For his wife's sake O'Moy came thankfully to that conclusion. Under the circumstances it was the best possible termination to the episode. She must be told of her brother's death presently, when evidence of it was forthcoming; she would mourn him passionately, no doubt, for her attachment to him was deep—extraordinarily deep for so shallow a woman—but at least she would be spared the pain and shame she must inevitably have felt had he been taken and, shot.
Meanwhile, however, the lack of news from him, in another sense, would have to be explained to Una sooner or later for a fitful correspondence was maintained between brother and sister—and O'Moy dreaded the moment when this explanation must be made. Lacking invention, he applied to Tremayne for assistance, and Tremayne glumly supplied him with the necessary lie that should meet Lady O'Moy's inquiries when they came.
In the end, however, he was spared the necessity of falsehood. For the truth itself reached Lady O'Moy in an unexpected manner. It came about a month after that day when O'Moy had first received news of the escapade at Tavora. It was a resplendent morning of early June, and the adjutant was detained a few moments from breakfast by the arrival of a mail-bag from headquarters, now established at Vizeu. Leaving Captain Tremayne to deal with it, Sir Terence went down to breakfast, bearing with him only a few letters of a personal character which had reached him from friends on the frontier.
The architecture of the house at Monsanto was of a semiclaustral character; three sides of it enclosed a sheltered luxuriant garden, whilst on the fourth side a connecting corridor, completing the quadrangle, spanned bridgewise the spacious archway through which admittance was gained directly from the parklands that sloped gently to Alcantara. This archway, closed at night by enormous wooden doors, opened wide during the day upon a grassy terrace bounded by a baluster of white marble that gleamed now in the brilliant sunshine. It was O'Moy's practice to breakfast out-of-doors in that genial climate, and during April, before the sun had reached its present intensity, the table had been spread out there upon the terrace. Now, however, it was wiser, even in the early morning, to seek the shade, and breakfast was served within the quadrangle, under a trellis of vine supported in the Portuguese manner by rough-hewn granite columns. It was a delicious spot, cool and fragrant, secluded without being enclosed, since through the broad archway it commanded a view of the Tagus and the hills of Alemtejo.
Here O'Moy found himself impatiently awaited that morning by his wife and her cousin, Sylvia Armytage, more recently arrived from England.
"You are very late," Lady O'Moy greeted him petulantly. Since she spent her life in keeping other people waiting, it naturally fretted her to discover unpunctuality in others.
Her portrait, by Raeburn, which now adorns the National Gallery, had been painted in the previous year. You will have seen it, or at least you will have seen one of its numerous replicas, and you will have remarked its singular, delicate, rose-petal loveliness—the gleaming golden head, the flawless outline of face and feature, the immaculate skin, the dark blue eyes with their look of innocence awakening.
Thus was she now in her artfully simple gown of flowered muslin with its white fichu folded across her neck that was but a shade less white; thus was she, just as Raeburn had painted her, saving, of course, that her expression, matching her words, was petulant.
"I was detained by the arrival of a mail-bag from Vizeu," Sir Terence excused himself, as he took the chair which Mullins, the elderly, pontifical butler, drew out for him. "Ned is attending to it, and will be kept for a few moments yet."
Lady O'Moy's expression quickened. "Are there no letters for me?"
"None, my dear, I believe."
"No word from Dick?" Again there was that note of ever ready petulance. "It is too provoking. He should know that he must make me anxious by his silence. Dick is so thoughtless—so careless of other people's feelings. I shall write to him severely."
The adjutant paused in the act of unfolding his napkin. The prepared explanation trembled on his lips; but its falsehood, repellent to him, was not uttered.
"I should certainly do so, my dear," was all he said, and addressed himself to his breakfast.
"What news from headquarters?" Miss Armytage asked him. "Are things going well?"
"Much better now that Principal Souza's influence is at an end. Cotton reports that the destruction of the mills in the Mondego valley is being carried out systematically."
Miss Armytage's dark, thoughtful eyes became wistful.
"Do you know, Terence," she said, "that I am not without some sympathy for the Portuguese resistance to Lord Wellington's decrees. They must bear so terribly hard upon the people. To be compelled with their own hands to destroy their homes and lay waste the lands upon which they have laboured—what could be more cruel?"
"War can never be anything but cruel," he answered gravely. "God help the people over whose lands it sweeps. Devastation is often the least of the horrors marching in its train."
"Why must war be?" she asked him, in intelligent rebellion against that most monstrous and infamous of all human madnesses.
O'Moy proceeded to do his best to explain the unexplainable, and since, himself a professional soldier, he could not take the sane view of his sane young questioner, hot argument ensued between them, to the infinite weariness of Lady O'Moy, who out of self-protection gave herself to the study of the latest fashion plates from London and the consideration of a gown for the ball which the Count of Redondo was giving in the following week.
It was thus in all things, for these cousins represented the two poles of womanhood. Miss Armytage without any of Lady O'Moy's insistent and excessive femininity, was nevertheless feminine to the core. But hers was the Diana type of womanliness. She was tall and of a clean-limbed, supple grace, now emphasised by the riding-habit which she was wearing—for she had been in the saddle during the hour which Lady O'Moy had consecrated to the rites of toilet and devotions done before her mirror. Dark-haired, dark-eyed, vivacity and intelligence lent her countenance an attraction very different from the allurement of her cousin's delicate loveliness. And because her countenance was a true mirror of her mind, she argued shrewdly now, so shrewdly that she drove O'Moy to entrench himself behind generalisations.
"My dear Sylvia, war is most merciful where it is most merciless," he assured her with the Irish gift for paradox. "At home in the Government itself there are plenty who argue as you argue, and who are wondering when we shall embark for England. That is because they are intellectuals, and war is a thing beyond the understanding of intellectuals. It is not intellect but brute instinct and brute force that will help humanity in such a crisis as the present. Therefore, let me tell you, my child, that a government of intellectual men is the worst possible government for a nation engaged in a war."
This was far from satisfying Miss Armytage. Lord Wellington himself was an intellectual, she objected. Nobody could deny it. There was the work he had done as Irish Secretary, and there was the calculating genius he had displayed at Vimeiro, at Oporto, at Talavera.
And then, observing her husband to be in distress, Lady O'Moy put down her fashion plate and brought up her heavy artillery to relieve him.