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Ask no questions, Gannin Thidrich told himself. Swim! Swim!

Side by side they swam for what must have been miles, spurting along splendidly on the breast of the current. He had never known such joy. As a human he would have drowned long ago, but as an otter he was a superb swimmer, tireless, wondrously strong. And with Halabant next to him he was willing to swim forever: to the sea itself, even. Head down, nose foremost, narrow body fully extended, he drilled his way through the water like some animate projectile. And the otter who had been V. Halabant kept pace with him as he moved along.

Time passed and he lost all sense of who or what he was, or where, or what he was doing. He even ceased to perceive the presence of his companion. His universe was only motion, constant forward motion. He was truly a river otter now, nothing but a river otter, joyously hurling himself through the cosmos.

But then his otter senses detected a sound to his left that no otter would be concerned with, and whatever was still human in him registered the fact that it was a cry of panic, a sharp little gasp of fear, coming from a member of his former species. He pivoted to look and saw that V. Halabant had reverted to human form and was thrashing about in what seemed to be the last stages of exhaustion. Her arms beat the air, her head tossed wildly, her eyes were rolled back in her head. She was trying to make her way to the riverbank, but she did not appear to have the strength to do it.

Gannin Thidrich understood that in his jubilant onward progress he had led her too far down the river, pulling her along beyond her endurance, that as an otter he was far stronger than she and by following him she had exceeded her otter abilities and could go no farther. Perhaps she was in danger of drowning, even. Could an otter drown? But she was no longer an otter. He knew that he had to get her ashore. He swam to her side and pushed futilely against her with his river-otter nose, trying in vain to clasp her with the tiny otter flippers that had replaced his arms. Her eyes fluttered open and she stared into his, and smiled, and spoke two words, the counterspell, and Gannin Thidrich discovered that he too was in human form again. They were both naked. He found that they were close enough now to the shore that his feet were able to touch the bottom. Slipping his arm around her, just below her breasts, he tugged her along, steadily, easily, toward the nearby riverbank. He scrambled ashore, pulling her with him, and they dropped down gasping for breath at the river’s edge under the warm spring sunshine.

They were far out of town, he realized, all alone in the empty but not desolate countryside. The bank was soft with mosses. Gannin Thidrich recovered his breath almost at once; Halabant took longer, but before long she too was breathing normally. Her face was flushed and mottled with signs of strain, though, and she was biting down on her lip as though trying to hold something back, something which Gannin Thidrich understood, a moment later, to be tears. Abruptly she was furiously sobbing. He held her, tried to comfort her, but she shook him off. She would not or could not look at him.

“To be so weak—” she muttered. “I was going under. I almost drowned. And to have you see it—you—you—”

So she was angry with herself for having shown herself, at least in this, to be inferior to him. That was ridiculous, he thought. She might be a master sorcerer and he only a novice, yes, but he was a man, nevertheless, and she a woman, and men tended to be physically stronger than women, on the average, and probably that was true among otters too. If she had displayed weakness during their wild swim, it was a forgivable weakness, which only exacerbated his love for her. He murmured words of comfort to her, and was so bold to put his arm about her shoulders, and then, suddenly, astonishingly, everything changed, she pressed her bare body against him, she clung to him, she sought his lips with a hunger that was almost frightening, she opened her legs to him, she opened everything to him, she drew him down into her body and her soul.

Afterward, when it seemed appropriate to return to the city, it was necessary to call on her resources of sorcery once more. They both were naked, and many miles downstream from where they needed to be. She seemed not to want to risk returning to the otter form again, but there were other spells of transportation at her command, and she used one that brought them instantly back to West Triggoin, where their clothing and even the rope with which Gannin Thidrich had bound himself were lying in damp heaps near the place where he had thrown himself into the river. They dressed in silence and in silence they made their way, walking several feet apart, back to her flat.

He had no idea what would happen now. Already she appeared to be retreating behind that wall of untouchability that had surrounded her since the beginning. What had taken place between them on the riverbank was irreversible, but it would not transform their strange relationship unless she permitted it to, Gannin Thidrich knew, and he wondered whether she would. He did not intend to make any new aggressive moves without some sort of guidance from her.

And indeed it appeared that she intended to pretend that nothing had occurred at all, neither his absurd suicide attempt nor her foiling of it by following him to the river and turning them into otters nor the frenzied, frenetic, almost insane coupling that had been the unexpected climax of their long swim. All was back to normal between them as soon as they were at the flat: she was the master, he was the drudge, they slept in their separate rooms, and when during the following day’s lessons he bungled a spell, as even now he still sometimes did, she berated him in the usual cruel, cutting way that was the verbal equivalent of transforming him once again into a sandroach. What, then, was he left with? The taste of her on his lips, the sound of her passionate outcries in his ears, the feel of the firm ripe swells of her breasts against the palms of his hands?

On occasions over the next few days, though, he caught sight of her studying him surreptitiously out of the corner of her eye, and he was the recipient of a few not so surreptitious smiles that struck him as having genuine warmth in them, and when he ventured a smile of his own in her direction it was met with another smile instead of a scowl. But he hesitated to try any sort of follow-up maneuver. Matters still struck him as too precariously balanced between them.

Then, a week later, during their morning lesson, she said briskly, “Take down these words: Psakerba enphnoun orgogorgo-niotrian phorbai. Do you recognize them?”

“No,” said Gannin Thidrich, baffled.

“They are the opening incantation of the spell known as the Sublime Arcanum,” said Halabant.

A thrill rocketed down his spine. The Sublime Arcanum at last! So she had decided to trust him with the master spell, finally, the great opener of so many gates! She no longer thought of him as a fool who could not be permitted knowledge of it.

It was a good sign, he thought. Something was changing.

Perhaps she was still trying to pretend even now that none of it had ever happened, the event by the riverbank. But it had, it had, and it was having its effect on her, however hard she might be battling against it, and he knew now that he would go on searching, forever if necessary, for the key that would unlock her a second time.

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The right of Robert Silverberg to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.