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He took a chance: "Or would you prefer a little chat about Spring Heeled Jack?"

A muscle twitched at the corner of a pink eye and Burton knew he'd hit home. He wasn't working on two cases-he was working on one!

Oliphant's sword scraped down the rapier and made a lazy thrust at Burton's heart. The king's agent turned it aside and stepped to the left, flicking his point toward Oliphant's throat-a feint-he brought it down and stabbed at an area just below the albino's collarbone. His blade was met, turned, twisted, and almost torn from his hand again. This time, though, his riposte was fast and effective and Oliphant, not meeting resistance from the expected direction, found his point rising higher than intended. The end of Burton's rapier danced forward beneath it, pierced the sleeve of the albino's velvet frock coat, and penetrated his wrist. It was a move-the manchette- that the adventurer had developed himself in Boulogne while under the tutelage of the famed Monsieur Constantine.

Laurence Oliphant sprang back and stood clutching his wrist, his lips curled.

With feline eyes following his every move, Burton circled his opponent, walked past the bureau and windows, behind his primary desk, crossed in front of a bookcase, then stopped, blocking the door.

He used the back of his hand to wipe the blood from his cheek.

"En garde!" he snapped, and adopted the position.

Oliphant hissed poisonously and followed suit. Their weapons met.

In a flurry of motion, the duel commenced. The two blades clashed, scraped, lunged, parried, and whirled in attack and riposte, filling the room with the tink tink tink of metal against metal. Even with his wounded wrist, Burton's opponent possessed greater speed than any he'd faced before; but Oliphant had a fault: his eyes signalled every move, and the king's agent was thus able to defend against the blindingly fast onslaught. However, finding an opening in the albino's defence proved far more difficult, and, as the two men battled back and forth across the candlelit study, the competition quickly became, at least for Burton, one of endurance.

"Give it up!" gasped Oliphant.

"Where is Speke?" ground out Burton. "I demand an answer!"

"The only one you'll get," growled his foe, "is this!"

The albino's blade accelerated to such a speed that it became almost invisible. Burton's instincts took over; his many years of study and practice in the art of swordsmanship saved him over and over as he desperately blocked and turned aside the darting point. Again and again he was forced to step back, until he was brought up against a bookcase and found himself unable to manoeuvre. Worse, he was tiring, and he saw in the pink eyes that Oliphant recognised the fact.

He feinted, avoided the counterattack, and plunged his blade forward.

A red line appeared on Oliphant's cheek and blood sprayed out behind Burton's flashing blade.

"One for one!" he barked, and, seeing his opponent momentarily disconcerted, attempted another of his own moves, the une-deux, which against any normal opponent would have sent their weapon flying out of their grip while almost breaking their wrist.

Laurence Oliphant was not a normal opponent.

With a howl of fury he slipped his blade through Burton's attack and renewed his assault.

The deadly tip of his sword flew in from every direction and Burton, with the bookcase at his back and his arm muscles burning, found his defences breached. Scratches began to materialise on his forearms; slashes appeared as if by magic in the material of his pyjamas; a puncture wound marked his neck.

He was breathing heavily and starting to feel light-headed. His left hand, held outward and downward for balance, kept knocking against something, a distraction that grew increasingly irritating as his defence continued to falter and Oliphant's weapon found its target again and again.

At the exact instant he saw in his opponent's eyes that the killing thrust was coming, his hand closed over the obstruction and yanked it. A second rapier whipped upward and James Tuckey's Narrative of an Expedition to Explore the River Zaire flew from the end of it, hitting Oliphant square on the nose.

The albino stumbled backward.

As Burton's newly acquired blade came down, his other came up, and this time his une-deux succeeded. Oliphant's sword went spinning away to land near one of the windows. The king's agent immediately dropped both rapiers, sprang in close, and sent a terrific right cross cracking into his enemy's ear.

The intruder's head snapped sideways and he toppled to the floor, knocking over a table and crashing into a chair, which splintered into pieces under him.

Rolling to his knees, Oliphant ducked under a second punch and swiped upward, his fingernails clawing through Burton's pyjamas and lacerating the skin beneath.

Burton grabbed for his opponent's arm, intending to pull him into a Jambuvanthee Indian wrestling hold, but his bare foot landed on a sharp fragment of wood and twisted under him. He lost his balance and staggered.

The albino kicked out, his heels thumping into Burton's hip. The king's agent fell back against the bookcase with a loud bang and volumes tumbled down around him. He slid to the floor, snatched up a chair leg, and scrambled back to his feet just in time to see his opponent leaping away.

Laurence Oliphant grabbed his cane, scooped up his blade and sheathed it, and propelled himself through the glass of the window. The loud smash was immediately followed by the tinkle of glass as the shattered pane rained onto the pavement below.

Burton raced over and looked out. No normal human could have survived that drop, yet there was Oliphant, hatless and bloodied, sprinting toward the western end of Montagu Place. He ran past roadworks, which had appeared on the street the previous evening, and vanished around the corner.

Sir Richard Francis Burton, dripping blood, his pyjamas hanging in shreds, opened his bureau and poured himself a large brandy, which he swallowed in a single gulp.

He crossed to the fireplace and fell into his armchair, let loose a deep sigh, then immediately stood again, wondering how the hell Oliphant had got into the house.

A few minutes later, he found the answer: the tradesman's entrance below the front door was open and beside it, in the hallway, dressed in her nightgown, stood Mrs. Iris Angell.

Her eyes were wide, staring blankly at the wall.

"Come on, Mother Angell," said Burton gently, and guided her into her parlour. He sat her down and began crooning in that same ancient tongue he'd used to bring Countess Sabina out of her trance.

He knew he had to be thorough now. It wasn't merely a case of disengaging the woman from her hypnotic stupor; he had to probe the depths of her mind to remove any lingering suggestions planted by the archmesmerist, for it wouldn't do to have her spying for Oliphant, or, even worse, slipping poison into Burton's food.

"Hellfire!" he thought. "What have I got myself into?"

THE SWEEPS

Vote OUT the HYPOCRITE!

Vote IN DISRAELI!

- GRAFFITI

Aater that morning, after he'd arranged for a glazier to replace his broken window, Burton called at Algernon Swinburne's lodgings on Grafton Way, Fitzroy Square.

"By James!" exclaimed the poet, screeching with laughter. "You're more battered each time I see you! What happened this time? An escaped tiger?"

"More like a white panther," muttered Burton, noticing the dark circles under his friend's eyes. Swinburne had obviously continued drinking after their visit to the Tremors and was suffering the consequences.