Can’t you just make it look like we died, like all the other times?” another of them whimpered, and I recognized her. Delilah Franks, the bank teller.
“Everyone’s had it with special effects,” Edgars said. “We’re going all the way. For the first time. Show her, Pratt. Wake up the others. Let them see tough little Gretchen die first. Then they can decide how to go.”
Chapter 109
I stiff-legged and hopped to the back door. The handle turned and the door swung slowly open on well-oiled hinges. I smelled something dead.
Sliding inside, my back to the wall, I saw Pratt forty feet away. He’d kicked awake the other three women and gotten behind Gretchen Lindel. His right leg was extended to the rear, braced against the floor. His left knee was pressed into the teenager’s spine, arching her back. Pratt had her by the hair too, her head wrenched back, his wicked-looking blade at her windpipe.
“Scared now, blondie?” Pratt said.
“No,” Gretchen said. “You can’t hurt me.”
“Oh yes, I can.”
He was so close to Alden Lindel’s daughter, I didn’t dare try a killing shot, and I didn’t want to shout a warning that might cause him to slit her throat. I aimed at the meat of Pratt’s extended right leg, touched the trigger, and fired.
The slug went through his right ass cheek, spun him around, and broke his pelvis. He fell down screaming, the flung knife clattering away.
I limped hard and fast to my right, seeing Edgars spin toward me with the cameras and the AR. Just as he opened up in full automatic, I dived and landed behind a steel seed spreader. Slugs clanged off the spreader and punctured the sheet-metal wall behind me.
The shooting stopped. The women were all screaming and crying. Pratt moaned in agony, then shouted, “Kill him! Shoot his ass, Nash!”
Amid the shouting and the confusion, Edgars yelled, “Come on out, Cross. Join the wrap party for the whole cast and crew!”
Saying nothing, peering all around me, I noticed a three-inch gap between the bottom of the spreader and its wheels. I rolled onto my side and extended my right arm and pistol, trying to spot Edgars’s feet and lower legs.
But he was too far to my right, blocked from view by the blade of a small bulldozer. I needed the man to move.
“The FBI is surrounding this place, Edgars!” I yelled out. “Put your weapons down!”
“Bullshit,” Edgars said, holding his ground. “The FBI would never let you come in here alone. I’ve hacked into their systems, read their protocols.”
“They’re right behind me. I radioed them my position!”
“Impossible. I’ve jammed everything within ten miles.”
That idea seemed to embolden him because he burst out from behind the bulldozer blade at a steep retreating angle, so fast I had no shot. He skidded to a stop right behind the gas tanks. Definitely no shot.
Unaware of what I could and couldn’t see, Edgars kept his camera rolling, set his rifle on the ground, and stood back up.
He’s filming and needs a free hand to open the gas valves, I thought, realizing in a split second that I had only one option, and I needed to take that option right now or never. I aimed at the top turret of the halo sight, right above the AR’s action, and fired my.40 S&W.
The hundred-and-fifty-grain bullet hit the turret, blew through the sight, and smashed into the action with four hundred foot-pounds of energy. The gun went skidding across the concrete floor and under a combine’s blades.
I pushed myself up into a crouch, saw a shocked Edgars spin away from the gas tanks, yank down his gas mask, and run toward the combine. I took off after him, gun up.
“Stop or I’ll shoot!” I yelled a moment before I smelled the propane hissing full force from the tanks.
With my left arm and jacket sleeve across my nose and mouth, I hobbled past the women and Pratt, who was unconscious, and the tanks. Edgars was flat on his belly thirty feet beyond them, reaching under the combine. I feared shooting because of the gas. Before I could get close enough to jump on him, he twisted around, pointing the rifle and the camera at me. I skidded to a stop, aiming my pistol at him.
“Shoot him!” Lourdes Rodriguez screamed.
“Shoot him!” the other women cried.
Edgars bellowed from inside the mask, “He shoots, you all die!”
I stared at him. “You shoot, we all die.”
“Maybe that’s the point.”
“Why the hell are you doing this, Edgars?”
He looked at me as if I were stupid and said, “I hate blondes. I always have. Bitches, every one of them.”
“No one will see your last little film if you shoot and blow this place up.”
He beamed at me through the glass eyeholes of the gas mask. “The cameras are streaming, uploading over Wi-Fi.”
“We can all walk out of here.”
“No, we can’t,” he said, and he looked over the top of his busted sight at me. “Best thing? I can’t miss from here, so I get to see you die first. Just a half second before we all go up in flames.”
For the first time, I felt woozy from the gas. Edgars lifted his camera higher and glanced at the screen on the back as if trying to frame me, the gas canisters, and the women behind me for one final shot.
“All blondes must die eventually,” Edgars said. “And cops and geniuses.”
“Don’t!”
He pulled the trigger.