"You may be wondering about his last remark," Dapple said.
Haik opened her mouth to say no.
"There are men who take pleasure in raping prisoners before they kill them. Or in harming them in other ways. I have suspected Taiin is one such. Now I’m certain."
This was how he’d deal with his grief at Hattali’s illness: by making someone else’s end unpleasant.
"Beauty and death," Dapple said. "This is the way the Goddess has organized her world, according to you and your bones."
They spent the next several days on Ettin Hattali’s terrace. The weather remained dry and sunny. Haik worked on the masks, while Dapple sat with paper and brush, sometimes writing, more often listening.
There was a folding table next to Hattali’s chair. The matriarch’s relatives brought out food and drink. In any ordinary circumstance, it would have been rude to eat while conversing with other people, especially guests, but the old lady had not been eating. Good health always goes in front of good manners.
At first, Hattali ignored everything except water, brought in a glass goblet. This she held, turning the precious object between her bent fingers.
The first mask was the animal on Hattali’s funeral pot: a long narrow head, the jaw hinged and moved with a string, the mouth full of pointed teeth. Snap! Snap!
The skin would be mottled green, Haik decided; the eyes large, round, and red. There were existing animals–small hunters with scaly hides–that had triangular pupils. She would give this creature the same. The spines on the back would be a banner, supported by a harness over Dapple’s shoulders. Hah! It would flutter when her lover danced! As she worked, she described the mask to Hattali.
"Have you ever found large animals?" the old woman asked.
"Not complete. But large bones, yes, and teeth that are longer than my hands. The layer they are in is high on my native cliffs and was laid down when the country was above water. They were land-dwellers, those animals, larger than anything living now, at least in the regions I’ve visited, and with teeth that remind me of birds’ teeth, though more irregular and much larger."
"What eyesight you have!" Hattali exclaimed. "To see into the distant past! Do you really believe these creatures existed?"
"They did," said Haik firmly.
Gradually, as their conversation continued, the old lady began to eat: hard biscuits first, then pieces of fruit, then halinin a small, square, ceramic cup. Hattali was sitting upright now, her bony shoulders straight under an embroidered robe. Hah! She was licking her fingers! "Can you write, Haik?"
"Yes."
"I want you to write down your ideas and draw the animals you’ve found in stone. I’ll have one of my female relatives make a copy."
"You believe me," said Haik in surprise.
"Most of what you’ve told me I knew already," Hattali answered. "How could any woman not know about inheritance, who has lived long enough to see traits appear and reappear in families of people, sulin,and tsina?But I lacked a framework on which to string my information. This is what you’ve given me. The frame! The loom! Think of the patterns the Ettin will be able to weave, now that we understand what the Goddess has been doing with sex and death and time!" The old woman shifted in her chair. There was a cup of halinnext to her on the folding table. She felt for it, grasped it and drank, then reached for a piece of fruit. "I have been wondering whether it’s time for me to die. Did you notice?"
"Yes," murmured Dapple.
"The blindness is hard to endure; but life remains interesting, and my kin tell me that they still need my judgment. I can hardly refuse their pleas. But when I fell, I thought–I know this illness. It strikes women down like a blow from a war club. When they rise, if they rise, who can say what the damage will be? Paralysis, stupor, the loss of speech or thought.
"This time the only damage was to one leg. But I may fall again. I have seen relatives, grave senior female cousins, turn into something less than animals–witless and grieving, though they do not remember the cause of their grief. Maybe, I thought, it would be better to stop eating now and die while I am still able to chose death.
"But I want your book first. Will you write it for me?"
Haik glanced at Dapple, who spoke the word "yes" in silence.
"Yes," said the potter.
The matriarch sighed and leaned back. "Good! What a marvel you are, Dapple! What a fine guest you have brought to Ettin!"
The next day, Haik began her book, drawing fossils from memory. Fortunately, her memory was excellent. Her masks went to the costume maker, who finished them with the help of the apprentices. It was good work, though not equal to Haik’s. One apprentice showed real promise.
The old lady was eating with zest now. The house resumed the ordinary noise of a house full of relations. Children shouted in the courtyards. Adults joked and called. Looking up once from her work, Haik saw adolescents swimming in the river below the terrace: slim naked girls, their fur sleeked by water, clearly happy.
By the time the Ettin war party returned, Taiin looking contented as he dismounted in the front courtyard, the book on evolution was done. Taiin greeted them and limped hurriedly to his mother’s terrace. The old woman rose, looking far stronger than she had twenty days before.
The war captain glanced at Dapple. "Your doing?"
"Haik’s."
"Ettin will buy every pot you make!" the captain said in a fierce whisper, then went to embrace his mother.
Later, he looked at Haik’s book. "This renewed Hattali’s interest in life? Pictures of shells and bones?"
"Ideas," said Dapple.
"Well," said Taiin, "I’ve never been one for thinking. Ideas belong to women, unless they’re strategic or tactical. All I can be is thankful and surprised." He turned the folded pages. "Mother says we will be able to breed more carefully, thinking of distant consequences rather than immediate advantage. All this from bones!"
The actors did their play soon after this, setting their stage in the house’s largest courtyard. It began with a fish that was curious about the land and crawled out of the ocean. In spite of discomfort, the fish stayed, changing into an animal with four legs and feet. Hah! The way it danced, once it had feet to dance with!
The fish’s descendants, all four-footed animals, were not satisfied with their condition. They fell to arguing about what to do next. Some decided that their ancestral mother had made a mistake and returned to water, becoming animals like peshadiand luatin. Others changed into birds, through a process that was not described; Haik knew too little about the evolution of birds. Other animals chose fur, with or without a mixture of scales.
One animal chose judgment as well as fur.
"How ridiculous!" cried her comrades. "What use are ideas or the ability to discriminate? You can’t eat a discrimination. Ideas won’t keep you warm at night. Folly!" They danced away, singing praise for their fur, their teeth, their claws.
The person with fur and intelligence stood alone on the stage. "One day I will be like you," Dapple said to the audience. "No spines on my back, no long claws, no feathers, though I had these things, some of them at least, in the past. What have I gained from my choice, which my relatives have just mocked? The ability to think forward and back. I can learn about the past. Using this knowledge, I can look into the future and see the consequences of my present actions. Is this a useful gift? Decide for yourselves."
This was the play’s end. The audience was silent, except for Hattali, who cried, "Excellent! Excellent!" Taking their cue from the old lady, the rest of the Ettin began to stamp and shout.