Fireworks explode in the night sky, as guests stream through the French doors, pointing and gasping. Somebody’s running towards me, their footsteps pounding the dirt. I turn in time to take their full weight in my chest, sending me sprawling to the ground.
Trying to scramble to their feet, they only succeed in scraping my face with their fingers, a knee jabbing into my stomach. Derby’s temper, already clawing to be let out, takes hold of me. With a scream of rage, I begin pounding at this shape in the darkness, clutching their clothing even as they try to wrestle their way free.
Howling in frustration, I’m pulled off the ground, my opponent similarly lofted away, both of us held fast by servants. Lantern light spills across us, revealing a furious Michael Hardcastle desperately trying to break free of Cunningham’s strong arms, which are keeping him from Evelyn’s stricken form.
I stare at him in astonishment.
It’s changed.
The revelation knocks the fight out of me, my body going limp in the servant’s arms as I stare at the reflecting pool.
When I saw this event as Ravencourt, Michael clung to his sister, unable to move her. Now a tall fellow in a trench coat is pulling her out of the water, covering her blood-soaked body with Dickie’s jacket.
The servant lets me go and I drop to my knees in time to see a sobbing Michael Hardcastle led away by Cunningham. Determined to soak up as much of this miracle as possible, my gaze darts this way and that. Up by the reflecting pool, Doctor Dickie’s kneeling by Evelyn’s body, discussing something with the other man, who appears to be in charge. Ravencourt’s retreated to a couch in the ballroom, and is sitting slumped over his cane, lost in thought. The band is being harangued by drunken guests who, oblivious to the horror outside, want them to carry on playing, while servants stand idle, crossing themselves when they draw closer to the body under the jacket.
Heaven knows how long I sit there in the darkness, watching all this unfold. Long enough for everybody else to be ushered into the house by the fellow in the trench coat. Long enough for Evelyn’s limp body to be carried away. Long enough to grow cold, to grow stiff.
Long enough for the footman to find me.
He appears around the far corner of the house, a small sack tied to his waist, blood dripping off his hands. Taking out his knife, he begins drawing the blade back and forth across the rim of a brazier. I can’t tell whether he’s sharpening it, or simply warming it, but I suspect it’s irrelevant. He wants me to see it, to hear that unsettling scrape of metal against metal.
He’s watching me, waiting for my reaction, and, looking at him now, I wonder how anybody ever mistook him for a servant. Though he’s dressed in a footman’s red and white livery, he possesses none of the traditional subservience. He’s tall and thin, languid in his movements, with dirty blond hair and a teardrop face, dark eyes above a smirk that would be charming if it weren’t so empty. And then there’s that broken nose.
It’s purple and swollen, distorting his features. By the light of the fire, he looks like a creature dressing up as human, the mask slipping.
The footman holds up the knife to better inspect his work. Satisfied, he uses it to cut the sack from his waist, tossing it at my feet.
It hits the ground with a thud, the material soaked through with blood and tied shut with a drawstring. He wants me to open it, but I have no intention of indulging him.
Getting to my feet, I peel off my jacket and work loose the kinks in my neck.
In the back of my mind, I can hear Anna screaming at me, demanding I run. She’s right, I should be afraid, and in any other host, I would be. This is clearly a trap, but I’m tired of fearing this man.
It’s time to fight, if only to convince myself I can.
For a moment, we watch each other, the rain falling and the wind swirling. Unsurprisingly, it’s the footman who forces the issue, turning on his heel and sprinting into the darkness of the forest.
Bellowing like a lunatic, I charge after him.
As I cross into the forest, the trees huddle around me, branches scratch my face, the foliage thickening.
My legs are tiring, but I keep running until I realise I can’t hear him any more.
Skidding to a halt, I spin on the spot, panting.
He’s on me in seconds, covering my mouth to stifle my scream as the blade enters my side and tears up into my ribcage, blood burbling into my throat. My knees buckle, but I’m prevented from falling by his strong arms around me. He’s breathing shallowly, eagerly. This isn’t the sound of tiredness, it’s excitement and anticipation.
A match flares, a tiny point of light held in front of my face.
He’s kneeling down directly opposite, his pitiless black eyes boring into me.
‘Brave rabbit,’ he says, slitting my throat.
32
Day Six
‘Wake up! Wake up, Aiden!’
Somebody’s banging on my door.
‘You have to wake up, Aiden. Aiden!’
Swallowing my tiredness, I blink at my surroundings. I’m in a chair, clammy with sweat, my clothes twisted tight around me. It’s night time, a candle guttering on a nearby table. There’s a tartan blanket over my lap, old man’s hands laid across a dog-eared book. Veins bulge in wrinkled flesh, criss-crossing dry ink stains and liver spots. I flex my fingers, stiff with age.
‘Aiden, please!’ says the voice in the corridor.
Rising from my chair, I move to the door, old aches stirring throughout my body like swarms of disturbed hornets. The hinges are loose, the bottom corner of the door scraping against the floor, revealing the lanky figure of Gregory Gold on the other side, slumped against the doorframe. He looks much as he will when he attacks the butler, though his dinner jacket’s torn and caked with mud, his breathing ragged.
He’s clutching the chess piece Anna gave me, and that, together with his use of my real name, is enough to convince me that he’s another of my hosts. Normally, I’d welcome such a meeting, but he’s in a frightful state, agitated and dishevelled, a man dragged to hell and back.
Upon seeing me, he grips my shoulders. His dark eyes are bloodshot, flicking this way and that.
‘Don’t get out of the carriage,’ he says, spittle hanging off his lips. ‘Whatever you do, don’t get out of the carriage.’
His fear is a disease, the infection spreading through me.
‘What happened to you?’ I ask, a tremor in my voice.
‘He... he never stops...’
‘Never stops what?’ I ask.
Gold’s shaking his head, pounding his temples. Tears stream down his cheeks, but I don’t know how to begin comforting him.
‘Never stops what, Gold?’ I ask again.
‘Cutting,’ he says, drawing up his sleeve to reveal the slices beneath. They look exactly like the knife wounds Bell woke up with that first morning.
‘You won’t want to, you won’t, but you’ll give her up, you’ll tell, you’ll tell them everything, you won’t want to, but you’ll tell,’ he babbles. ‘There’s two of them. Two. They look the same, but there’s two.’
His mind’s broken, I can see that now. There isn’t an ounce of sanity left to the man. I reach out a hand, hoping to draw him into the room, but he takes fright, backing away until he bumps into the far wall, only his voice remaining.
‘Don’t get out of the carriage,’ he hisses at me, wheeling away down the corridor.
I take a step out after him, but it’s too dark to see anything and by the time I return with a candle, the corridor’s empty.
33
Day Two (continued)
The butler’s body, the butler’s pain, heavy with sedative. It’s like coming home.