The Residency itself would be lost: the Collector had never been in doubt about that. The important question was how it was lost … for, at all costs, the momentum of the attack must be broken. He had come to think of the attack as a living creature which derived its nourishment from the speed of its progress. Delay it, and its vitality would ebb. Halt it for a few minutes and it would die altogether. Until now its speed had been so great that it had grown into a ravening monster, capable not only of swallowing the Residency, but of gulping down the banqueting hall as well.
The Collector had posted all the men he could spare on the upper, north-facing verandah. From this vantage point they were to keep up a steady rifle fire on the sepoys advancing over the open ground until they heard the first ringing of the Church bell. In addition they had two camel guns, small cannons which could be mounted on saddles and fired from the backs of camels; for the circumstances these had been mounted on the back of a plush sofa which had been recovered from the rampart where it had served during the rains. Fleury, unaware of the Collector’s plans for a graduated retreat because he was not supposed to be in the Residency anyway, had dashed upstairs carrying the fifteen-barrelled pistol with which he was hoping to do battle from the upper storeys. In the first room he looked into, the window space had already been commandeered by two native pensioners and an indigo planter; in the next room he was just in time to see the camel guns fired… the sofa recoiled on its protesting castors and the men serving the guns set to work to re-load. He hurried down the corridor to the music-room. That should do fine. As he entered, he heard the pealing of a bell reverberating through the building above the din of battle, and he paused a moment, wondering what on earth it could be. But never mind … no time to worry about things like that. He hefted the pistol towards the window, laid it on the sill, cocked it, put a percussion cap beneath the hammer, directed it at some sepoys trotting below, and pulled the trigger, confident that a sepoy would throw up his arms and sink to the ground. There was a crack, but no sepoy dropped dead; the percussion cap had fired but not the pistol. Fleury uttered a curse and started to examine it, for the life of him he could not see what was the matter. Soon he was absorbed in the workings of the pistol, which was designed according to principles that were new to him. He would not be surprised to find that by using his intelligence he could add one or two significant improvements to this design. Again the great bell rang out. What on earth could it be? The next time it rang he was so absorbed in the problem of getting the pistol to work that he did not notice it; nor the next time either. Or the one after that.
Downstairs, the Collector was becoming desperate. He had just heard the banqueting hall cannons fire, which must mean that the sepoys were attempting an attack from the flank; he hoped that their attack had not succeeded because he and his men had more than they could cope with already. It was not that his plan of fighting from room to room was not working … on the contrary, it was working to perfection: every room they retired from was crammed with dead and dying sepoys. The only trouble was this: the sepoys kept on bravely coming forward, while he and his men kept on retreating. Against such an onslaught there was nothing much else he could do. They had fought their way backwards through pantries and brushing-rooms and knife rooms, past the European servants’ staircase, past the European butler’s room, the nurseries, the nursery dining-room, and the ayah’s rooms, until in the diningroom he knew he would have to make a stand. But the diningroom was too spacious: there the sepoys could use their numbers for a devastating bayonet charge. So, once again, he had to give the signal to Hookum Singh. The giant Sikh’s muscles bunched, the veins stood out on his throat and temples, his eyes bulged, and somehow he heaved the great iron bell into the air and swung it back and forth three times, making the walls sing and tremble, before silencing it again on the pulsing floor. Then he dragged it away to the drawingroom. The door into the drawing-room must be defended, no matter what happened … Otherwise, so quick had been the retreat through the Residency, the men fighting their way back from the hospital and across the yard would find themselves outflanked and unable to reach the connecting trench. So the Collector and Hookum Singh and half a dozen others prepared themselves to defend the drawing-room door, if necessary with bayonets as well as firearms.
Upstairs, Fleury had taken the pistol to pieces (as far as it couid be taken to pieces which did not seem to be very far) and put it together again. He did not believe himself to be any the wiser as regards the reason for it not firing, but he thought he might as well try again.
“I say, you don’t happen to know how this blessed thing works, do you?” he asked the person who had just come into the music-room. But he did not wait for a reply before throwing himself to one side as a sabre whistled down and buried itself deep in the brickwork of the window-sill where he had been sitting. Somehow a burly sepoy had found his way into the music-room; this man’s only ambition appeared to be to cut Fleury in pieces. Luckily, the blade of the sabre had snapped off and remained embedded in the wall, giving Fieury time to aim the pistol and pull the trigger. But this time there was only a disappointing click; not even the percussion cap fired. Never mind, Fieury had plenty of other weapons. He was now trying to drag one of the wavy-bladed Malayan daggers out of his belt, which was actually a cummerbund; he was having difficulty, though, because the corrugated edges had got caught in his shirt. Well, forget about his dagger, where was his sabre? His sabre, unfortunateiy, was on the other side of the sepoy (it was a good thing he had not noticed it because it was so sharp that he would have been able to slice Fleury in two without even pressing). Fieury had no time to draw his final weapon, the two-bladed Indian dagger, for his adversary, it turned out, was no less impressively armed than he was himself and he was already flourishing a spare sabre which he had been carrying for just such an emergency.
In desperation Fleury leapt for the chandelier, with the intention of swinging on it and kicking the sepoy in the face. But the chandelier declined to bear his weight and instead of swinging, he merely sat down heavily on the floor in a hail of diamonds and plaster. But as the sepoy lunged forward to put an end to the struggle he stumbled, blinded by the dust and plaster from the ceiling, and fetched up choking on the floor beside Fleury. Fleury again rolled away, tugging at first one dagger, then the other. But both of them refused to yield. His opponent was clumsily getting to his feet as Fleury snatched a violin from a rack of worm-eaten instruments (the survivors of an attempt by the Collector to start a symphony orchestra in the cantonment), snapped it over his knee and leapt on to the sepoy’s back, at the same time whipping the violin strings tightly round the sepoy’s neck and dragging on them like reins.
The sepoy was a large and powerful man, Fleury had been weakened by the siege; the sepoy had led a hard life of physical combat, Fleury had led the life of a poet, cultivating his sensibilities rather than his muscles and grappling only with sonnets and suchlike … But Fleury knew that his life depended on not being shaken off and so he clung on with all his might, his legs gripping the sepoy’s waist as tight as a corset, his hands dragging on the two broken pieces of violin. The sepoy staggered off, clutching at the violin strings, out of the music room and down the corridor with Fleury still on his back. He tried to batter his rider against the wall, scrape him off against a fragment of the banisters, but still Fleury held on. They galloped up and down the corridor, blundering into wails and against doors, but still Fleury held on. The man’s face had turned black, his eyes were bulging, and at last he crashed to the ground, with such force that he almost shook Fleury off … but Fleury remained dragging on the violin until he was certain the sepoy was dead. Then he returned, quaking, to the music-room to collect his sabre. But he was shaking so badly that he had to sit down and have a rest. “Thank heaven for that violin,” he thought. “Still, I’d better not stay long with the sepoys attacking …” He thought he had better leave the pistol where it was; it was much too heavy to carry around if it was not going to work. He had scarcely made this decision when he looked up. The sepoy was standing there again.