‘Broken?’ I suggested.
‘Chained,’ said Mrs Cooke. ‘Intertwined, doubled, and it dun’t untangle any time soon there.’
I said nothing.
‘And that’s not all,’ she went on, warming to her task now, bending close over my hand. ‘What’s this I’m seeing?’
‘But Mrs Cooke, that’s Mrs Gilver’s left hand,’ said Ina. ‘Shouldn’t it be the right?’
‘Of course it should,’ said Mrs Cooke, ‘unless you’re left-handed. Well, forget all of that and we’ll start again.’
The sound of feet on the caravan steps, however, prevented it and we all turned to see a dapper little man, breathing heavily and dressed only in shirtsleeves and britches despite the cold, step through the door to join us. He was about Mrs Cooke‘s age but looked younger somehow, his greying curls less draining to the complexion than her blackened ones – when one looked closely one could see that the black extended to her scalp and even crept across her forehead here and there. His figure was youthful too and better suited to caravan life, one imagined, than Mrs Cooke’s comfortable girth.
‘Here’s Pa there,’ she greeted him. ‘Pa, here’s Mrs Wilson back again, on the quiet, mind, and we han’t seen her, and her friend Mrs Gilver and have we seen you or han’t we now?’
‘Tam Cooke,’ said the man, in a voice which was of purest Edinburgh and more, like Sir Harry Lauder over-egging for Americans in the music hall. ‘So you’re back amongst us, Mrs Wilson. Cannot keep away.’ He sat down heavily on the edge of the box-bed and wiped his brow with a large silk handkerchief pulled from his pocket.
‘Is that your day done there, Pa?’ said Mrs Cooke, moving the kettle forward again.
‘I’ve done all I can,’ he replied. ‘The lass is that headstrong and as wick as a flea with it. Changed days, Ma, changed days.’ Mrs Cooke shook her head and sucked her teeth in sympathy. ‘Our newest entrée,’ her husband explained to Ina and me, ‘our Anastasia.’ The word was in heavy italics. ‘A fine talent for the voltige – never seen a trick rider so slick since Ma was a girl – but she’s a josser all the same – not circus-born – and it shows. I’m done telling her, Ma. I’m the equestrian director, never mind the owner – Cooke’s Circus, it says over the ring door, and she can read better than most.’ He took a cup of tea from his wife’s hand and nodded his thanks.
‘Oh, Tam,’ said Mrs Cooke. ‘Don’t you go fretting the maid there. She hasn’t had her troubles to seek. Anyways, it said Cooke’s Family Circus last time I looked, and she’s one of our own now, like it or not.’ She spoke easily enough, but she was watching her husband closely to see how the words went with him, and the overall effect was rather pointed for the setting. Mr Cooke said nothing. Ina gazed dumbly out of the window. I cleared my throat. Mrs Cooke stepped in and ended the silence at last.
‘Any sign of Topsy’s swing?’
‘Not a sniff of it,’ said Pa, with a faint smile. ‘That lass needs to learn to take more care of her props – I’m not made of money for new ropes and she should know it.’ He spoke, however, with a chuckle in his voice and Mrs Cooke relaxed too and grinned back at him. ‘So the Prebrezhenskys are up now.’
‘Our Risley act,’ said Mrs Cooke, turning to Ina and me. ‘Foot jugglers – worth a look for you there.’
‘For sure,’ said Mr Cooke. ‘They’re working on the double flick-flack, and it’s looking good too.’
‘Tell me they’ve got them little maids on the mechanic,’ said Mrs Cooke, pressing her hand to her heart. Mr Cooke nodded wearily and flapped a hand at her to calm her. I crossed my eyes at Ina, quite at a loss on the question of flick-flacks and how mechanics might improve them.
‘Prebrezhensky!’ said Mr Cooke, and his wife tutted again. ‘Helps if you can even say it. I told them “Kukov” would be better for Cooke’s Circus. Clever, you know? But what say do I have these days? Or Romanov, if they must. Bit of class, bit of history and it would go with our “Anastasia” at least, but they’d have none of it. “What we have lost! What have we have left but our name?” they said to me. I don’t know. Changed days.’
