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Dixon looked at the thing with pride.

“Visitors to see you, Una,” he told it.

The eyes turned to me, and then back to Alfred. One of them blinked, with a click from its lid as it closed. A deep, rever­be­rant voice emerged from no obvious source.

“At last! I've been asking you long enough,” it said.

“Good God!” said Alfred. “That appalling thing can talk?”

The steady gaze dwelt upon him.

“That one will do. I like his glass eyes,” rumbled the voice.

“Be quiet, Una. This isn't what you think,” Dixon interposed. “I must ask you,” he added to us, but looking at Alfred, “to be care­ful in your comments. Una naturally lacks the ordinary back­ground of experience, but she is aware of her distinc­tion — and of her several physical superior­ities. She has a some­what short temper, and nothing is going to be gained by offend­ing her. It is natu­ral that you should find her appear­ance a little sur­pri­sing at first, but I will explain.”

A lecturing note crept into his voice.

“After I had dis­covered my method of anima­tion, my first incli­nation was to construct an approxi­mately anthro­poid form as a con­vin­cing demon­stra­tion. On second thoughts, how­ever, I decided against mere imi­ta­tion. I resolved to proceed func­tion­ally and logic­ally, remedy­ing certain features which seemed to me poorly or weakly designed in man and other existing crea­tures. It also proved necessary later to make a few modi­fi­ca­tions for techn­ical and construct­ional reasons. However, in general, Una is the result of my resolve.” He paused, looking fondly at the mon­stros­ity.

“I — er — you did say ‘logically’!” I inquired.

Alfred paused for some time before making his comment. He went on staring at the creature which still kept its eyes fixed on him. One could almost see him causing what he likes to think of as his better nature to over­ride mere pre­ju­dice. He now rose nobly above his earlier, unsym­path­etic remark.

“I do not consider it proper to confine so large an animal in such restricted quarters,” he announced.

One of the horny eyelids clicked again as it blinked.

“I like him. He means well. He will do,” the great voice rumbled.

Alfred wilted a little. After a long expe­rience of patron­izing dumb friends, he found it discon­certing to be con­fronted by a creature that not only spoke, but patron­ized him as it did so. He returned its steady stare uneasily.

Dixon, disregarding the inter­ruption, resumed:

“Probably the first thing that will strike you is that Una has no distinct head. That was one of my earliest rearrange­ments; the normal head is too exposed and vulner­able. The eyes should be carried high, of course, but there is no need what­ever for a demi-detached head.

“But in eliminating the head, there was sight to be con­sidered. I there­fore gave her three eyes, two of which you can see now, and one which is round the back — though, properly speak­ing, she has no back. Thus she is easily able to look and focus in any direc­tion without the compli­cated device of a semi-rotatory head.”

“Her general shape almost ensures that any falling or pro­jected object would glance off the re­inforced plastic cara­pace, but it seemed wise to me to insu­late the brain from shock as much as possible by putting it where you might expect the stomach, I was thus able to put the stomach higher and allow for a more con­venient dispo­si­tion of the intes­tines.”

“How does it eat?” I put in.

“Her mouth is round the other side,” he said shortly. “Now, I have to admit that at first glance the pro­vi­sion of four arms might give an impression of frivol­ity. How­ever, as I said before, the hand is the perfect tool — it is the right size. So you will see that Una's upper pair are deli­cate and finely moulded, while the lower are heavily musc­ular.”

“Her respi­ra­tion may interest you, too. I have used a flow principle. She inhales here, exhales there. An improve­ment, you must admit, on our own rather disgust­ing system.”

“As regards the general design, she un­for­tunat­ely turned out to be consider­ably heavier than I had expected — slightly over one ton, in fact — and to support that I had to modify my origin­al plan some­what. I redesigned the legs and feet rather after the pattern of the elephant's so as to spread the weight, but I'm afraid it is not altogether satis­factory; some­thing will have to be done in the later models to reduce the overall weight.”

“The three-legged principle was adopted because it is obvious that the biped must waste quite a lot of muscular energy in merely keep­ing its balance, and a tripod is not only effi­cient, but more easily adapt­able to uneven surfaces than a four-legged support.”

“As regards the repro­duct­ory system—”

“Excuse me interrupting,” I said, “but with a plastic cara­pace, and stain­less steel bones I don't — er — quite see —”

“A matter of gland­ular balance: regul­ation of the persona­lity. Some­thing had to be done there, though I admit that I'm not quite satis­fied that I have done it the best way. I suspect that an approach on partheno­genetic lines would have been... How­ever, there it is. And I have promised her a mate. I must say I find it a fascin­ating speculation...”

“He will do,” interrupted the rumb­ling voice, while the creature continued to gaze fixedly at Alfred.

“Of course,” Dixon went on to us, a little hurriedly, “Una has never seen her­self to know what she looks like. She probably thinks she —“

“I know what I want,” said the deep voice, firmly and loudly, “I want—”

“Yes, yes,” Dixon inter­posed, also loudly. “I'll explain to you about that later.”

“But I want—” the voice repeated.

“Will you be quiet!” Dixon shouted fiercely.

The creature gave a slight rumbling protest, but desisted.

Alfred drew himself up with the air of one who after com­muning seriously with his princi­ples is forced into speech.

“I cannot approve of this,” he announced. “I will concede that this creature may be your own creation — never­the­less, once created it becomes, in my opinion, entitled to the same safe­guards as any other dumb — er, as any other creature.”

“I say noth­ing what­ever about your appli­ca­tion of your disc­overy — except to say that it seems to me that you have behaved like an irres­pons­ible child let loose with model­ling clay, and that you have produced an unholy — and I use that word advisedly — unholy mess; a mon­stros­ity, a perver­sion. How­ever, I say nothing about that.”

“What I do say is that in law this creature can be regarded simply as an un­famil­iar species of animal. I intend to report that in my profes­sional opinion it is being confined in too small a cage, and clearly with­out proper oppor­tunities for exer­cise. I am not able to judge whether it is being adequately nourished, but it is easy to perceive that it has needs that are not being met. Twice already when it has attempted to express them to us you have intimi­dated it.”

“Alfred,” I put in, “don't you think that perhaps —” but I was cut short by the creature thrumming like a double bass.

“I think he's wonderful! The way his glass eyes flash! I want him!” It sighed in a kind of deep vibrato that ran along the floor. The sound certainly was extremely mourn­ful, and Alfred's one-track mind pounced on it as addi­tional evi­dence.

“If that is not the plaint of an unhappy creature,” he said, stepping closer to the cage, “then I have never—”

“Look out!” shouted Dixon, jumping forward.

One of the creature's hands made a darting snatch through the bars. Simul­taneously Dixon caught him by the shoulders, and pulled him back. There was a rending of cloth, and three buttons pattered on to the linoleum.