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He wipes his hands clean and lifts from the seat cushion a box. It is small, black, made of industrial plastic. He undoes the box’s fasteners and opens it to reveal three objects nestled into slotted protective foam. Mihalkov extracts the first item. Hoffstetler is familiar with many a gadget, but this is something new. It is the size of a baseball and constructed from a curled knuckle of metal pipe like a homemade grenade, except that the soldering is professional and the wiring held in place with tidy epoxy putty. A small green light, yet unlit, is taped next to a red button.

“We call this a popper,” Mihalkov says. “It is one of the Israelis’ new toys. Secure it within ten feet of Occam’s central fuses, depress the button, and five minutes later it will release a surge strong enough to disable all electricity. Lights, cameras, everything. It is highly effective. But I warn you, Dmitri, the damage is temporary. The fuses are replaced, and the power will return. I do not expect you to have more than ten minutes to complete your task.”

“My task,” Hoffstetler repeats.

Mihalkov nestles the popper back into the foam and, with the gentleness of a farmer scooping up a baby chick, withdraws the second item. This Hoffstetler recognizes, for he has wielded so many in so many regretful ways. It is a fully assembled syringe. Mihalkov removes the final item, a small glass vial filled with a silver liquid. He holds these items with more care than he held the popper and gives Hoffstetler a sympathetic smile.

“If the Americans are exterminating the asset, as you say, then there is but one course of action. You must get to it first. Inject it with this solution. It will kill the asset. More important, it will eat away the asset’s insides. When it is through, there will be nothing left to study but bones. Perhaps a little handful of scales.”

Hoffstetler laughs, a snort that spatters the table in spit, blood, and tears.

“If we can’t have it, neither can they. Is that the idea?”

“Mutually assured destruction,” Mihalkov says. “You know the concept.”

Hoffstetler braces one hand against the table and covers his face with the other.

“It didn’t want to hurt anyone,” he sobs. “It went centuries without hurting anyone. We did this to it. We dragged it up here. We tortured it. What’s next, Leo? What species do we wipe out next? Is it us? I hope it is. We deserve it.”

He feels Mihalkov’s hand settle atop his, pat it gently.

“You told me it understands pain like we do.” Mihalkov’s voice is soft. “Then be better than the Americans. Be better than all of us. Go ahead, listen to your author Mr. Huxley. Think of the creature’s feelings. Deliver it from its suffering. When you are finished, we wait, four or five days, just for appearances. Then I will take you, myself, to the embassy and put you on a ship to Minsk. Picture it, Dmitri. The blue skies like nothing they have here. The sun like the Christmas star through the snowy trees. So much has changed since you’ve seen it. You will see it again. You will see it with your family. Concentrate on that. All of it, it is nearly at the end.”

20

EVERYONE KNOWS THE front-desk girl, and everyone is busy. But today they halt their activities to watch her pass, her unerring smile gone grim and her studied saunter supplanted by a step so swift it flutters the hem of her dress. Lainie comes at Bernie’s secretary at such a march that the secretary, well-trained, responds defensively, “He’s not in.” Lainie presents roadblocks to clients all day; she knows how to dodge them, too. She swerves around the secretary, snatching the knob of Bernie’s door and pulling it open.

Bernie Clay is kicked back in his leather chair, ankles crossed atop his desk, a highball in one hand, face stretched in a laugh. Relaxed on the sofa are the copy chief and lead media buyer, chuckling over look-alike drinks. Too late, but bound by protocol, the secretary buzzes Bernie to say that Elaine Strickland is entering. Bernie’s smile fades to a look of perplexity. He gestures with his drink at the other men.

“This is called a meeting, Elaine.”

She’ll faint, she’ll be fired, she’s so stupid, what was she thinking?

“Mr. Gunderson… is waiting for you.”

Bernie squints, as if hearing Chinese.

“Right. But I’m in an important meeting.”

The copy chief snorts. Lainie looks at the sofa. Both men are smirking. A cold marble of sweat plummets down her backbone, even as she feels an angry roil at how these men just sit there, half-drunk and entitled. She holds tight to the resentment. If she must faint, let her do it from a respectable height. She plants her feet.

“He’s been waiting for an hour.”

Bernie rocks his chair to an upright position. Liquor slurps over the rim of his glass, hits the carpet. Not his concern, Lainie thinks: a janitor, one more of the overlooked, will take to her knees to do the scrubbing. Bernie sighs at the men and cricks his head at Lainie, as if to say, Let me deal with this. They stand up, buttoning jackets, not bothering to hide the collegial grins of watching a buddy butt heads with a strident female. The copy chief winks at Lainie as he passes. The media buyer brushes so close that Lainie is certain he can hear, if not feel, the crash of her heart.

“I know I offered you full-time employment,” Bernie says, “but let’s not let that go to our heads. Do your job, Elaine. And I’ll do my job. I’ll come and get Mr. Gunderson when I’m ready. I hope that’s before closing time, but we’ll see.”

“He’s a nice man.” Lainie despises the tremor in her voice. “He waited two weeks to get an appointment—”

“This is what I’m saying. You don’t really know what you’re talking about, do you? Everyone who walks through that door has a history. Don’t you? Let me tell you something about nice old Mr. Gunderson. He used to work here. Until he got arrested for moral depravity. Surprise. So when you charge in here, with other people in my office, and say Mr. Gunderson, that’s what they think of. It doesn’t make my life easier. I’m the only one in town who’ll work with Mr. Gunderson. I do it out of the goodness of my heart. Let me tell you something else. His work? It’s useless. Sure, it’s good. But it’s antique. It doesn’t sell. Two weeks ago, he brought me this big red monstrosity and I had him redo it green. I did it because I don’t have the heart to tell him the truth. He’s finished in this biz. At least my way he gets a kill fee. So, really, Elaine, who’s the nice one now?”

Lainie no longer knows. Bernie exhales indulgently, gets up, puts his arm around her, and guides her to the door, where he instructs her, tolerantly, she has to admit, to tell Mr. Gunderson that Mr. Clay had an emergency, and that he’s to leave his painting behind. That way the hard hearts in accounting can deliver the bad news later. Lainie feels like a child. She nods, a good girl, her forced smile crimping her face in a way she associates with home, the dinner table, pretending everything is all right.

When she returns to the lobby, Giles stands up, straightens his jacket, and strides forward, portfolio case swinging. Lainie scurries behind the desk as a soldier might into a foxhole, and selects from her inventory a tone of apology and the script that goes with it. Mr. Clay is busy handling an unforeseen event. I didn’t know. It’s my fault. I’m so sorry. Won’t you leave your work with me? I’ll make sure Mr. Clay sees it. She wonders if this is what it feels like to be Richard, to feel your heart harden to stone with every word. Giles shatters that stone by beginning to unbuckle the portfolio case without protest, accepting her blatant lie, not because he believes it, but because he doesn’t wish to cause her further upset. Forget what Bernie said about moral depravity. Giles Gunderson is the kindest man Lainie has ever known.