"Then, in the name of goodness, why does she bother?" gasped Imogen. "She is pretty, wealthy, well-established; why should she bother?"
"That's what M. Roux has kept asking himself. I can't pretend to analyze it. She reads papers on the Literary Landmarks of Paris, the Loves of the Poets, and that sort of thing, to clubs out in Chicago. To Flavia it is more necessary to be called clever than to breathe.
I would give a good deal to know that glum Frenchman's diagnosis. He has been watching her out of those fishy eyes of his as a biologist watches a hemisphereless frog."
For several days after M. Roux's departure Flavia gave an embarrassing share of her attention to Imogen. Embarrassing, because Imogen had the feeling of being energetically and futilely explored, she knew not for what. She felt herself under the globe of an air pump, expected to yield up something. When she confined the conversation to matters of general interest Flavia conveyed to her with some pique that her one endeavor in life had been to fit herself to converse with her friends upon those things which vitally interested them. "One has no right to accept their best from people unless one gives, isn't it so? I want to be able to give--!" she declared vaguely. Yet whenever Imogen strove to pay her tithes and plunged bravely into her plans for study next winter, Flavia grew absent-minded and interrupted her by amazing generalizations or by such embarrassing questions as, "And these grim studies really have charm for you; you are quite buried in them; they make other things seem light and ephemeral?"
"I rather feel as though I had got in here under false pretenses," Imogen confided to Miss Broadwood. "I'm sure I don't know what it is that she wants of me."
"Ah," chuckled Jemima, "you are not equal to these heart to heart talks with Flavia. You utterly fail to communicate to her the atmosphere of that untroubled joy in which you dwell. You must remember that she gets no feeling out of things herself, and she demands that you impart yours to her by some process of psychic transmission. I once met a blind girl, blind from birth, who could discuss the peculiarities of the Barbizon school with just Flavia's glibness and enthusiasm. Ordinarily Flavia knows how to get what she wants from people, and her memory is wonderful. One evening I heard her giving Frau Lichtenfeld some random impressions about Hedda Gabler which she extracted from me five years ago; giving them with an impassioned conviction of which I was never guilty. But I have known other people who could appropriate your stories and opinions; Flavia is infinitely more subtle than that; she can soak up the very thrash and drift of your daydreams, and take the very thrills off your back, as it were."
After some days of unsuccessful effort, Flavia withdrew herself, and Imogen found Hamilton ready to catch her when she was tossed afield. He seemed only to have been awaiting this crisis, and at once their old intimacy reestablished itself as a thing inevitable and beautifully prepared for. She convinced herself that she had not been mistaken in him, despite all the doubts that had come up in later years, and this renewal of faith set more than one question thumping in her brain. "How did he, how can he?" she kept repeating with a tinge of her childish resentment, "what right had he to waste anything so fine?"
When Imogen and Arthur were returning from a walk before luncheon one morning about a week after M. Roux's departure, they noticed an absorbed group before one of the hall windows. Herr Schotte and Restzhoff sat on the window seat with a newspaper between them, while Wellington, Schemetzkin, and Will Maidenwood looked over their shoulders. They seemed intensely interested, Herr Schotte occasionally pounding his knees with his fists in ebullitions of barbaric glee. When imogen entered the hall, however, the men were all sauntering toward the breakfast room and the paper was lying innocently on the divan. During luncheon the personnel of that window group were unwontedly animated and agreeable all save Schemetzkin, whose stare was blanker than ever, as though Roux's mantle of insulting indifference had fallen upon him, in addition to his own oblivious self- absorption. Will Maidenwood seemed embarrassed and annoyed; the chemist employed himself with making polite speeches to Hamilton. Flavia did not come down to lunch--and there was a malicious gleam under Herr Schotte's eyebrows. Frank Wellington announced nervously that an imperative letter from his protecting syndicate summoned him to the city.
After luncheon the men went to the golf links, and Imogen, at the first opportunity, possessed herself of the newspaper which had been left on the divan. One of the first things that caught her eye was an article headed "Roux on Tuft Hunters; The Advanced American Woman as He Sees Her; Aggressive, Superficial, and Insincere." The entire interview was nothing more nor less than a satiric characterization of Flavia, aquiver with irritation and vitriolic malice. No one could mistake it; it was done with all his deftness of portraiture. Imogen had not finished the article when she heard a footstep, and clutching the paper she started precipitately toward the stairway as Arthur entered. He put out his hand, looking critically at her distressed face.
"Wait a moment, Miss Willard," he said peremptorily, "I want to see whether we can find what it was that so interested our friends this morning. Give me the paper, please."
Imogen grew quite white as he opened the journal. She reached forward and crumpled it with her hands. "Please don't, please don't," she pleaded; "it's something I don't want you to see. Oh, why will you? it's just something low and despicable that you can't notice."
Arthur had gently loosed her hands, and he pointed her to a chair. He lit a cigar and read the article through without comment. When he had finished it he walked to the fireplace, struck a match, and tossed the flaming journal between the brass andirons.
"You are right," he remarked as he came back, dusting his hands with his handkerchief.
"It's quite impossible to comment. There are extremes of blackguardism for which we have no name. The only thing necessary is to see that Flavia gets no wind of this. This seems to be my cue to act; poor girl."
Imogen looked at him tearfully; she could only murmur, "Oh, why did you read it!"
Hamilton laughed spiritlessly. "Come, don't you worry about it. You always took other people's troubles too seriously. When you were little and all the world was gay and everybody happy, you must needs get the Little Mermaid's troubles to grieve over. Come with me into the music room. You remember the musical setting I once made you for the Lay of the Jabberwock? I was trying it over the other night, long after you were in bed, and I decided it was quite as fine as the Erl-King music. How I wish I could give you some of the cake that Alice ate and make you a little girl again. Then, when you had got through the glass door into the little garden, you could call to me, perhaps, and tell me all the fine things that were going on there. What a pity it is that you ever grew up!" he added, laughing; and Imogen, too, was thinking just that.
At dinner that evening, Flavia, with fatal persistence, insisted upon turning the conversation to M. Roux. She had been reading one of his novels and had remembered anew that Paris set its watches by his clock. Imogen surmised that she was tortured by a feeling that she had not sufficiently appreciated him while she had had him. When she first mentioned his name she was answered only by the pall of silence that fell over the company. Then everyone began to talk at once, as though to correct a false position. They spoke of him with a fervid, defiant admiration, with the sort of hot praise that covers a double purpose. Imogen fancied she could see that they felt a kind of relief at what the man had done, even those who despised him for doing it; that they felt a spiteful hate against Flavia, as though she had tricked them, and a certain contempt for themselves that they had been beguiled. She was reminded of the fury of the crowd in the fairy tale, when once the child had called out that the king was in his night clothes. Surely these people knew no more about Flavia than they had known before, but the mere fact that the thing had been said altered the situation. Flavia, meanwhile, sat chattering amiably, pathetically unconscious of her nakedness.