A rush of sympathy brought tears to Anne’s eyes.
‘Poor wretch! What a hideous way to die!’
‘Someone will pay dearly for this,’ he murmured.
‘He came all that way to see you.’
‘No, Anne.’
‘And this is his reward.’
‘Look more closely.’
‘Can anyone deserve such a miserable death?’
‘There is something you have missed.’
‘He was but a youth on the threshold of life.’
‘I fear not,’ he said, rising to his feet once more and speaking with quiet outrage. ‘This is no youth, Anne. The killer is more callous than we imagined. He has poisoned a young woman.’
Edmund Hoode was racked with doubt and tortured with regret. The surge of power that had enabled him to defy his colleagues and walk out of the house in Shoreditch had now spent itself. He was left feeling weak and helpless. As he ambled through the streets of Bishopsgate Ward, his heart was pounding and his feet encased in boots of lead. The impossible had happened. In a rare burst of single-minded action, a modest and highly unselfish man had behaved with brutal selfishness. Edmund Hoode put his own needs and desires before those of the company he had served so faithfully for so long. A series of interlinked betrayals — of Lawrence Firethorn, Barnaby Gill and the other sharers — was exacerbated by the wilful negation of his own creative role. In spurning Westfield’s Men, he was helping to suffocate his own career as a playwright.
Dejection turned an already bloodless face into a white mask of sorrow. Hoode was a traitor. He felt like a convicted felon in Newgate prison, who, given the choice between the summary horror of hanging and the languid misery of being pressed to death, opted for the latter because it permitted his heirs still to inherit his estate. Great weights were indeed loaded onto him, but they were not all made of steel and stone. One of them was Nicholas Bracewell, his closest friend in the company, stunned by Hoode’s treachery and pressing down hard in the way he had done on the burning roof of the Queen’s Head. Firethorn was there, too, along with Gill, the one stamping unceremoniously on him and the other dancing one of the famous jigs that adorned so many of Hoode’s plays. Both left deep footprints on his wayward heart. As for his own last will and testament, what did he have to bequeath except his work for Westfield’s Men? As an author and an actor, he existed only in performance. Piracy was rife in the theatre. Those same plays of his — staged with unvarying distinction by the company — were guarded by the book holder with his life. Could Edmund Hoode really put his private urges before the public good? Could he hold Westfield’s Men to ransom?
The weight of guilt and indecision was so excruciating that it brought him to a halt. If he went on, he lost the respect of his dearest friends: if he turned back, he missed his one real opportunity for true happiness. He had walked aimlessly for a long time but his feet had known their duty for they had brought him to the very place where the first glimpse of Elysium had been vouchsafed to him. He was in her street, standing opposite her house and looking up at her chamber window. An invisible hand must have guided him there to resuscitate his drooping spirits. No sooner did he realise where he was than the sweet face of his beloved rose up before him. A hundred friends would not separate him from her. A thousand theatre companies could not induce him to leave London so long as she graced it with her angelic presence. A million spectators could not deflect him.
She was called Mistress Jane Diamond and her beauty sparkled as preciously as her name. Edmund Hoode was entranced from the moment he set bulbous eyes on her. Poised, graceful and vivacious, she was brimming with a delightful wit. Jane Diamond was a veritable queen among women, and the fact that she was already encumbered with a king — her husband was a dull but prosperous vintner — did not diminish his readiness to pay court to her. Hoode’s romantic involvements always verged on calamity and he had characterised them, in a moment of savage introspection, as examples of the unlovable in pursuit of the unattainable. Jane Diamond was different. Not only did she encourage his interest, she actually returned his affection. She admired his plays, she doted on the verses he sent her and she loved his many sterling qualities. It was only a matter of time before consummation followed.
As he remembered that, he realised why he had walked insensibly in the direction of her house. Jane Diamond had agreed to be the jewel in his bed when time would serve, and she had promised to signal the fateful night by putting a lighted candle in her bedchamber on the same afternoon. For the past fortnight, Hoode had found reason to go back and forth to her house ten times a day but the darkness of his desire was not illumined with the flickering flame of hope. Until — did his eyes deceive him? — this moment. Even as he looked up at the casement, a slim figure appeared in it and set a tallow candle on the ledge. There was a pause, a tiny explosion of light and then a shimmering invitation that warmed his whole being. On the previous day, a spark of fire had ruined his play and destroyed part of their theatre, but this new flame was benign and joyful. It told him that an undeserving husband would be away for the night and that a gorgeous wife would be his.
Every trace of recrimination left him and he now felt as light as air. Westfield’s Men could no longer impinge on his consciousness. The assignation had been made and that was all that mattered. London was paradise.
Events moved swiftly in the house at Bankside. The surgeon arrived to find the girl beyond his help and to confirm the likely cause of her death. There was nothing about her person to indicate her identity, and whatever momentous news she carried had expired with her. Constables were summoned and the body was taken off to a slab in the morgue. Nicholas Bracewell, Anne Hendrik, the servant and the surgeon all made sworn statements to the coroner but there was no question of any rigorous pursuit of the killer by the forces of law and order. The coroner’s rolls contained countless murders by person or persons unknown, and it was possible to investigate only a tiny fraction of them. Priority was based firmly on the importance of the victim. Resources would never stretch to a full inquiry into the fate of a nameless girl from a distant county. Innocents were always at risk in a crime-infested city where a ragged army of predators waited to pounce on the unwise and the unwary. There was hardly a day when some battered corpse was not discovered in some dark corner or lugged out of the stews or dragged from the river. This hapless young woman, decided the coroner with a world-weary sigh and threadbare sympathy, was just one more fatality to enter in his records with her death unexplained and unavenged.
Nicholas Bracewell craved retribution. Since he could expect none from official quarters, he would have to find a means to deal it out himself. The girl had been poisoned, but she still had a small amount of money about her person and her clothing was of value. Theft had not been the motive. The murderer had even left her horse untouched, so he was not one of the cunning priggers of prancers who roamed the capital to steal horses wherever opportunity appeared. It was with the animal that Nicholas would start his search. He was convinced that the girl had been struck down in order to stop her passing on some news of vital import to him. Reluctant even to consider the idea of returning home, he yet knew that the only way to find out who she was and what tidings she bore was to go back once more to Devon. If that mystery were unravelled, he would have a clearer idea of why the young messenger was murdered and by whose fell hand.
Anne Hendrik had been on edge since the unheralded visitor first tottered across her threshold, and nothing that had occurred since had relieved her disquiet or eased the growing tension between her and Nicholas. Indeed, she was so upset that she pointedly ignored her lodger and asked the surgeon to escort her and her servant back to her house. When the man went off with the two women, Nicholas gave the coroner a fuller account of the circumstances and of his own involvement in the case. He made application for custody of the victim’s horse so that he could take it back to its rightful owner in Devon and explain what had befallen its rider. The girl would have anxious parents or a concerned employer with the right to know of her misfortune.