‘When I did my voltige,’ Mrs Cooke said, ‘Mr Cooke used to ride the haute école.’ She pronounced it oaty coil, but I had an aunt with a passion for high-school Spanish dressage and so I caught her meaning. ‘And everyone in the ring was a Cooke or a Turvy or an Ilchenko on one side or both – all family.’ She sighed. ‘Now our boys are in America doing their act for a packet of pay and our girl’s married to a tobacconist and here’s me telling fortunes…’
‘Front-of-house show,’ corrected Mr Cooke, but the doldrums had conquered both of them now. ‘In the old days, you never needed no fortunes told to entertain them coming in. They’d look round the menagerie and be happy as sand boys. Sometimes I think we should hang the expense and get back to it, Ma. An elephant, a camel or two, some cats, wouldn’t you like that, eh? We could have a parade again – better than posting bills on lamp-posts any day.’
‘And beast wagons and show wagons and tent grooms and the ticket price so high to cover it we’d show to empty galleries like as not. We’re stretched flat taking on the new acts anyways. Them days is gone there, Tam. All gone.’
They sounded exactly like Hugh and me.
Ina and I excused ourselves shortly afterwards; Mr Cooke looked done in and I was sure he wanted to pull off his long boots and flop back on to his bed. We made our way across the ground to the big top – although I had noticed that Mrs Cooke called it simply the tent – pausing only to gape, stunned, at the not inconsiderable sight of Bunty sitting up on her haunches with her front paws crossed while Sallie, the tiny child who had led her away from the caravan, waved a biscuit slowly back and forth in front of her nose. Bunty, catching sight of me, whined and lowered one paw towards the grass, but the child said ‘Yat!’ and clicked her fingers and Bunty turned to face the biscuit again.
‘I cannot believe my eyes,’ I said to Ina. ‘Nothing the Bresh-whoevers might do in the way of juggling feet is going to top that.’
Of course, I spoke too soon. We pulled aside the flaps under the canopy and stepped as discreetly as possible inside, into the canvas dome, into the smell of sawdust and oiled rope, into a place even more magical in its dim emptiness than it had been filled with music, lights and laughter and the sugary tang of toffee-covered apples when I was a child.
The Prebrezhenskys turned out to be a large fair-haired man, a small dark woman like a pixie, two dark pixie girls of around eight, twins perhaps, and one of five or so with golden hair and fat pink cheeks, her father’s daughter. They nodded at us in a friendly way as we entered and I attempted a nonchalant nod in return as though I found them as unremarkable as they me. In fact, all five were dressed in britches and short leather coats with fur collars and the two bigger girls had harnesses around their waists, attached to ropes slung over a pair of high beams.
‘This is Mrs Gilver, a friend of mine,’ said Ina. ‘Now, Dandy, um…’
‘I say for you,’ the woman laughed, surveying her family with casual pride. ‘Nikolai Prebrezhensky.’ Her husband clicked his heels together and gave a curt bow, no more than a nod really. ‘And Rosaliya, Inessa and Akilina the baby. I am Zoya. Please to watch and please to excuse mechanic.’ She gestured to the harness and rope arrangement with an air of apology.
With another bow, the man turned back to his womenfolk. He seemed to be explaining something to the girls, speaking with expansive gestures and many loud flourishes. ‘Ah-Tah-Dahhh!’ he boomed, spreading his arms wide. ‘Bamm-Bamm!’ They nodded, very serious. He dropped down on to his back on a canvas pad spread on the floor and the two girls – heavens, they were tiny! – each grasped one of his hands and hopped up until they were sitting on his feet. Their mother caught the ends of the ropes attached to her daughters’ waists and began beating time against her leg with a short stick. The little girls, curled into balls, began to revolve. The baby retreated to a safe distance, clapping her hands.