"Mademoiselle," replied Rouletabille, not lowering his eyes under Natacha's thunderous regard, "I am sure of that."
He said it in such a tone that Natacha continued to look at him with incomprehensible anguish in her eyes. Ah, the baffling of those two regards, the mute scene between those two young people, one of whom wished to make himself understood and the other afraid beyond all other things of being thoroughly understood. Natacha murmured:
"How he looks at me! See, he is the demon; yes, yes, the little domovoi, the little domovoi. But look out, poor wretch; you don't know what you have done."
She turned brusquely toward Koupriane:
"Where is the body of Michael Nikolaievitch?" said she. "I wish to see it. I must see it."
Feodor Feodorovitch had fallen, as though asleep, upon a chair. Matrena Petrovna dared not approach him. The giant appeared hurt to the death, disheartened forever. What neither bombs, nor bullets, nor poison had been able to do, the single idea of his daughter's co–operation in the work of horror plotted about him—or rather the impossibility he faced of understanding Natacha's attitude, her mysterious conduct, the chaos of her explanations, her insensate cries, her protestations of innocence, her accusations, her menaces, her prayers and all her disorder, the avowed fact of her share in that tragic nocturnal adventure where Michael Nikolaievitch found his death, had knocked over Feodor Feodorovitch like a straw. One instant he sought refuge in some vague hope that Koupriane was less assured than he pretended of the orderly's guilt. But that, after all, was only a detail of no importance in his eyes. What alone mattered was the significance of Natacha's act, and the unhappy girl seemed not to be concerned over what he would think of it. She was there to fight against Koupriane, Rouletabille and Matrena Petrovna, defending her Michael Nikolajevitch, while he, the father, after having failed to overawe her just now, was there in a corner suffering agonizedly.
Koupriane walked over to him and said:
"Listen to me carefully, Feodor Feodorovitch. He who speaks to you is Head of the Police by the will of the Tsar, and your friend by the grace of God. If you do not demand before us, who are acquainted with all that has happened and who know how to keep any necessary secret, if you do not demand of your daughter the reason for her conduct with Michael Nikolaievitch, and if she does not tell you in all sincerity, there is nothing more for me to do here. My men have already been ordered away from this house as unworthy to guard the most loyal subject of His Majesty; I have not protested, but now I in my turn ask you to prove to me that the most dangerous enemy you have had in your house is not your daughter."
These words, which summed up the horrible situation, came as a relief for Feodor. Yes, they must know. Koupriane was right. She must speak. He ordered his daughter to tell everything, everything.
Natacha fixed Koupriane again with her look of hatred to the death, turned from him and repeated in a firm voice:
"I have nothing to say."
"There is the accomplice of your assassins," growled Koupriane then, his arm extended.
Natacha uttered a cry like a wounded beast and fell at her father's feet. She gathered them within her supplicating arms. She pressed them to her breasts. She sobbed from the bottom of her heart. And he, not comprehending, let her lie there, distant, hostile, somber. Then she moaned, distractedly, and wept bitterly, and the dramatic atmosphere in which she thus suddenly enveloped Feodor made it all sound like those cries of an earlier time when the all–powerful, punishing father appeared in the women's apartments to punish the culpable ones.
"My father! Dear Father! Look at me! Look at me! Have pity on me, and do not require me to speak when I must be silent forever. And believe me! Do not believe these men! Do not believe Matrena Petrovna. And am I not your daughter? Your very own daughter! Your Natacha Feodorovna! I cannot make things dear to you. No, no, by the Holy Virgin Mother of Jesus I cannot explain. By the holy ikons, it is because I must not. By my mother, whom I have not known and whose place you have taken, oh, my father, ask me nothing more! Ask me nothing more! But take me in your arms as you did when I was little; embrace me, dear father; love me. I never have had such need to be loved. Love me! I am miserable. Unfortunate me, who cannot even kill myself before your eyes to prove my innocence and my love. Papa, Papa! What will your arms be for in the days left you to live, if you no longer wish to press me to your heart? Papa! Papa!"
She laid her head on Feodor's knees. Her hair had come down and hung about her in a magnificent disorderly mass of black.
"Look in my eyes! Look in my eyes! See how they love you, Batouchka! Batouchka! My dear Batouchka!"
Then Feodor wept. His great tears fell upon Natacha's tears. He raised her head and demanded simply in a broken voice:
"You can tell me nothing now? But when will you tell me?"
Natacha lifted her eyes to his, then her look went past him toward heaven, and from her lips came just one word, in a sob:
"Never."
Matrena Petrovna, Koupriane and the reporter shuddered before the high and terrible thing that happened then. Feodor had taken his daughter's face between his hands. He looked long at those eyes raised toward heaven, the mouth which had just uttered the word "Never," then, slowly, his rude lips went to the tortured, quivering lips of the girl. He held her close. She raised her head wildly, triumphantly, and cried, with arm extended toward Matrena Petrovna:
"He believes me! He believes me! And you would have believed me also if you had been my real mother."
Her head fell back and she dropped unconscious to the floor. Feodor fell to his knees, tending her, deploring her, motioning the others out of the room.
"Go away! All of you, go! All! You, too, Matrena Petrovna. Go away!"
They disappeared, terrified by his savage gesture.
In the little datcha across the river at Krestowsky there was a body. Secret Service agents guarded it while they waited for their chief. Michael Nikolaievitch had come there to die, and the police had reached him just at his last breath. They were behind him as, with the death–rattle in his throat, he pulled himself into his chamber and fell in a heap. Katharina the Bohemian was there. She bent her quick–witted, puzzled head over his death agony. The police swarmed everywhere, ransacking, forcing locks, pulling drawers from the bureau and tables, emptying the cupboards. Their search took in everything, even to ripping the mattresses, and not respecting the rooms of Boris Mourazoff, who was away this night. They searched thoroughly, but they found absolutely nothing they were looking for in Michael's rooms. But they accumulated a multitude of publications that belonged to Boris: Western books, essays on political economy, a history of the French Revolution, and verses that a man ought to hang for. They put them all under seal. During the search Michael died in Katharina's arms. She had held him close, after opening his clothes over the chest, doubtless to make his last breaths easier. The unfortunate officer had received a bullet at the back of the head just after he had plunged into the Neva from the rear of the Trebassof datcha and started to swim across. It was a miracle that he had managed to keep going. Doubtless he hoped to die in peace if only he could reach his own house. He apparently had believed he could manage that once he had broken through his human bloodhounds. He did not know he was recognized and his place of retreat therefore known.
Now the police had gone from cellar to garret. Koupriane came from the Trebassof villa and joined them, Rouletabille followed him. The reporter could not stand the sight of that body, that still had a lingering warmth, of the great open eyes that seemed to stare at him, reproaching him for this violent death. He turned away in distaste, and perhaps a little in fright. Koupriane caught the movement.