Charles went quickly through the rest of the courtyards without finding the man in the jackboots. Trying to search the college buildings by himself was pointless and he went back to the Cour d’honneur. How had the man gone so unnoticed and disappeared so quickly? Charles’s head snapped toward the latrine court and he broke into a run.
He ran past the latrine and up the stairs to the students’ library, ignoring the bell ringing for afternoon classes. The long, silent library, its walls lined floor to ceiling with book cupboards, with more cupboards set crosswise, making aisles, seemed empty until Guise emerged from an aisle with an open book in his hand.
“What are you doing here?” he snapped. “The bell has rung.”
“A student, mon père,” Charles murmured vaguely, and walked past him into a cross aisle.
“No student has come in here,” Guise turned his attention back to his book.
Noting the “no student” rather than “no one,” Charles walked quickly through the aisles, searching for other ways out of the single room and finding none. But Guise’s lack of concern had already told him the man was not there. As he passed Guise on his way to the door, he glanced at the librarian’s open book.
“English?” Charles said in surprise, looking at the crisp new pages.
“A new translation of our Père Bouhours’s life of St. Ignatius,” Guise said, unbending a little. He stroked the book’s calf binding lovingly. “Just published in London,” he said, his voice warming. “Thanks to good King James and his open loyalty to the true faith.”
“Yes, an interesting situation in England just now. Well. If you’re sure no one has come in . . .”
“I have told you. No student has been here, they would all rather play than use their time wisely.” The momentary warmth was gone and Guise looked pointedly at the door.
Charles went slowly back to the Cour d’honneur, caught between his conscience and his own needs. In the interest of college safety—especially Antoine’s safety—Père Le Picart had to know about the intruder. Which meant that Charles would have to confess his presence in Guise’s study and his reason for it. He found Le Picart in the chapel, where two workmen were peering at a crack in the altar’s marble. When the rector heard Charles’s steps, he looked up and frowned.
“What are you doing here, Maître du Luc?” He hurried down the chancel steps. “Has something happened?”
Charles told him, steeling himself for the inevitable question.
“And how do you know all this, maître?” Le Picart’s voice was dangerously quiet.
He listened to Charles’s answer with a face like thunder. “I will alert the proctors and see to Antoine. And I will see you in my office after supper. Go to your rehearsal and apologize to Père Jouvancy for your lateness.”
“Yes, mon père.”
Charles left the chapel with a heavy heart and the fear that he’d just made sure his first Louis le Grand show would be his last. He hoped Le Picart would be content with shipping him back to the south instead of to some foreign mission. On the other hand, Lieutenant-Général La Reynie was less likely to find him in China or New France. And what La Reynie would do to him if he failed as a “fly” might well be worse than what hostile pagan natives could come up with.
Jouvancy was coaching a sword fight when Charles arrived in the classroom. He waved away Charles’s apology and Charles went to the ballet end of the room, where Maître Beauchamps was picking up Time’s much-mended chiming clock from the floor at Walter Connor’s feet. The dancing master flung it over his shoulder to his servant, who was taken off guard for once and missed it. It crashed to the floor, and as the man stolidly picked up the black and gold pieces, Connor flashed Charles a relieved and triumphant smile. Behind Beauchamps’s back, Charles raised clasped hands over his head in a gesture of victory.
It was a long afternoon. Charles and Beauchamps coaxed and threatened the ballet cast through a decent rendering of three of the ballet’s four parts. Hercules’s suite remembered their steps, François de Lille danced Hercules with more spirit, and Armand Beauclaire knew his left from his right, all of which argued divine collusion between the goddess of dance, Terpsichore, and St. Genesius, patron of anyone crazy enough to be a performer.
But the demons of chaos, expelled for the moment from the ballet, ran gleefully riot in the tragedy. The Montmorency boy playing Clovis jibed once too often at the Lithuanian general’s son playing Ragnacaire for dying like a sissy. Ragnacaire’s languid patience deserted him and he told Clovis what he could do with his bad acting. Montmorency hit him. Ragnacaire defended his honor while the rest of the cast clapped and cheered. Jouvancy stunned everyone by boxing both combatants soundly on the ears—foreign to his practice and against college rules—and setting them long passages of Virgil to copy out and translate by tomorrow.
When the students had fled and Beauchamps had staggered away, Jouvancy collapsed onto a wooden bench, leaned against the wall, and closed his eyes. Charles slumped down beside him, thinking how much he’d come to like the little priest and how much he wanted to stay in Paris. He turned his head slightly to see if Jouvancy had gone to sleep. The rhetoric master’s eyes stayed closed and Charles studied him. Grieving was leaving its mark. Jouvancy’s eyes were darkly shadowed and he was noticeably thinner than he’d been a week ago. Charles shook his head and leaned back against the wall. Philippe’s murder was eating at the whole college like a canker worm.
He half wished now that he hadn’t gone to the rector. He thought now that the man in the boots had likely been on his way to Guise rather than looking for Antoine. He’d used the old stairs, come so confidently through Guise’s rooms, seemed to know where he was going. And if the rector used what Charles had told him and confronted Guise, then Guise and the man would both be on their guard and harder to catch. Charles sighed. The chickens were out of the coop. He had gone to the rector. And whatever the rector said or didn’t to Guise, he was either going to send Charles away in disgrace or discipline him severely for his disobedience.
Which brought Charles face-to-face with the question he didn’t want to ask. If he felt so penned by his vow of obedience, what was he doing here? First a soldier, now a Jesuit, why did he keep putting himself into situations where obedience—often unquestioning obedience—was required? Because I’m an idiot, he told himself sourly.
True, said the cool-eyed part of him that stood perpetually aside from his feelings, the part that rose up to challenge him when he least wanted it. But leaving that sad fact aside, it went on, you know very well that without obedience there is no order. No justice.
Perhaps, Charles returned, yet just a few hours ago La Reynie told me that Louvois is merciless because of his passion for order.
Does that make all order evil? the cool-eyed part of him asked. Or is it the man who is evil because he has too much power and too little heart and mostly obeys no one? Because without obedience, you have only yourself. Do you know everything, see everything? Is your own will the right answer to every question?
No, all right, of course not, Charles thought irritably. But I’m still an idiot for going to the rector without stopping to think.
True, the unwelcome part of himself murmured, and left him in peace.
“Is something wrong, Maître du Luc?” Jouvancy was watching him in concern.
Charles felt himself flush, hoping he hadn’t said any of his inner argument out loud. “No, mon père. Well, yes,” he amended. “May I apologize again for being late, mon père?” He had no quarrel with courtesy, one of obedience’s sweeter fruits.