The abbot was trembling again. “Venerable Sir, that's when we heard the sound. Or some of us did, since others couldn't hear it at all. It was the most beautiful sound in the world, but heartbreaking at the same time. It hurt us, and we wept, and then we started running after it. We had to. It was calling us.” He led the way out through the window to the garden, and Master Li grunted at the mass of sandal prints that covered any possible clue. We went out through a gate, and I realized we were on Princes’ Path. It was very beautiful, and mixed with trees and flowers I had known all my life were strange ones I couldn't identify. Master Li pointed out one flower as being a golden begonia, and said there couldn't be more than three others in all China. The path was really a vast garden, and I began to get the feel of it when we reached a ridge and I could look across the valley and see the green line winding up the opposite hills. Master Li confirmed my thoughts.
“The heirs of the Laughing Prince were appalled when they saw the destruction,” he said. They vowed to set things right if it took a thousand years, and Princes’ Path was planted to conceal the scars from the acid works, in fact, the only reason the peasants of the Valley of Sorrows aren't spoiled rotten is that the Liu family is land-rich but cash-poor, and most of the cash goes toward maintaining Princes’ Path and countless charities.”
The abbot stopped at the crest of a low hill. “We ran to this point,” he said. “Did I mention that the moon was very bright? We could not be mistaken in what we saw. Down below, down where the sound seemed to be coming from, we saw monks, but their robes were of clown's motley, and they were laughing and dancing beneath the stars. Normally we would have run for our lives, but the sound was summoning us and we had no choice but to obey. We ran on, and we came close enough to clearly see the clown robes although we could not see the faces because of the cowls. Then the monks danced into heavy brush and disappeared. Shortly afterward the wonderful-terrible sound stopped, and when we got through the brush, the dancing monks had vanished. In their place was something else.”
We walked down and made our way through the brush, and we stopped in our tracks and stared. “I'll be the Stone Monkey,” Master Li said softly.
Death had laid an icy finger across Princes’ Path. In an area approximately thirty feet wide and five times as long, not one living thing could be seen. Trees were bare and dead and without even a trace of sap, as I discovered when I broke off a branch. Flowers were withered. Bushes might as well have been sprayed with engraving acid. Not even the grass had survived, and brown clumps broke off beneath our feet. It looked like a cemetery one might see in a nightmare, and the line between life and death was so sharp it could have been cut with a knife. An inch from a dead flower was a blooming one, and lush greenery rubbed against bare brownness, and birds sang less than a foot from a place where not even an insect moved.
Master Li threw back his head and laughed, but without humor. “Incredible,” he said. “Abbot, Ox and I will have to take plant and soil samples to Ch'ang-an for analysis, and I doubt that it's worth speculating until we get a report on what caused the damage. Don't worry. Most of this affair seems clear enough, and quite simple, and I expect to wrap it up in one or two weeks.”
His confidence cheered the abbot, who pointed up toward a roofline high on the opposite hill.
“Prince Liu Pao has returned, and is eager to see you,” he said. “Could you possibly stop there first? The peasants…”
His voice trailed off.
“Want the prince and the visitor from the big city to search the Laughing Prince's tomb and make sure that the bastard is still in his coffin?” Master Li said.
The abbot nodded.
“We will be honored to visit the living prince and the dead one,” Master Li said. “I assume you have a great many things to do, so if you'll point out the way, we'll stroll up there and then on to Ch'ang-an.”
The abbot was obviously relieved at not being asked to enter the tomb of the Laughing Prince, and he gave directions and bowed and trotted away, muttering something that sounded like “forty-two kettles of fish.” I gathered plant and soil samples, and then we set forth to visit an aristocrat whose nerves, I hoped, were made from good material. Superstition is easily dismissed in daylight, but when the owls hoot, it's a different story. The wind sighs like ghosts whispering, and moonlight and leaves form patterns of mad monks dancing on the grass, and the house makes creaking sounds rather like the footsteps of a long-dead lunatic lord creeping up the stairs, and Prince Liu Pao's bedchamber was sitting practically on top of the maniac's tomb.
4
The estate was as large as one would expect for the ancestral seat of the former lords of the valley, but very little of it was still used. Weeds covered the formal gardens, and everywhere I looked I saw crumbling ruins. I suppose I was expecting a classic setting for a horror story, but that idea was dispelled the moment we walked through the gate to the wing of the mansion that was still kept up. The courtyard was rock and gravel and natural planting, and the spirit screen was simply a beautiful slab of red stone placed upon a sandalwood pedestal. We walked around the screen to the inner court, and instantly we were surrounded by a blaze of cheerful colors. Bright flowers were everywhere, and gaudy parrots and cockatoos greeted us raucously. A long vine-covered veranda led to the house, and a stack of broad-brimmed peasant hats had been provided for visitors who were allergic to bird droppings.
From the logistics of the place I decided that the living quarters had once been the kitchen. No obsequious flunkies came to greet us, but the door was open. We walked inside to a hallway, and instead of being confronted with grand family tablets proclaiming the Hall of Glory and Beautitude, we saw one simple plaque on the wall. Master Li had been obviously pleased, and now he practically purred. He said it was a classic essay by one of the ancients, Chen Chiju, and that it was one of the four pillars upon which civilization had been constructed. My education had not gone far enough to get to the pillars of civilization, and since it was in modern script, I read it with great interest.
Inside the gate there is a footpath, and the footpath must be winding. At the turn of the footpath there is an outdoor screen, and the screen must be small. Behind the screen there is a terrace, and the terrace must be level. On the banks of the terrace there are flowers, and the flowers must be bright-colored. Beyond the terrace there is a wall, and the wall must be low. By the side of the wall is a pine tree, and the pine must be old. At the foot of the pine there are rocks, and the rocks must be quaint. Over the rocks there is a pavilion, and the pavilion must be simple. Beyond the pavilion are bamboos, and the bamboos must be sparse. At the end of the bamboos there is a house, and the house must be secluded. By the side of the house is a road, and the road must branch off. Where several branches come together is a bridge, and the bridge must be tantalizing to cross. At the end of the bridge there are trees, and the trees must be tall. In the shade of the trees there is grass, and the grass must be green. Above the grass plot is a ditch, and the ditch must be slender. At the top of the ditch is a spring, and the spring must gurgle. Above the spring there is a hill, and the hill must be undulating. Below the hill is a hall, and the hall must be square. At the corner of the hall there is a vegetable garden, and the garden must be big. In the garden is a stork, and the stork must dance. The stork announces that there is a guest, and the guest must not be vulgar. When the guest arrives he is offered wine, and the wine must not be declined. At the drink the guest must get drunk, and the drunken guest must not want to go home.