“You happy in Tokio?”
“Yes.”
It was not the answer for which she had hoped and her eyes dropped at the curt monosyllable. She put the cup back on the tray and folded her hands in her lap with a faint little sigh of disappointment, her head drooping pensively. Craven knew instinctively that he had hurt her and hated himself. It was like striking a child. But presently she looked up again and gazed at him soberly, wrinkling her forehead in unconscious imitation of his.
“O Hara San very bad selfish girl. Hoping you very unhappy in Tokio,” she said contritely.
He laughed at the naive confession and the gloom vanished from his face as he stood up, his long limbs cramped with the uncongenial attitude.
“What have you been doing while I was away?” he asked, crossing the room to look at a new kakemono on the wall.
She flitted away silently and returned in a few moments carrying a small panel. She put it into his hands, drawing near to him within the arm he slipped round her and slanted her head against him, waiting for his criticism with the innate patience of her race.
Craven looked long at the painting. It was a study of a solitary fir tree, growing at the edge of a cliff—wind-swept, rugged. The high precipice on which it stood was only suggested and far below there was a hint of boundless ocean—foam-crested.
It was the tree that gripped attention—a lonely outpost, clinging doggedly to its jutting headland, rearing its head proudly in its isolation; the wind seemed to rustle through its branches, its gnarled trunk showed rough and weather-beaten. It was a poem of loneliness and strength.
At last Craven laid it down carefully, and gathering up the slender clasped hands, kissed them silently. The mute homage was more to her than words. The colour rushed to her cheeks and her eyes devoured his face almost hungrily.
“You like it?” she whispered wistfully.
“Like it?” he echoed, “Gad! little girl, it’s wonderful. It’s more than a fir tree—it’s power, tenacity, independence. I know that all your work is symbolical to you. What does the tree mean—Japan?”
She turned her head away, the flush deepening in her cheeks, her fingers gripping his.
“It means—more to me than Japan,” she murmured. “More to me than life—it means—you,” she added almost inaudibly.
He swept her up into his arms and carrying her out on to the verandah, dropped into a big cane chair that was a concession to his western limbs.
“You make a god of me, O Hara San,” he said huskily.
“You are my god,” she answered simply, and as he expostulated she laid her soft palm over his mouth and nestled closer into his arms.
“I talk now,” she said quaintly. “I have much to tell.”
But the promised news did not seem forthcoming for she grew silent again, lying quietly content, rubbing her head caressingly from time to time against his arm and twisting his watch-chain round her tiny fingers.
The night was very quiet. No sound came from within the house, and without only the soft wind murmuring in the trees, cicadas chirping unceasingly and the little river dashing down the hillside, splashing noisily, broke the stillness. Nature, the sleepless, was awake making her influence felt with the kindly natural sounds that mitigate the awe of absolute silence—sounds that harmonized with the peacefulness of the little garden. Tonight the contrast between Yokohama, with its pitiful western vulgarity obtruding at every turn, and the quiet beauty of his surroundings struck Craven even more sharply than usual. It seemed impossible that only two miles away was Theatre Street blazing and rioting with all its tinsel tawdriness, flaring lights and whining gramophones. Here was another world—and here he had found more continuous contentment than he had known in the last ten years. The garden was an old one, planned by a master hand. By day it was lovely, but by night it took on a weird beauty that was almost unreal. The light of the moon cast strong black shadows, deep and impenetrable, that hovered among the trees like sinister spirits lurking in the darkness.
The trees themselves, contorted in the moonlight, assumed strange forms—vague shapes played in and out among them—the sombre bushes seemed alive with peeping faces. It was the Garden of Enchantment, peopled with a thousand djinns and demons of Old Japan. The atmosphere was mysterious, the air was saturated with sweet heavy scents.
Craven was a passionate lover of the night. The darkness, the silence, the mystery of it appealed to him. He was familiar with its every phase in many climates. It enticed him for long solitary rambles in all the countries he had visited during the ten years of his wanderings. Nature, always fascinating, was then to him doubly attractive, doubly alluring. To the night he went for sympathy. To the night he went for inspiration. It was during his midnight wanderings that he seemed to get nearer the fundamental root of things. It was to the night he turned for consolation in times of need. It was then that he exorcised the demon of unrest that entered into him periodically. All his life the charm of the night had called to him and all his life he had responded obediently. As a tiny boy one of his earliest recollections was of slipping out of bed and, evading nurses and servants, stealing out into the park at Craven Towers to seek the healing of the night for some childish heartache. He had crept down the long avenue and climbing the iron fence had perched on the rail and watched the deer feeding by the light of the moon until all the sorrow had been chased away and his baby heart was singing with a kind of delirious happiness that he did not understand and that gave way in its turn to a natural childish enjoyment of an adventure that was palpably forbidden. He had slid down from the fence and retraced his steps up the avenue until he came to the path that led to the rose garden and eventually to the terrace near the house. He had trotted along on his little bare feet, shivering now and then, but more from excitement than from cold, until he had come to the long flight of stone steps that led to the terrace. He had laboriously climbed them one foot at a time, his toes curling at the contact with the chill stone, and at the top he had halted suddenly, holding his breath. Close to him was a tall indistinct figure wrapped in dark draperies. For a moment fear gripped him and then an immense curiosity swamped every other feeling and he moved forward cautiously. The tall figure had turned suddenly and it was his mother’s sad girlish face that looked down at him. She had lifted him up into her arms, wrapping her warm cloak round his slightly clad little body—she had asked no questions and she had not scolded. She had seemed to understand, even though he gave no explanation, and it was the beginning of a sympathy between them that had developed to an unusual degree and lasted until her death, ten years ago. She had hugged him tightly and he had always remembered, without fully understanding in his childhood, the half incredulous, half regretful whisper in his ear, “Has it come to you so soon, little son?”
The hereditary instinct, born thus, had grown with his own growth from boyhood to manhood until it was an integral part of himself.
And the lure of the eastern nights—more marvellous and compelling even than in colder climates—had become almost an obsession.
Little O Hara San, firm believer in all devils, djinns and midnight workers of mischief, had grown accustomed to the eccentricities of the man who was her whole world. If it pleased him to spend long hours of the night sitting on the verandah when ordinary folk were sensibly shut up in their houses she did not care so long as she might be with him. No demon in Japan could harm her while she lay securely in his strong arms. And if unpleasant shadows crept uncomfortably near the little house she resolutely turned her head and hiding her face against him shut out all disagreeable sights and slept peacefully, confident in his ability to keep far from her all danger. Her love was boundless and her trust absolute. But tonight there was no thought of sleep. For three long weeks she had not seen him and during that time for her the sun had ceased to shine. She had counted each hour until his return and she could not waste the precious moments now that he had really come. The djinns and devils in the garden might present themselves in all their hideousness if it so pleased them but tonight she was heedless of them. She had eyes for nothing but the man she worshipped. Even in his silent moods she was content. It was enough to feel his arms about her, to hear his heart beating rhythmically beneath her head and, lying so, to look up and see the firm curve of his chin and the slight moustache golden brown against his tanned cheek.