“Very well,” says the King’s Remembrancer, “the Jurors may withdraw to Star Chamber to conduct the Assay.”
While the Jurors are still mumbling and shuffling, Daniel strides out, key in hand, and makes for the sedan chair. Miss Barton has taken up a position in front of it, facing into the room, as if to block any well-wishers-or ill-wishers, for that matter-from trying to get close to her uncle. She’s a bit red around the eyes, but when Daniel comes up to place a steadying hand on her shoulder, she feels solid and strong beneath the sleeve of her frock, and after a moment she shrugs him off and directs him toward the corner with a flick of her eyes. Many a London man-about-town has dreamed of receiving a come-hither look from those lovely Orbs, but Daniel will have to settle for what he’s just been given: a go-thither look. “He said,” she says, “that you would know what to do.”
So he goes into the corner, opens the door again, and verifies that Isaac’s still dead (which might seem a safe enough thing to assume; but with Isaac, you never know). He leans his head and shoulders into the box now, and checks under Isaac’s armpit: still tepid. Looking up, he has a full view of the back of Catherine Barton’s bodice and all of Star Chamber beyond. The black screen darkens everything somewhat, but his eyes soon enough adjust. No one, of course, can see him or Isaac.
On a large table next to the furnace, the City jurors dump out the contents of the Pyx. Sinthias gush out and mound up. A few roll to the floor and are chased down and snatched back. The Pyx is set upright, open, and empty, on the floor. The twenty-four Jurors-Goldsmiths and Citizens working all together, for the nonce-go through the heap, reading the label on each Sinthia, and divide them into two piles: one containing silver coins-shillings, sixpence, and various other penny denominations-and the other gold: guineas, and the odd five-guinea piece. Daniel notes that Mr. Theader has established a commanding position at the end of the table where the gold coins are being piled. Before him is a great two-pan scale. He is wielding a jack-knife, making quick work of the Sinthias, cutting the Yellow Boys out of their leathern straitjackets and stacking them on the table. From time to time he will cup one in his hand and toss it: as always, Daniel cannot make out whether this is a mere nervous tic, or a studied effort to judge its weight.
As the Trial of the Pyx seems well in hand, Daniel turns his attention to matters inside the sedan chair.
He said you would know what to do. Well, yes and no.
Daniel has studied a document, written in Hooke’s hand, asserting that a patient (who happened to be one Daniel Waterhouse, but that is neither here nor there) died, and was brought back to life by a coction brewed up by an Alchemist. Hooke set down the receipt as best as he could from memory. Later Isaac went through and studied this, as only Isaac could study a thing, and made any number of annotations to it, all in the mythology-ridden argot and the queer symbology of the Esoteric Brotherhood. Daniel knows more than he’d like to of such things, from having spent so much of his young life around such people, and he’s had a few days to go over Hooke’s receipt and Newton’s commentary and puzzle out what they mean. Isaac has made several attempts in recent weeks to carry out all of the steps in the procedure save the last, and so all of the necessary crucibles, retorts, amp;c. were lying out in plain sight on his laboratory-table when Daniel began work a couple of days ago, and all of the ingredients were there, too. All, that is, except for the last and most crucial.
Out of his pocket Daniel now takes the small wooden chest. He sets it on Isaac’s lap and opens it. The contents are a stoppered glass flask containing a red liquid, and a paper packet, like a wee Sinthia no bigger than Daniel’s fingernail. Daniel unfolds this with great care to expose a small quantity of gold dust. This is what remains of the ring that Solomon Kohan gave him, which Daniel melted last night to make a counterfeit guinea. Half of that guinea was snipped up into tiny shards that ought to be up Mr. Threader’s sleeve just now. The rest of it Daniel tediously rubbed against a file until it was all gone, and collected the dust of it into this paper packet. The particles are so fine that one needs a microscope to view them; this ought to mean that their superficies are enormous, and easily penetrable by any surrounding menstruum. Right now that happens to be air, and not much seems to be happening. But it is time to carry out the last step, which is to place them in a very different menstruum, altogether more reactive. Daniel picks up the phial of scarlet fluid and thumbs the cork out of it, then, practically in the same motion, pours the dust of the Solomonic Gold into the fluid. He replaces the cork and, holding the flask between his palms, clamps the stopper in place with both thumbs and gives it a shake.
A red-orange glow suffuses the interior of the sedan chair. Daniel perceives that it is light shining through the flesh of his hands. But there is no warmth: this is like kaltes feuer, the cold fire of Phosphorus.
He stuffs the phial under the flap of Isaac’s coat so that the unearthly light won’t shine through the window of the sedan chair, then risks taking the cork off. It is like staring into the swirling and lambent clouds of a thunderstorm. A scent reaches his nostrils, which he cannot identify, but he knows he’s smelled it before, and it brings a powerful urge to lift this draught to his lips and drink it down. He masters this, and considers how to get it into Isaac. It is to be administered orally, he knows that. But how does one get a dead man to drink? Hooke’s notes said something about a spatula. Tilting the vial, Daniel observes that the magma is thick, like porridge-it is congealing. If he waits much longer, he fears, it will be solid and unusable. Daniel grabs the only spatulate object near to hand: the key to Isaac’s padlock. Using this as a spoon, he digs out a gob of the bright stuff as big as the last joint of his little finger, and introduces it to Isaac’s mouth, flips it upside-down, and wipes it off on Isaac’s tongue.
He looks out the window, fearful that someone will have noticed the light. But all eyes are on a grave rite being conducted by Mr. Threader: a pile of guineas has been placed on one pan of his great Barock scale, and on the opposite pan, one of the standard weights from the Abbey vault.
He spoons out another gob. Half of the stuff is now gone from the phial. It continues to congeal, but it is still manageable. It has the useful property of adhering to itself more than to anything else, somewhat like mercury; it leaves no wetness, no residue on the inside of the phial or on the key. The final spoonful seems to take with it every last trace of the stuff, and the key emerges from Isaac’s mouth clean. Daniel notes that the glow has vanished, and now for the first time risks bringing his trembling hand to Isaac’s mouth and pulling his jaw down so that he can inspect the inside of the mouth. He is shocked to find that all of the stuff is gone, as if it had never existed. It has diffused into Isaac’s flesh: the vegetative spirit, if that’s what it really is, pervading the inert matter of the corpse.
“I find that these coins are satisfactory for weight,” Mr. Threader announces, “and so I propose that we now prevail upon our good friends, the Company of Goldsmiths, to assay the metal for fineness.” As Mr. Threader says this, he glances toward Daniel.
“The Company of Goldsmiths stands ready to conduct the assay,” announces the eldest of that jury. “We have nominated Mr. William Ham as Fusour.”
William steps forward and addresses Mr. Threader. “I shall require a fair sample of the metal having an aggregate weight of twelve grains, if you please, sir.”
“It is my honour to have been nominated Pesour by the Jury of Citizens,” says Mr. Threader agreeably. “I propose to give you your twelve grains by cutting small amounts from several coins, as is the established practice.”