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"That is my real name, I guess," Rod said slowly. "And you, honored sir—whom have I the pleasure of addressing?"

"I am that John whom men call the Evangelist," the venerable father returned. " 'Twas I who beheld the visions of the end of Time, and set them forth for all to read."

"The Book of Revelation? That John? The saint?"

The old man smiled, amused. "There are many saints named John, praise Heaven. Yet I am one among them, aye."

And probably the first one, Rod noted. "I am honored, Father." Well, after all, he had been a priest, hadn't he?

Or was he still?

"Thou hast honor because thou dost give honor," the old man replied.

Rod thought about that for a minute. "How is it that I am so fortunate as to meet you? And why are we going to the moon?"

Saint John laughed gently. "Thou art in my company, Lord Gallowglass, because thou must needs go to the moon—and must needs go there to recover thy wits."

"My wits?" Rod asked. "How'd they get to the moon?"

"The celestial beauty doth draw men's minds," Saint John explained, "and those whose hold upon their wits is feeble do yield them up unto her."

Rod remembered an old tradition that the full moon could bring madness. In fact, he believed that was the origin of the term "lunatic."

"All that is lost from men's hearts or minds doth come to the surface of the moon," the Evangelist explained, "and is there transmogrified, into shapes that the eye can perceive, and the hand can touch. But come—the Sphere draws nigh."

And so it had, Rod realized with a start—the face of the moon had grown to fill their whole field of view. Under the strange magic of planetary approach, he suddenly realized he was falling toward the surface, not sailing through space.

But they slowed as they fell, swinging around to the dark side of the moon—only it wasn't dark here, not in this universe. Rather, it was suffused with a strange, muted, sourceless light. They drifted down past the huge, rugged peaks of Luna. But, in the strange fashion of this magical universe, those slopes were no longer barren rock, but clothed with brush, then with somber evergreens. Looking down, Rod could see a few people wandering over grassy plains and by dark, still pools—but all the colors were muted, as though seen through a haze. "Good Father," said Rod, "who are they who wander this bleak plain?"

"Poor, lost souls, my son," the Evangelist said sadly, "who have lost their way in Life, and lost the Faith that might give them purpose. They wander here, without direction, waiting for death. But come—the land awaits."

They swung their feet down and touched, not dust, but gray-green turf. Rod looked up and saw a mound of paired circlets, attached so tightly they must have been cast-joined—but each circle was broken opposite the joint. "Good Father, what are these?"

"Promises of love," the old man said, "broken and forgot. Anon some lost soul may come and sort through this heap, find a promise made and broken long before, and with it find his way again—but few are they, and rarely come."

Rod saw a broken heart engraved on one, and felt a stab of guilt, remembering a few liaisons in his younger days. He reached for the pile, wondering whose names were engraved on the circlets nearest him, but the Evangelist took his arm and ushered him firmly on. "Enough, Sir Knight. 'Tis lost wits we seek, not their cause."

They went around the pile, past an azure pond whose brim was encrusted with salt, through a meadow of pale valentines that were drooping for lack of light, and into a grove of willows. "What trees are these, good Father?"

"Ones that weep, my son. They are fed by the springs of remorse and pity that should soften every human heart— yet some have lost each drop of compassion, and their hearts are hard and sere."

Rod saw names and pictographs engraved on the trunks of the trees. He recognized a bar of steel on one, and a sail from a ship on another, but the old man kept him moving too fast to read.

On they went, past a giant honeycomb holding crystal glasses of muted luster, through a tunnel lined with sealed caskets, and out onto a plain of dust. This, at least, looked a little like the Luna with which Rod was familiar—only an endless, flat plain of shifting particles, with stark crags rising in the distance.

But in the middle of that plain rose a mountain of shields made of darkened metal.

The saint took Rod's arm and stepped out onto the lake of dust. Rod followed, with a sinking stomach—he knew that the dust-pits of Luna could be worse than quicksand. But the saint walked that treacherous surface as lightly as a dove borne up by Faith, or by the magic of that world— and Rod walked with him. "What is this pile of shields, Father John?"

"Blotted escutcheons, my son. Here are arms of honor, made of brightest silver, but tarnished now with disdain or neglect. Their number has always been legion, yet never more so than in these darkened, latter days."

Rod leaned close as they passed, and saw a lectern on one, and a tall hat with a puffy top on another, but he couldn't make sense of the icons.

They rounded a huge mound of shredded paper, through which two pale shadows sifted wearily.

"What are they looking for?" Rod hissed to Saint John.

"A Seal of Confidence, my son," the Evangelist answered, "yet they are doomed not to find it, for it was a thing of their own devising."

Then the rugged peaks loomed closer, and Rod saw that one of them was composed of millions of shards of glittering glass. "Father, these are not merely lost, but broken also."

"Aye, my son, and wondrous would be that soul who could find all the pieces of any one cup, let alone weld them back together. Yet those who have lost these vessels have no such interest—for this is the resting place of broken integrity, where those who have fragmented themselves, seeking to give a bit to each who can aid them, will end their days. Yet sadly, they've often much of life to live ere death."

Rod craned his neck as they went by, and made out a compass with its needle pointing upward, a playing card with a knave holding an antique pistol, and a sort of rusty machinery jack. Beyond that, there were a few initials, some in the Roman alphabet, some in Cyrillic, some in Arabic, and many in Oriental ideograms. He wondered what was at the bottom of the pile.

Then, finally, they came to a huge mound of stoppered test tubes. A few lay open; all were engraved with people's names. On some, the letters had been so thoroughly eroded by time that only the initials were clear; on one, Rod could make out something that looked like the word "AH." Some were so old (or so new) that they had, not writing, but pictograms; one had a picture of two elks with wide, spatulate antlers. Rod could even see one with a picture of a Buck Rogers-style blaster. "What artifacts are these, sainted Father?"

"These vials hold the wits of men and women, my son—the reasoning faculty of they who have lost the power of logical thought."

Rod could see a very large test tube that read, "Conte Orlando," and decided that he had come in in the middle of more stories than one.

That tube, at least, was unstopped. "Why is that vial still here, if it's empty?"

"It awaits the return of the wits it held," Saint John explained.

It would wait forever, Rod knew. "Am I in there?"

"That part of thee that doth lend clarity and judgement to thy thinking, aye—that aspect of thy mind that doth see the material world about thee as it truly is."

"Only the material world? What about that part of my mind that discerns the intangible world?"

"That, at least," said the saint, "thou hast not yet lost."