The young man did not look at her. “Don’t scream so, Mother.”
She glanced in Port’s direction, saw him. “What is that you’re drinking, Eric?” she demanded again, her voice slightly more subdued, but no less intense.
“It’s just sherry, and it’s quite delightful. I wish you wouldn’t get so upset.”
“And who do you think’s going to pay for your caprices?” She seated herself on the stool beside him and began to fumble in her bag. “Oh, blast! I’ve come off without my key,” she said. “Thanks to your thoughtlessness. You’ll have to let me in through your room. I’ve discovered the sweetest mosque, but it’s covered with brats all shrieking like demons. Filthy little beasts, they are! I’ll show it to you tomorrow. Order a glass of sherry for me, if it’s dry. I think it might help me. I’ve felt wretched all day. I’m positive it’s the malaria coming back. It’s about time for it, you know.”
“Otro Tio Pepe,” said the youth imperturbably.
Port watched, fascinated as always by the sight of a human being brought down to the importance of an automaton or a caricature. By whatever circumstances and in whatever manner reduced, whether ludicrous or horrible, such persons delighted him.
The dining room was unfriendly and formal to a degree which is acceptable only when the service is impeccable; this was not the case here. The waiters were impassive and moved slowly. They seemed to have difficulty in understanding the wants even of the French; certainly they showed no sign of interest in pleasing anyone. The two English people were given a table near the corner where Port and Kit were eating; Tunner was out with his French girl.
“Here they are,” whispered Port. “Keep an ear open. But try and keep a straight face.”
“He looks like a young Vacher,” said Kit, leaning far over the table, “the one who wandered across France slicing children into pieces, you remember?”
They were silent a few minutes, hoping to be diverted by the other table, but mother and son appeared to have nothing to say to each other. Finally Port turned to Kit and said: “Oh, while I think of it, what was all that this morning?”
“Do we have to go into it now?”
“No, but I was just asking. I thought maybe you could answer.”
“You saw all there was to see.”
“I wouldn’t ask you if I thought so.”
“Oh, can’t you see—” Kit began in a tone of exasperation; then she stopped. She was about to say: “Can’t you see that I didn’t want Tunner to know you hadn’t come back last night? Can’t you see he’d be interested to know that? Can’t you see it would give him just the wedge he’s looking for?” Instead she said: “Do we have to discuss it? I told you the whole story when you came in. He came while I was having breakfast and I sent him into your room to wait while I got dressed. Isn’t that perfectly proper?”
“It depends on your conception of propriety, baby.”
“It certainly does,” she said acidly. “You notice I haven’t mentioned what you did last night.”
Port smiled and said smoothly: “You couldn’t very well, since you don’t know.”
“And I don’t want to.” She was letting her anger show in spite of herself. “You can think whatever you want to think. I don’t give a damn.” She glanced over at the other table and noticed that the large bright eyed woman was following what she could of their conversation with acute interest. When that lady saw that Kit was aware of her attention, she turned back to the youth and began a loud monologue of her own.
“This hotel has the most extraordinary plumbing system; the water taps do nothing but sigh and gurgle constantly, no matter how tightly one shuts them off. The stupidity of the French! It’s unbelievable! They’re all mental defectives. Madame Gautier herself told me they have the lowest national intelligence quotient in the world. Of course, their blood is thin; they’ve gone to seed. They’re all part Jewish or Negro. Look at them!” She made a wide gesture which included the whole room.
“Oh, here, perhaps,” said the young man, holding his glass of water up to the light and studying it carefully.
“In France!” the woman cried excitedly. “Madame Gautier told me herself, and I’ve read it in ever so many books and papers.”
“What revolting water,” he murmured. He set the glass on the table. “I don’t think I shall drink it.”
“What a fearful sissy you are! Stop complaining! I don’t want to hear about it! I can’t bear to hear any more of your talk about dirt and worms. Don’t drink it. No one cares whether you do or not. It’s frightful for you, anyway, washing everything down with liquids the way you do. Try to grow up. Have you got the paraffin for the Primus, or did you forget that as well as the Vittel?”
The young man smiled with poisonous mock benevolence, and spoke slowly, as if to a backward child: “No, I did not forget the paraffin as well as the Vittel. The tin is in the back of the car. Now, if I may, I think I shall take a little walk.” He rose, still smiling most unpleasantly, and moved away from the table.
“Why, you rude puppy! I’ll box your ears!” the woman called after him. He did not turn around.
“Aren’t they something?” whispered Port.
“Very amusing,” said Kit. She was still angry. “Why don’t you ask them to join us on our great trek? It’s all we’d need.”
They ate their fruit in silence.
After dinner, when Kit had gone up to her room, Port wandered around the barren street floor of the hotel, to the writing room with its impossible, dim lights far overhead; to the palm-stuffed foyer where two ancient French women in black sat on the edges of their chairs, whispering to one another; to the front entrance, in which he stood a few minutes staring at a large Mercedes touring car parked opposite; and back to the writing room. He sat down. The sickly light from above scarcely illumined the travel posters on the walls: Fes la Mysterieuse, Air-France, Visitez I’Espagne. From a grilled window over his head came hard female voices and the metallic sound of kitchen activities, amplified by the stone walls and tile floors. This room, even more than the others, reminded him of a dungeon. The electric bell of the cinema was audible above all the other noises, a constant, nerveracking background. He went to the writing tables, lifted the blotters, opened the drawers, searching for stationery; there was none. Then he shook the inkwells; they were dry. A violent argument had broken out in the kitchen. Scratching the fleshy parts of his hands, where the mosquitoes had just bitten him, he walked slowly out of the room through the foyer, along the corridor into the bar. Even here the light was weak and distant, but the array of bottles behind the bar formed a focal point of interest for the eyes. He had a slight indigestion—not a sourness, but the promise of a pain which at the moment was only a tiny physical unhappiness in some unlocatable center. The swarthy barman was staring at him expectantly. There was no one else in the room. He ordered a whiskey and sat savoring it, drinking slowly. Somewhere in the hotel a toilet was flushed, making its sounds of choking and regurgitation.
The unpleasant tension inside him was lessening; he felt very much awake. The bar was stuffy and melancholy. It was full of the sadness inherent in all deracinated things. “Since the day the first drink was served at this bar,” he thought, “how many moments of happiness have been lived through, here?” The happiness, if there still was any, existed elsewhere: In sequestered rooms that looked onto bright alleys where the cats gnawed fish-heads; in shaded cafés hung with reed matting, where the hashish smoke mingled with the fumes of mint from the hot tea; down on the docks, out at the edge of the sebkha in the tents (he passed over the white image of Marhnia, the placid face); beyond the mountains in the great Sahara, in the endless regions that were all of Africa. But not here in this sad colonial room where each invocation of Europe was merely one more squalid touch, one more visible proof of isolation; the mother country seemed farthest in such a room.