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A better story than ours might be the one of two interoffice competitors, one male, one female, finding true love through rivalry in the workplace, written by our very own Don Blattner. Blattner was all Hollywood by way of Schaumburg, Illinois. He had another screenplay about a disaffected and cynical copywriter suffering ennui in the office setting while dreaming of becoming a famous screenwriter, which he claimed was not autobiographical. He was always talking about potential investors and wouldn’t let us read any of his screenplays unless we signed confidentiality agreements, as if we had positioned ourselves surreptitiously in these cornered lives so as to steal Blattner’s screenplays and whisk them off to Hollywood. Like Jim, he made us wince, especially on those occasions he called Robert De Niro “Bobby.” He studied the weekend box-office grosses very seriously. If a movie failed to perform as the industry expected, Blattner would come into your office on Monday morning carrying his Variety and say, “The boys at Miramax are going to be awfully disappointed by this.” It was such horseshit, yet we felt something had been lost the day he announced he was giving it up. “I gotta face it,” he declared in a resigned and unsentimental voice. “The workshops aren’t helping, the how-to books aren’t helping, and nobody’s optioning any of my shit.” We took back all our ridicule and practically begged the man to continue, but he remained firmly and pathetically committed to his sober-eyed conclusion that he would never be anything but a copywriter. Months passed before one of us experienced the relief of startling him at his desk again as he secretly tried to close out of his screenplay software. Hope had risen like a perennial once again.

There had to be a better story than this one, which was why so many of us spent so much time lost in our own little worlds. Don Blattner was not the only one. Hank Neary, our black writer who wore the same brown corduroy suit coat day after day, so that either he never cleaned the one, or had an entire closet full of the same, was working on a failed novel. He described it as “small and angry.” We all wondered who the hell would buy small and angry? We asked him what it was about. “Work,” he replied. A small, angry book about work. Now there was a guaranteed best seller. There was a fun read on the beach. We suggested alternative topics on subjects that mattered to us. “But those don’t interest me,” he said. “The fact that we spend most of our lives at work, that interests me.” Truly noble, we said to him. Give us a Don Blattner screenplay any day of the week.

Dan Wisdom had gotten encouragement in college from Miles Buford, the painter, who said in his twenty-year teaching career he had never seen a talent like Dan’s. Then Dan graduated and went to work, where he sat behind a Mac manipulating pixels for a sugar-substitute client and wondered if Professor Buford’s flattery was just an attempt to get laid. Dan continued to paint, though, at night and on the weekends, and if his portraits were a little grotesque, we could nevertheless discern a unique vision and a steady line. Maybe it would happen for him. He said no. He said figurative painting was dead. But we liked what he could do with fish.

Deliver us! You could practically hear that plea crying out from the depths of our souls, because none of us wanted to end up like Old Brizz.

Among the very first to be let go, Brizz walked Spanish down the hall like no one before or since. The season of layoffs was interminable, and to give a sense of that, Old Brizz’s termination took place a full year before Tom Mota got the ax. Old Brizz handled it much better than Tom did. He came by all our offices to say farewell. Usually people raced out to escape our gaze. Brizz said he didn’t want to leave without saying good-bye. That was grace under fire, and he carried himself with dignity and pride. He didn’t mind knowing that we knew that they didn’t value him as much as they valued us. Because that’s basically what they said when they walked you Spanish down the hall. He didn’t mind talking to us even after they said that to him in so many words. Or maybe he didn’t even think of it that way. Maybe he wouldn’t have understood our talk of value. “This has nothing to do,” he might have said, “with who’s worth more. Is that what you think? You guys, take it from an old man who’s been in this business a long time. This process has nothing to do with weeding out the worst of us so that the only ones left are the talented and the productive. Come on, don’t fool yourselves. Ha, don’t be foolish. Ha ha, don’t be naive!” We could hear his rattling lungs laughing at us. His coming around to fare us well, so calm, so self-controlled — it was a little unnerving. What did it mean that minutes after walking Spanish down the hall he had the poise to encourage us not to worry about him? He came by each one of our individual offices, he visited the cubicles and the receptionists. We even saw him talking to one of the building guys. They hardly said anything to anyone, the building guys. Just stood on their ladders handing things up and down to one another, speaking in hushed tones. There was never much of an opportunity to get to know them. But Old Brizz was standing at the elevator talking to one building guy in particular for half an hour while holding his box of personal items. One would speak, the other would nod. Then they’d laugh. Who knows what you laugh about with a building guy. But Brizz found it — the funny thing to be shared, even on the day he had been shitcanned. He filed for unemployment right away. A few months later, he still hadn’t found work. He took on a few freelance jobs. Then we didn’t hear from him. Next we knew he was in the hospital. No insurance. He went quick. It was unfortunate, how prescient we were when we said the guy had six months, tops. We visited him — ours seemed his only flowers. We wanted to ask him, Hey, Brizz, man, where’s your family? Instead we snuck him cigarettes, strictly forbidden when one is laid out in the cancer ward. We put one of those smoke-be-gone ashtrays right on his chest, and it caught the exhaust good, so Brizz got in three smokes before the old guy next slot over complained and we were reprimanded by the nurse. When he died, it was hard to believe he was gone. Not just walked Spanish down the hall. Gone gone.