“Please let me up, Your Highness. I would love to hear more about your mother. She sounds like a fascinating woman. Your Highness?” Sybil’s voice sounds hollow, reflecting from the cavernous walls.
“The seawater comes in through the grate behind you. You’re perfectly safe. No one can see you.”
“Please let me up now. My father will be worried. They’ll call out the guard if I don’t appear for dinner.”
Asma Sultan steps closer to the edge of the patio high above. “Arif Agha,” she calls down. “Another Frankish woman, Arif Agha. You’re not deaf. You heard her. She has the ear-and perhaps something else-of the magistrate.” She wheezes a laugh. “Haven’t you had enough? Your fate is tied to mine. That’s the way things are. You know what you have to do.” She pauses, peering down into the shadows, then continues in a wheedling voice. “Some things can’t be restored, Arif Agha, but others can.” Her voice turns hard again. “And there is much to lose.”
The eunuch listens spellbound, head tilted toward the sky, open-mouthed. Sybil thinks she hears him groaning. When she looks up again, the opening contains only sky.
Asma Sultan’s disembodied voice floats down. “The past is the vessel of the future, Sybil Hanoum. Just as I said.”
“I don’t understand. Why are you doing this?” Sybil yells.
There is no answer except the seawater sloshing through the ornate ironwork grill set into one end of the room. Sybil looks around at the high arched ceiling of the underground space. It is painted to resemble the sky, one side light blue with clouds, the other fading to night, decorated with tiny stars and a sickle moon. She can dimly see that the platform on which she and the eunuch stand is an island about fifteen feet square and rests just above the water.
The eunuch is pacing back and forth, his eyes never leaving the square of sky high above them.
Sybil turns and asks him in Turkish, “What is happening here? Isn’t she coming back?”
The eunuch stops; his gleaming eyes fix on Sybil. They hear the sound of oars splashing just beyond the iron grill, then receding.
“Do you know a way out of here? There must be a way up. I can’t believe the sultanas would let themselves be trapped down here at someone else’s mercy.”
She speaks to the eunuch in Turkish to keep her spirits up, even though he hasn’t said a word.
“I’m sure someone will come and get us. The embassy staff knows where I went.” Even as she says it, she is unsure whether she told the staff her exact destination. They might think I’ve gone to the palace, she thinks. But surely they would find Asma Sultan and ask about me.
A sudden realization chills Sybiclass="underline" Asma Sultan could say she hasn’t seen me; that it was a mistake on my part; that I must have been invited by someone else. There’s no proof that Asma Sultan invited me. It was a verbal message delivered by a servant. But I was picked up by Asma Sultan’s eunuch. Everyone saw him. He will have identified himself at the embassy gate.
The eunuch looks up at the sky, his body tense, listening. Sybil kneels and looks over the edge of the platform. The water isn’t very deep. The underground walls are lined with marble reliefs of trees and flowers mottled with peeling paint. A small rowboat bumps against one far wall. She looks anxiously around for a way up or another lever, but sees only a marble stairway resting against the platform and leading down into the water. So that the women can swim, she thinks.
She paces about the platform, then sits at one end, trying to make conversation with the stubbornly silent eunuch. Above her, the square of sky slowly becomes streaked with pink, then blends more and more with the darker half of the ceiling.
Sybil is cold and her legs are stiff. Tired of inactivity, she bunches her skirts and folds them over her arm, stepping carefully onto the slick marble stair. When she has descended so that the water reaches her chest, her feet encounter the paved surface of the floor. Her skirts are drenched and heavy. She looks around at the eunuch, who hasn’t moved, then climbs partway up again, removes her skirts, and heaves them onto the platform. This time, there is less resistance as she pushes her way through the water to the boat. She can’t swim, so she is wary of a change in depth and pushes each foot forward carefully, but the floor is even and she reaches the boat without difficulty. Inside are the remains of a velvet carpet, silk cushions, and two oars. A brass lamp hangs from the carved prow. She pulls the boat back to the platform to examine it. She is shaking with cold. The eunuch squats and stares at her wordlessly.
“Well, we’ve found a boat, although I can’t imagine how we’ll get it past that iron grate.” Suddenly she looks down at the water. It is still at the same height. “We don’t have to worry about high tide, do we?” she asks anxiously.
The eunuch doesn’t respond.
“And we have a lamp. Let’s see if we can light it.”
She looks inside, then says excitedly, “Look, there’s oil in here.” In a small container in the base, she finds flint and lights the lamp. The eunuch turns away as if the light hurts his eyes. Sybil climbs into the boat and rows inexpertly to the wall. Holding the lamp high, she inspects every inch of it, fingers scrabbling among the flakes of paint, searching for a mechanism to make the platform ascend. Soon it is so dark she can no longer make out the eunuch on the platform, only the ghostly glow of his white robe.
45
“Miss Sybil was picked up by a eunuch in a carriage early this morning. She said she was visiting a member of the Ottoman royal family,” the butler says officiously.
Kamil tries to keep his voice patient. “Do you remember who she was visiting?” Bernie paces the floor behind him.
“No, sir. I’m sorry, I don’t.” A note of anxiety has slipped into his voice. “Has something happened?”
Bernie strides over and confronts the butler. “Freddie, aren’t you responsible for knowing what goes on here?”
“Yes, sir.”
“Then how can you not know where Miss Sybil has gone?”
“She didn’t tell me, sir. It wouldn’t be proper for me to ask.”
Bernie regards him with a look of disgust. “It’s your business to find out, Freddie, not just let anyone walk off with her.”
Freddie barks at a servant to fetch the head English gatekeeper. The young man hurries away.
Kamil asks the disheveled butler kindly, “When were you expecting her to return?”
The butler’s eyes move to the dusk infiltrating the Residence windows. “She usually returns in time for dinner.”
Kamil turns to Bernie. “I was expected for dinner about an hour ago.”
“The ambassador has just finished dining, sir. I’m sorry.” The butler looks abashed. “If Miss Sybil isn’t here, he eats in his office,” he explains.
Bernie’s voice is menacing, “And you didn’t think to be alarmed when Miss Sybil didn’t return, even though she had invited a guest to dinner?”
“What could I do, sir? She’s probably just delayed,” he adds uncertainly.
Kamil takes Bernie aside and asks, “Should we tell the ambassador?”
Bernie shakes his head. “Do more harm than good. My uncle is a good man, but, between us, a bit of a loose cannon.”
“I know what you mean.” Kamil is relieved not to have to deal with Sybil’s father now. He wants to find Sybil, and it is all he can do to stop himself from rushing out the door.
“Do the maids know anything?” he asks Bernie.
“No. I talked to the whole staff. The maid who helped Sybil dress said she told her she was going to visit someone in the palace. That’s all. Let’s go look in her room.” He strides up the stairs two at a time, Kamil right behind him.
With some trepidation at this invasion of a woman’s forbidden realm, Kamil follows Bernie into Sybil’s bedroom. The room is spare but feminine, all white and beige, the room’s outlines blurred by soft fabrics edged with delicate laces.