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Sukie was the last to leave Eastwick; the afterimage of her in her nappy suede skirt and orange hair swing­ing her long legs and arms past the glinting shop-fronts, lingered on Dock Street like the cool-colored ghost the eye retains after staring at something bright. This was years ago. The young harbormaster with whom she had her last affair has a paunch now, and three children; but he still remembers how she used to bite his shoulder and say she loved to taste the salt of the sea-mist condensed on his skin. Dock Street has been repaved and widened to accept more traffic, and from the old horse trough to Landing Square, as it tends to be called, all the slight zigzags in the line of the curb have been straightened. New people move to town; some of them live in the old Lenox mansion, which has indeed been turned into condominiums. The tennis court has been kept up, though the per­ilous experiment with the air-supported canvas can­opy has not been repeated. An area has been dredged and a dock and small marina built, as tenant induce­ment. The egrets nest elsewhere. The causeway has been elevated, with culverts every fifty yards, so it never floods—or has only once so far, in the great February blizzard of 78. The weather seems generally tamer in these times; there are rarely any thunder­storms.

Jenny Gabriel lies with her parents under polished granite flush with the clipped grass in the new section of Cocumscussoc Cemetery. Chris, her brother and their son, has been, with his angelic visage and love of comic books, swallowed by the Sodom of New York. Lawyers now think that Darryl Van Home was an assumed name. Yet several patents under that name do exist. Residents at the condo have reported mys­terious crackling noises from some of the painted win­dow sills, and wasps dead of shock. The facts of the financial imbroglio lie buried in vaults and drawers of old paperwork, silted over in even this short a span of time and of no great interest. What is of interest is what our minds retain, what our lives have given to the air. The witches are gone, vanished; we were just an interval in their lives, and they in ours. But as Sukie's blue-green ghost continues to haunt the sun-struck pavement, and Jane's black shape to flit past the moon, so the rumors of the days when they were solid among us, gorgeous and doing evil, have fla­vored the name of the town in the mouths of others, and for those of us who live here have left something oblong and invisible and exciting we do not under­stand. We meet it turning the corner where Hemlock meets Oak; it is there when we walk the beach in off­season and the Atlantic in its blackness mirrors the dense packed gray of the clouds: a scandal, life like smoke rising twisted into legend.

About the Author

John Updike was born in 1932, in Shillington, Pennsylvania. He graduated from Harvard College in 1954, and spent a year as a Knox Fellow at the Ruskin School of Drawing and Fine Art in Oxford, England. From 1955 to 1957 he was a staff member of The New Yorker, to which he has contributed short stories, poems, and book reviews. Since 1957 he has lived in Massachusetts.

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