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Rhode Island, though famously the smallest of the fifty stales, yet contains odd American vastnesses, tracts scarcely explored amid industrial sprawl, abandoned homesteads and forsaken mansions, vacant hinter­lands hastily traversed by straight black roads, heath­like marshes and desolate shores on either side of the Bay, that great wedge of water driven like a stake clean to the state's heart, its trustfully named capital. "The fag end of creation" and "the sewer of New England," Cotton Mather called the region. Never meant to be a separate polity, settled by outcasts like the bewitch­ing, soon-to-die Anne Hutchinson, this land holds manifold warps and wrinkles. Its favorite road sign is a pair of arrows pointing either way. Swampy poor in spots, elsewhere it became a playground of the exceedingly rich. Refuge of Quakers and antinomians, those final distillates of Puritanism, it is run by Catholics, whose ruddy Victorian churches loom like freighters in the sea of bastard architecture. There is a kind of metallic green stain, bitten deep into Depression-era shingles, that exists nowhere else. Once you cross the state line, whether at Pawtucket or Westerly, a subtle change occurs, a cheerful di-shevelment, a contempt for appearances, a chimerical uncaring. Beyond the clapboard slums yawn lunar stretches where only an abandoned roadside stand offering the ghost of last summer's Cukes betrays the yearning, disruptive presence of man.

Through such a stretch Alexandra now drove to steal a new look at the old Lenox mansion. She took with her, in her pumpkin-colored Subaru station wagon, her black Labrador, Coal. She had left the last of the sterilized jars of sauce to cool on the kitchen counter and with a magnet shaped like Snoopy had pinned a note to the refrigerator door for her four children to find: milk in frig, oreos in breadbox.

back in one hour. love.

The Lenox family in the days when Roger Williams was still alive had cozened the sachems of the Narragansett tribe out of land enough to form a European barony, and though a certain Major Lenox had he­roically fallen in the Great Swamp Fight in King Philip's War, and his great-great-great-grandson Emory had eloquently urged New England's secession from the Union at the Hartford Convention of 1815, the family had taken a generally downward trend. By the time of Alexandra's arrival in Eastwick there was not a Lenox left in South County save one old widow, Abi­gail, in the stagnant quaint village of Old Wick; she went about the lanes muttering and cringing from the pebbles thrown at her by children who, called to account by the local constable, claimed they were defending themselves against her evil eye. The vast Lenox lands had long been broken up. The last of the effective male Lenoxes had caused to be built on an island the family still owned, in the tracts of salt marsh behind East Beach, a brick mansion in dimin­ished but locally striking imitation of the palatial sum­mer "cottages" being erected in Newport during this gilded age. Though a causeway had been constructed and repeatedly raised by fresh importation of gravel, the mansion always suffered the inconvenience of being cut off when the tide was high, and had been occupied fitfully by a succession of owners since 1920, and had been allowed by them to slide into disrepair. The great roof slates, some reddish and some a bluish gray, came crashing unobserved in the winter storms and lay like nameless tombstones in summer's lank tangle of uncut grass; the cunningly fashioned copper gutters and flashing turned green and rotten; the ornate octagonal cupola with a view to all points of the compass developed a list to the west; the massive end chimneys, articulated like bundles of organ pipes or thickly muscled throats, needed mortar and were dropping bricks. Yet the silhouette the mansion pre­sented from afar was still rather chasteningly grand, Alexandra thought. She had parked on the shoulder of the beach road to gaze across the quarter-mile of marsh.

This was September, season of full tides; the marsh between here and the island this afternoon was a sheet of skyey water flecked by the tips of salt hay turning golden. It would be an hour or two before the cause­way in and out became passable. The time now was after four; there was a stillness, and a clothy weight to the sky that hid the sun. Once the mansion would have been masked by an allée of elms continuing the causeway upward toward the front entrance, but the elms had died of Dutch elm disease and remained as tall stumps lopped of their wide-arching branches, standing like men in shrouds, leaning like that armless statue of Balzac by Rodin. The house had a forbid­ding, symmetrical face, with many windows that seemed slightly small—especially the third-story row, which went straight across beneath the roof without variation: the servants' floor, Alexandra had been in the building years ago, when, still trying to do the right wifely things, she had gone with Ozzie to a ben­efit concert held in its ballroom. She could remember little but room after room, scantly furnished and smelling of salt air and mildew and vanished plea­sures. The slates of its neglected roof merged in tint with a darkness gathering in the north—no, more than clouds troubled the atmosphere. Thin white smoke was lifting from the left-hand chimney. Some­one was inside.

That man with hairy backs to his hands. Alexandra's future lover.

More likely, she decided, a workman or watchman he had hired. Her eyes smarted from trying to see so far, so intensely. Her insides like the sky had gathered to a certain darkness, a sense of herself as a pathetic onlooker. Female yearning was in all the papers and magazines now; the sexual equation had become reversed as girls of good family flung themselves toward brutish rock stars, callow unshaven guitarists from the slums of Liverpool or Memphis somehow granted indecent power, dark suns turning these chil­dren of sheltered upbringing into suicidal orgiasts. Alexandra thought of her tomatoes, the juice of vio­lence beneath the plump complacent skin. She thought of her own older daughter, alone in her room with those Monkees and Beatles... one thing for Marcy, another for her mother to be mooning so, straining her eyes.

She shut her eyes tight, trying to snap out of it. She got back into the car with Coal and drove the half-mile of straight black road to the beach.

After season, if no one was about, you could walk with a dog unleashed. But the day was warm, and old cars and VW vans with curtained windows and psy­chedelic stripes filled the narrow parking lot; beyond the bathhouses and the pizza shack many young peo­ple wearing bathing suits lay supine on the sand with their radios as if summer and youth would never end. Alexandra kept a length of clothesline on the back­seat floor in deference to beach regulations. Coal shiv­ered in distaste as she passed the loop through his studded collar. All muscle and eagerness, he pulled her along through the resisting sand. She halted to tug off her beige espadrilles and the dog gagged; she dropped the shoes behind a tuft of beach grass near the end of the boardwalk. The boardwalk had been scattered into its six-foot segments by a recent high tide, which had also left above the flat sand beside the sea a wrack of Clorox bottles and tampon sleeves and beer cans so long afloat their painted labels had been eaten away; these unlabelled cans looked frighten­ing—blank like the bombs terrorists make and then leave in public places to bring the system down and thus halt the war. Coal pulled her on, past a heap of barnacled square-cut rocks that had been part of a jetty built when this beach was the toy of rich men and not an overused public playground. The rocks were a black-freckled pale granite and one of the larg­est held a bolted bracket rusted by the years to the fragility of a Giacometii. The emissions of the young people's radios, rock of an airier sort, washed around her as she walked along, conscious of her heaviness, of the witchy figure she must cut with her bare feet and men's baggy denims and worn-out green bro­caded jacket, something from Algeria she and Ozzie had bought in Paris on their honeymoon seventeen years ago. Though she turned a gypsyish olive in sum­mer, Alexandra was of northern blood; her maiden name had been Sorensen. Her mother had recited to her the superstition about changing your initial when you marry, but Alexandra had been a scoffer at magic then and on fire to make babies. Marcy had been conceived in Paris, on an iron bed.