“But it was the second time we met that I really began to smell a rat. He came to dinner Saturday night. Harriet had already confided to me that they were planning marriage, so I made an occasion to talk to him alone. It was then he gave me all those evasive answers. On one point at least he wasn’t evasive. He admitted that he didn’t have a dime. At the same time he was ogling around my house as if he already owned it. I told him that would happen only over my dead body.”
“You told him that?”
“Later,” he said. “After dinner. He’d made himself highly obnoxious at the table. I mentioned that the Blackwell family name embodies three centuries of tradition, going back to the early days of the Massachusetts colony. Damis seemed to think it was funny. He made a satiric remark about the Colonial Dames – my mother was one, as it happens – and announced that he was bored by such traditions. I said in that case he would certainly be bored as my son-in-law, and he agreed.
“But later I surprised the fellow in my bedroom. He was actually fingering through my wardrobe. I asked him what he thought he was doing there. He answered flippantly that he was making a study of how the other half lives. I said that he would never find out, not at my expense or the expense of any member of my family. I invited him to leave my house and while he was at it to vacate my other house which he is occupying. But Harriet came rushing in and made me countermand – withdraw the suggestion.”
“Damis is living in a house that belongs to you?”
“Temporarily. Harriet talked me into it the first day. He needed a place to paint, she said, and I agreed to let him use the beach house.”
“And he’s still there?”
“I assume he is. They’re not even married, and he’s already scrounging on us. I tell you, the man’s an operator.”
“He doesn’t sound like a very smooth one to me. I’ve known a few painters. The young unrecognized ones have a special feeling about accepting things from other people. They live off the country while they do their work. All most of them want is a north light and enough money to buy paints and eat.”
“That’s another thing,” he said. “Harriet’s given him money. I happened to glance through her checkbook yesterday, shortly after I phoned you.” He hesitated. “I don’t normally pry, but when it’s a question of protecting her–”
“Just what are you trying to protect her from?”
“Disaster.” His voice sank ominously. “Complete and utter personal disaster. I’ve had some experience of the world, and I know what can come of marrying the wrong person.”
I waited for him to explain this, wondering if he meant his first wife. But he failed to satisfy my curiosity. He said: “Young people never seem to learn from their parents’ experience. It’s a tragic waste. I’ve talked to Harriet until I was blue in the face. But the fellow’s got her completely under his thumb. She told me Saturday night that if it came to a showdown between me and Damis, she would go with him. Even if I disinherited her.”
“The subject of disinheritance came up?”
“I brought it up. Unfortunately I have no ultimate control over the money she has coming from her aunt. Ada would have been well advised to leave the money permanently in my keeping.”
This struck me as a doubtful proposition. Blackwell was a sad and troubled man, hardly competent to play God with anybody’s life. But the sadder and more troubled they were, the more they yearned for omnipotence. The really troubled ones believed they had it.
“Speaking of money,” I said.
We discussed my fee, and he gave me two hundred dollars’ advance and the addresses of his houses in Bel Air and Malibu. He gave me something else I hadn’t thought of asking for: a key to the beach house, which he detached from his key ring.
3
IT WAS IN a small isolated settlement north of Malibu. Far down below the highway under the slanting brown bluffs, twelve or fifteen houses huddled together as if for protection against the sea. It was calm enough this morning, at low tide, but the overcast made it grey and menacing.
I turned left off the highway and down an old switchback blacktop to a dead end. Other cars were parked here against a white rail which guarded the final drop to the beach. One of them, a new green Buick Special, was registered to Harriet Blackwell.
A wooden gangway ran from the parking area along the rear of the houses. The ocean glinted dully through the narrow spaces between them. I found the one I was looking for, a grey frame house with a peaked roof, and knocked on the heavy weathered door.
A man’s voice grunted at me from inside. I knocked again, and his grudging footsteps padded across the floorboards.
“Who is it?” he said through the door.
“My name is Archer. I was sent to look at the house.”
He opened the door. “What’s the matter with the house?”
“Nothing, I hope. I’m thinking of renting it.”
“The old man sent you out here, eh?”
“Old man?”
“Colonel Blackwell.” He pronounced the name very distinctly, as if it was a bad word he didn’t want me to miss.
“I wouldn’t know about him. A real-estate office in Malibu put me onto this place. They didn’t say it was occupied.”
“They wouldn’t. They’re bugging me.”
He stood squarely in the doorway, a young man with a ridged washboard stomach and pectorals like breastplates visible under his T-shirt. His black hair, wet or oily, drooped across his forehead and gave him a low-browed appearance. His dark blue eyes were emotional and a bit sullen. They had a potential thrust which he wasn’t using on me.
The over-all effect of his face was that of a boy trying not to be aware of his good looks. Boy wasn’t quite the word. I placed his age around thirty, a fairly experienced thirty.
He had wet paint on his fingers. His face, even his bare feet, had spots of paint on them. His jeans were mottled and stiff with dried paint.
“I guess he has a right, if it comes down to that. I’m moving out any day.” He looked down at his hands, flexing his colored fingers. “I’m only staying on until I finish the painting.”
“You’re painting the house?”
He gave me a faintly contemptuous look. “I’m painting a picture, amigo.”
“I see. You’re an artist.”
“I work at the trade. You might as well come in and look around, since you’re here. What did you say your name was?”
“Archer. You’re very kind.”
“Beggars can’t be choosers.” He seemed to be reminding himself of the fact.
Stepping to one side, he let me into the main room. Except for the kitchen partitioned off in the corner to my left, this room took up the whole top floor of the house. It was spacious and lofty, with a raftered ceiling and a pegged oak floor that had been recently polished. The furniture was made of rattan and beige-colored leather. To my right as I went in, a carpeted flight of steps with a wrought iron railing descended to the lower floor. A red brick fireplace faced it across the room.
At the far end, the ocean end, on the inside of the sliding glass doors, an easel with a stretched canvas on it stood on a paint-splashed tarpaulin.
“It’s a nice house,” the young man said. “How much rent do they want from you?”
“Five hundred for the month of August.”
He whistled.
“Isn’t that what you’ve been paying?”
“I’ve been paying nothing. Nada. I’m a guest of the owner.” His sudden wry grin persisted, changing almost imperceptibly to a look of pain. “If you’ll excuse me, I’ll get back to work. Take your time, you won’t disturb me.”