Gummitch knew he faced a horror that could not be countered by running about or even spitting and screeching. Only magic could fight so obviously supernatural a manifestation. And this was also no time to think of consequences, no matter how clearly and bitterly etched they might appear to a mind intensely awake.
He sprang up onto the other side of the crib, not uttering a sound, and fixed his golden eyes on Sissy’s in the moon-light. Then he moved forward straight at her evil face, stepping slowly, not swiftly, using his extraordinary knowledge of the properties of space to walk straight through her hand and arm as they flailed the hatpin at him. When his nose-tip finally paused a fraction of an inch from hers his eyes had not blinked once, and she could not look away. Then he unhesitatingly flung his spirit into her like a fistful of flaming arrows and he worked the Mirror Magic.
Sissy’s moonlit face, feline and terrified, was in a sense the last thing that Gummitch, the real Gummitch-kitten, ever saw in this world. For the next instant he felt himself enfolded by the foul black blinding cloud of Sissy’s spirit, which his own had displaced. At the same time he heard the little girl scream, very loudly but even more distinctly, “Mommy!”
That cry might have brought Kitty-Come-Here out of her grave, let alone from sleep merely deep or drugged. Within seconds she was in the nursery, closely followed by Old Horsemeat, and she had caught up Sissy in her arms and the little girl was articulating the wonderful word again and again, and miraculously following it with the command—there could be no doubt, Old Horsemeat heard it too—”Hold me tight!”
Then Baby finally dared to cry. The scratches on his check came to attention and Gummitch, as he had known must happen, was banished to the basement amid cries of horror and loathing chiefly from Kitty-Come-Here.
The little cat did not mind. No basement would be one-tenth as dark as Sissy’s spirit that now enshrouded him for always, hiding all the file drawers and the labels on all the folders, blotting out forever even the imagining of the scene of first coffee-drinking and first speech.
In a last intuition, before the animal blackness closed in utterly, Gummitch realized that the spirit, alas, is not the same thing as the consciousness and that one may lose—sacrifice—the first and still be burdened with the second.
Old Horsemeat had seen the hatpin (and hid it quickly from Kitty-Come-Here) and so he knew that the situation was not what it seemed and that Gummitch was at the very least being made into a sort of scapegoat. He was quite apologetic when he brought the tin pans of food to the basement during the period of the little cat’s exile. It was a comfort to Gummitch, albeit a small one. Gummitch told himself, in his new black halting manner of thinking, that after all a cat’s best friend is his man.
From that night Sissy never turned back in her development. Within two months she had made three years’ progress in speaking. She became an outstandingly bright, light-footed, high-spirited little girl. Although she never told anyone this, the moonlit nursery and Gummitch’s magnified face were her first memories. Everything before that was inky blackness. She was always very nice to Gummitch in a careful sort of way. She could never stand to play the game “Owl Eyes.”
After a few weeks Kitty-Come-Here forgot her fears and Gummitch once again had the run of the house. But by then the transformation Old Horsemeat had always warned about had fully taken place. Gummitch was a kitten no longer but an almost burly torn. In him it took the psychological form not of sullenness or surliness but an extreme dignity. He seemed at times rather like an old pirate brooding on treasures he would never live to dig up, shores of adventure he would never reach. And sometimes when you looked into his yellow eyes you felt that he had in him all the materials for the book Slit Eyes Look at Life —three or four volumes at least—although he would never write it. And that was natural when you come to think of it, for as Gummitch knew very well, bitterly well indeed, his fate was to be the only kitten in the world that did not grow up to be a man.
OR ALL THE SEAS WITH OYSTERS
by Avram Davidson
Kersh, McKenna, Leiber, and (I think) Thomas too, set forth the premise that there exists in man a soul, spirit, psyche— call it what you will—separate and independent from his consciousness. Each one of them portrayed the fleeting image of the soul against a different aspect of experience: man-and-nature, man-and-death, man-and-beast.
Now Avram Davidson probes the relationship between man and the products of his own creation. Can a soul (or a consciousness) inhabit a machine?
Since his appearance in the first annual SF, as a new fiction writer of remarkable talent, Mr. Davidson has carved himself a solid niche in both the mystery and s-f fields. Two years ago, he took first prize in the Ellery Queen Mystery Contest. Last year, he won the “Hugo” award for the best short science-fantasy story of the year. This is it...
When the man came in to the F & O Bike Shop, Oscar greeted him with a hearty “Hi, there!” Then, as he looked closer at the middle-aged visitor with the eyeglasses and business suit, his forehead creased and he began to snap his thick fingers.
“Oh, say, I know you,” he muttered. “Mr.—um—name’s on the tip of my tongue, doggone it…” Oscar was a barrel-chested fellow. He had orange hair.
‘Why, sure you do,” the man said. There was a Lion’s emblem in his lapel. “Remember, you sold me a girl’s bicycle with gears, for my daughter? We got to talking about that red French racing bike your partner was working on—”
Oscar slapped his big hand down on the cash register. He raised his head and rolled his eyes up. “Mr. Whatney!” Mr. Whatney beamed. “Oh, sure. Gee, how could I forget? And we went across the street afterward and had a couple a beers. Well, how you been, Mr. Whatney? I guess the bike—it was an English model, wasn’t it? Yeah. It must of given satisfaction or you would of been back, huh?”
Mr. Whatney said the bicycle was fine, just fine. Then he said, “I understand there’s been a change, though. You’re all by yourself now. Your partner…”
Oscar looked down, pushed his lower lip out, nodded. “You heard, huh? Ee-up. I’m all by myself now. Over three months now.”
The partnership had come to an end three months ago, but it had been faltering long before then. Ferd liked books, long-playing records and high-level conversation. Oscar liked beer, bowling and women. Any women. Any time.
The shop was located near the park; it did a big trade in renting bicycles to picnickers. If a woman was barely old enough to be called a woman, and not quite old enough to be called an old woman, or if she was anywhere in between, and if she was alone, Oscar would ask, “How does that machine feel to you? All right?”
“Why… I guess so.”
Taking another bicycle, Oscar would say, “Well, I’ll just ride along a little bit with you, to make sure. Be right back, Ferd.” Ferd always nodded gloomily. He knew that Oscar would not be right back. Later, Oscar would say, “Hope you made out in the shop as good as I did in the park.”
“Leaving me all alone here all that time,” Ferd grumbled.
And Oscar usually flared up. “Okay, then, next time you go and leave me stay here. See if I begrudge you a little fun.” But he knew, of course, that Ferd—tall, thin, pop-eyed Ferd—would never go. “Do you good,” Oscar said, slapping his sternum. “Put hair on your chest.”