The curtain was whisked up again.
Dr. Saddler went out with the others, but paid another dime, and soon was back inside. She paid no attention to the spieler, but got a good position in front of Ungo-Bungo's cage before the rest of the crowd arrived.
Ungo-Bungo repeated his performance with mechanical precision. Dr. Saddler noticed that he limped a little as he came forward to rattle the bars, and that the skin under his mat of hair bore several big whitish scars. The last joint of his left ring-finger was missing. She noted certain things about the proportions of nis shin and thigh, of his forearm and upper arm, and his big splay feet.
Dr. Saddler paid a third dime. An idea was knocking at her mind somewhere, trying to get in; either she was crazy or physical anthropology was haywire or—something. But she knew that if she did the sensible thing, which was to go home, the idea would plague her from now on.
After the third performance she spoke to the spicier. "I think your Mr. Ungo-Bungo used to be a friend of mine. Could you arrange for me to see him after he finishes?"
The spieler checked his sarcasm. His questioner was so obviously not a—not the sort of dame who asks to see guys after they finish.
"Oh, him," he said. "Calls himself Gaffney—Clarence Aloysius Gaffney. That the guy you want?"
"Why, yes."
"Guess you can." He looked at his watch. "He's got four more turns to do before we close. I'll have to ask the boss." He popped through a curtain and called, "Hey, Morrie!" Then he was back. "It's okay. Morrie says you can wait in his office. Foist door to the right."
Morrie was stout, bald, and hospitable. "Sure, sure," he said, waving his cigar. "Glad to be of soivice, Miss Saddler. Chust a min while I talk to Gaffney's manager." he .tuck his head out. "Hey, Pappas! Lady wants to talk to your ape-man later. I meant lady. Okay." He returned to orate on the difficulties besetting the freak business. "You take this Gaffney, now. He's the best damn ape-man in the business; all that hair really grows outa him. And the poor guy really has a face like that. But do people believe it? No! I hear 'em going out, saying about how the hair is pasted on, and the whole thing is a fake. It's mortifying." He cocked his head, listening. "That rumble wasn't no roily-coaster; it's gonna rain. Hope it's over by tomorrow. You wouldn't believe the way a rain can knock ya receipts off. If you drew a coive, it would be like this " He drew his finger horizontally through space, jerking it down sharply to indicate the effect of rain. "But as I said, people don't appreciate what you try to do for 'cm. It's not just the money; I think of myself as an ottist. A creative ottist. A show like this got to have balance and proportion, like any other ott ..."
It must have been an hour later when a slow, deep voice at the door said, "Did somebody want to see me?"
The gnarly man was in the doorway. In street-clothes, with the collar of his raincoat turned up and his hat-brim pulled down, he looked more or less human, though the coat fitted his great sloping shoulders badly. He had a thick knobby walking-stick with a leather loop near the top end. A small dark man fidgeted behind him.
"Yeah," said Morrie, interrupting his lecture. "Clarence, this is Miss Saddler, Miss Saddler, this is our Mister Gaffney, one of our outstanding creative ottists."
"Pleased to meetcha," said the gnarly man. "This is my manager, Mr. Pappas."
Dr. Saddler explained, and said she'd like to talk to Mr. Gaffney if she might. She was tactful; you had to be to pry into the private affairs of Naga head-hunters, for instance. The gnarly man said he'd be glad to have a cup of coffee with Miss Saddler; there was a place around the corner that they could reach without getting wet.
As they started out, Pappas followed, fidgeting more and more. The gnarly man said, "Oh, go home to bed, John. Don't worry about me." He grinned at Dr. Saddler. The effect would have been unnerving to anyone but an anthropologist. "Every time he sees me talking to anybody, he thinks it's some other manager trying to steal me." He spoke General American, with a suggestion of Irish brogue in the lowering of the vowels in words like "man" and "talk."
"I made the lawyer who drew up our contract fix it so it can be ended on short notice."
Pappas departed, still looking suspicious. The rain had practically ceased. The gnarly man stepped along smartly despite his limp. A woman passed with a fox-terrier on a leash. The dog sniffed in the direction of the gnarly man, and then to all appearances went crazy, yelping and slavering. The gnarly man shifted his grip on the massive stick and said quietly, "Better hang on to him, Ma'am." The woman departed hastily. "They just don't like me," commented Gaffney. "Dogs, that is."
They found a table and ordered their coffee. When the gnarly man took off his raincoat, Dr. Saddler became aware of a strong smell of cheap perfume. He got out a pipe with a big knobbly bowl. It suited him, just as the walking-stick did. Dr. Saddler noticed that the deep-sunk eyes under the beetling arches were light hazel.
"Well?" he said in his rumbling drawl.
She began her questions.
"My parents were Irish," he answered. "But I was born in South Boston—let's see—forty-six years ago. I can get you a copy of my birth-certificate. Clarence Aloysius Gaffney, May 2, 1910." He seemed to get some secret amusement out of that statement.
"Were either of your parents of your somewhat unusual physical type?"
He paused before answering. He always did, it seemed. "Uh-huh. Both of 'em. Glands, I suppose."
"Were they both born in Ireland?"
"Yep. County Sligo." Again that mysterious twinkle.
She paused. "Mr. Gaffney, you wouldn't mind having some photographs and measurements made, would you? You could use the photographs in your business."
"Maybe." He took a sip. "Ouch! Gazooks, that's hot!"
"What?"
"I said the coffee's hot."
"I mean, before that."
The gnarly man looked a little embarrassed. "Oh, you mean the 'gazooks'? Well, I—uh—once knew a man who used to say that."
"Mr. Gaffney, I'm a scientist, and I'm not trying to get anything out of you for my own sake. You can be frank with me."
There was something remote and impersonal in his stare that gave her a slight spinal chill. "Meaning that I haven't been so far?"
"Yes. When I saw you I decided that there was something extraordinary in your background. I still think there is. Now, if you think I'm crazy, say so and we'll drop the subject. But I want to get to the bottom of this."
He took his time about answering. "That would depend." There was another pause. Then he said, "With your connections, do you know any really first-class surgeons?"
"But—yes, I know Dunbar."
"The guy who wears a purple gown when he operates? The guy who wrote a book on 'God, Man, and the Universe'?"
"Yes. He's a good man, in spite of his theatrical mannerisms. Why? What would you want of him?"
"Not what you're thinking. I'm satisfied with my—uh—unusual physical type. But I have some old injuries—broken bones that didn't knit properly—that I want fixed up. He'd have to be a good man. though. I have a couple of thousand in the savings-bank, but I know the sort of fees those guys charge. If you could make the necessary arrangements—"
"Why, yes, I'm sure I could. In fact I could guarantee it. Then I was right? And you'll—" She hesitated.
"Come clean? Uh—huh. But remember, I can still prove I'm Clarence Aloysius if I have to."
"Who are you, then?"
Again there was a long pause. Then the gnarly man said, "Might as well tell you. As soon as you repeat any of it, you'll have put your professional reputation in my hands, remember.