“I told you! We won’t get caught,” Torchia replied. “I checked the rosters. No one’s coming down here today. Not today. Not tomorrow.”
“So why?”
“So we can leave you down here to rot, you moron,” someone said from the back, Andrea Guerino, judging by the gruff, northern voice, and he was only half joking.
Ludo Torchia stopped. So did they. That much of his superiority, his leadership, he’d established already.
“What did we say last night?” he demanded.
“Search me. I was drunk out of my mind,” LaMarca replied, looking at each of them in turn, searching for confirmation. “Weren’t we all?”
From dope and drink came dreams. It had been a long night in the bar in the Viale Aventino. They’d all spent too much money. They all, Dino Abati excepted, had smoked themselves stupid when they got back to the dingy house they shared near the old Testaccio slaughterhouse, the one with the statue Torchia couldn’t help but stare at each day he passed on the way to the tram and college. The abattoir was surmounted by the struggling figure of a winged man fighting to wrestle a bull to the ground, amid a sea of bones, animal and human. Mithras lived, Torchia thought. He was simply invisible to the masses.
“We said we would finish this,” Torchia insisted.
He held out his wrist, showed them the small wound each of them shared, made with the blunt razor blade he’d found in the bathroom, late that night.
“We said we would do this together. In secret. As brothers.”
They were all drones really. Torchia didn’t like a single one of them. Didn’t like anyone in Giorgio Bramante’s archaeology class if he was being honest. Except Bramante himself. That man had class and knowledge and imagination, three qualities Torchia judged to be supremely important. The rest were mere marionettes, ready to be manipulated by anyone who wanted to, though these five he’d picked with care and reason.
LaMarca, the skinny offspring of some minor hood from Naples, dark-skinned, with an untrustworthy face that never looked anyone in the eye, was quick and crooked and could surely help if things went wrong. Guerino, a none-too-bright farmer’s son from Abruzzo, was big enough and tough enough to keep everyone in line. Sandro Vignola, the sick-looking kid from Bologna, short and geeky behind thick glasses, knew Latin so well he could hold rapid, fluent conversations with Isabella Amato, the plain, bright, fat girl Vignola adored so much he blushed whenever they spoke, and still didn’t dare ask her out. Raul Bellucci, always on the edge of terror, had a lawyer for a father, one who’d recently won himself a seat in the Senate, the kind of man who would always turn out to help his son, should the sort of influence LaMarca possessed fail to do the trick. And Dino Abati, the class cave-freak, fit, knowing, shorter than Guerino but just as powerfully built, was there to keep them all alive. Abati seemed to have spent half his life underground, and cast a greedy eye at every manhole, cave, and underground working he walked past in Rome, where there were many, most of them awaiting investigation.
Abati didn’t say much. Torchia half suspected Dino didn’t believe in what they were doing at all, and was just looking to extend his knowledge, to pierce yet another mystery in the vast, unknown territory that was subterranean Rome. But he knew more of this strange and dangerous landscape than any of them. Abati had even led the team that found the trapdoor in an ancient pavement, close to Trajan’s Markets, which had revealed an underground cavern housing a hidden room and tomb dating from the second century, rich with paintings and inscriptions. His idea of weekend leisure was to spend long hours in a wet suit, waist-high in water and worse, walking the length of the Cloaca Maxima, the ancient sewer that still ran through the city, beneath the Forum, on to the Tiber and, as Torchia had discovered the one time he went down there, continued to take foul matter from unknown pipes and flush it towards anything that sought to penetrate its secrets.
Most important of all, though, and the reason Torchia had entangled him in this scheme, Dino Abati knew caves, was comfortable with ropes and lights, knots and pulleys. He understood, too, how to respond in an emergency: a broken leg, a sudden flood, the collapse of a corridor or roof.
For some reason — jealousy, Torchia guessed, since Abati was clearly going to be a professional archaeologist one day — Professor Bramante had kept him out of this last part of the dig. Torchia himself had only found out about the discovery by accident, overhearing Bramante and the American postgrad student, Judith Turnhouse, discussing it quietly in the corridor of the school after classes. After that he’d stolen a set of keys from the department office, copied every last one, tried his versions until they worked, letting him get further and further into the labyrinthine warren Giorgio Bramante was progressively penetrating, with Turnhouse and a coterie of other trusted members of the department. It was easy to keep secret too. From the surface, nothing was visible except the kind of iron gate most Roman subterranean workings possessed, principally for reasons of security, to keep out kids and vandals and partygoers. Nothing on the outside hinted at what lay in the soft rock beneath the red earth just a little way along from the archaeology department office, beside the church of Santa Sabina, beneath the little park, with its lovers and old men led by dogs, which the locals insisted on calling, to Torchia’s annoyance, the Orange Garden.
The park’s real name, as he and Bramante knew well, was the Parco Savello, from the ancient Roman street, the Clivo di Rocca Savella, which led up from the choking modern road by the Tiber below, still a narrow cobbled path cut into the rock, now strewn with rubbish, the occasional burned-out Lambretta, spent syringes, and used condoms.
There’d been a garrison at the summit of this hill once. Battalions of men had marched down that road, one of the first to be paved in Rome, defending the empire or expanding it, whatever their masters demanded. Beneath their barracks they’d created a magical legacy. Torchia was unsure of its precise date. Mithraism had come from Persia to Rome in the first century AD, the favoured religion of the military. Two thousand years ago, those soldiers must have started digging secretly beneath their barracks, creating a labyrinth with one purpose: to bring them closer to their God, then, through a series of trials and ceremonies, to bind each of them together in a fierce, unbreakable bond, a chain of command and obedience they would take to the grave.
He’d only appreciated a part of this before. When he stole the keys and discovered, with a growing amazement, what lay in the warren of underground corridors and caverns, he began, finally, to understand. As they would surely too. In the final hall, the holiest of holies, desecrated, stomped on by some brutish, all-conquering might, came the revelation, an epiphany that had left him breathless and giddy, clinging to the damp stone walls for support.
This was one of those rare occasions when history left a timestamp on something so old that, by normal thinking, it was incapable of being dated with any precision. He’d looked at the contents of that final room, once so glorious, once the very heart of those battalions’ Mithraic aspirations, and knew he could now name the very day it all came to an end: October the 28th, AD 312. The date of the Battle of the Milvian Bridge, when a victorious renegade called Constantine destroyed centuries of history and turned the Roman Empire away from a multiplicity of faiths and put one, Christianity, in their place.