"Dead," I helped out, as he drifted away again. "She wanted Philip dead. You were torn. The woman you never refused, the friend you longed for. She told you to kill him. You said you would. Just like before. But you didn't want to do it."
"I couldn't do it," he muttered, his voice thick, as if his tongue had swollen from thirst. "Philip shared his most prized possession with me. I watched him lying there in the hospital, my friend, knowing what that woman wanted me to do, but I couldn't…"
He floated off again, riding some inner current. I filled in the gaps. "So you duck out of the room carrying the valise. Nurse Ingram sees you. You run down the stairs to the lobby. Your pals Sergio and Melanie are waiting for the good news. But you don't have any. Melanie is furious. Sergio probably calls you a chicken-shit cobarde. He loves it- you're in pain-he can be the hero. You hand him the valise, and he tucks it into his bush jacket. Melanie goes with him, gives him a cover story for being there if he's seen. But he's nervous. This isn't like injecting himself with steroids. This is murder and there's a nurse right down the hall. So he hurries and doesn't get the hypodermic filled. Or he fills it and squirts it everywhere but inside Philip Corrigan. He makes a puncture, but it's a dry hole. Lucky for him and unlucky for Philip Corrigan, there's more than one way to kill a guy flat on his back. Ikken hissatsu. He kills him with one punch, probably the sword handstrike. Melanie keeps the valise with the drug and the hypodermics. You don't want to see it again, and you don't until she plants it in your house."
He was silent. What is it Charlie would say? Cum tacent clamant. Silence is an admission of guilt. Not in a courtroom, of course, but in human experience. A tremor went through Roger's body, and he wrapped his arms around himself and hugged as if to keep from splitting in two. His eyes kept clouding over, then clearing, slipping in and out of a haze like a foggy shoreline viewed from the sea.
"You knew Sergio did it," I said. "Why didn't you tell me?"
His lips moved but nothing came out. He tried again. "Because they threatened to tell Socolow about Sylvia. After the mistrial, they thought I must have told you about the karate punch. How else could you have figured it out?"
Charlie smiled, but only a little.
"Why did you kill Sergio?" I asked.
"He kept threatening me. I'll tell the cops this, I'll tell them that, I'll bust your head."
He was sing-songing it, sounding like a child. Coming and going, different people now.
I grabbed him by both shoulders. "Who killed Susan?"
"Sergio. With a poison fish or something. Melanie had him do it. She told me, laughed about it."
He said it so matter-of-factly, one woman dead, another woman laughing. Watching Roger self-destruct, I had buried it, the burning rage. The how and the who. My vow to Susan. Sergio was already dead. Only Melanie's laugh to stifle now. Melanie Corrigan, the source of the evil. Three murders, two by Sergio with Melanie's encouragement. One by Roger, same provocateur.
I let Roger go and talked to Charlie. He would take Granny back to my place. I'd babysit, spend the night on Roger's sofa.
Roger turned to me, his eyes bottomless holes. "Will you help me, Jake? Like you did before. I'm always being falsely accused, you know."
I didn't know what to say. Charlie did. "We can get you help," he said. "A very good doctor I know. In the morning, I'll make the call."
Charlie and Granny left, hoisted Sylvia Corrigan into the trunk of the Cadillac, and drove off.
Roger looked at me. Barely comprehending. I told him I would put him to bed. He didn't agree or disagree, just stood when I helped him up and moved where I guided him. He looked shrunken. So feeble and spent. His bare feet shuffled across the tile. I sat in a chair at the foot of his bed and watched him until he fell asleep. I figured the poison was drained from him now. Just the shell of a man, without the will or the weapons. Able to do no harm.
30
I awoke at five forty-five, same as always. Tired but alert. Aware of the strangeness of the room. There is a sixth sense that tells us something has changed. Someone has passed through our space, coming or going. Our sensors-keen as orbiting satellites-track the unseen movement.
I unfolded myself from the sofa and checked the master bedroom.
No Roger.
The sheets still warm. The rest of the house, empty. I checked the garage. No Porsche.
I called my house, woke Charlie, who must have been sharing the cubbyhole bedroom with Granny. Calmly, he said, "I'll drive to the Corrigan house. You stay put in case he comes back."
I didn't think he'd be coming back. Didn't picture him running to the 7-Eleven to buy juice and eggs. Charlie called in twenty minutes from a pay phone. Nobody at the Corrigan house.
I called a cab. In Miami that's like playing the lottery. Cab drivers hail from various Caribbean islands with one coast road and one mountain road. They can never find residential addresses. I called Roger's office and got the answering service. I didn't expect to hear back, and I was right. No cab, no phone call. After twenty-five minutes, I took off.
Jogging down Miami Avenue toward the causeway to Key Biscayne, then a right turn to pick up Coral Way, the pavement still slick from last night's rain. Roger's office was on Giralda in the Gables. Five miles tops. I needed the exercise but didn't know if I had the time.
I looked for friendly drivers. Most swerved to avoid me, one or two to hit me. No takers for a big lug with a grim look and a sweaty gray T-shirt. I should have slowed that last two hundred yards, but I tried to pick it up. Sprinting. Not much left in the legs, heart going wild. Too old to run gassers, coach's delight.
Roger's black Porsche Turbo gleamed in his reserved spot in back, Melanie Corrigan's green Jaguar in the next space. Good. Melanie must have come voluntarily, Roger calling her from the house. Running here, the mind pounding with each footfall, I had pictured her in the trunk of his car. But maybe Charlie Riggs was wrong. Maybe Roger had no intention of killing Melanie, maybe he just wanted to play some more doctor games. Except Charlie had been right about everything else.
I put my hands on my hips and bent over, sucking for oxygen. It was like breathing through a wet beach towel. One of those soggy Miami mornings without air, no wind from the ocean until the sun heats up the land.
The office was a tiny one-story stucco house with an orange, barrel-tile roof. From the thirties. A lot of doctors and lawyers have gone that route, getting out of the skyscrapers downtown, building equity and taking depreciation. No other cars in the eight-space lot. And there wouldn't be, no office hours Saturday.
The back door was locked. Front door, too. On the side of the house, a brown air conditioner poked out of a blackened window. House too old for central air. I tried yanking it through the window. No go. I gave it a shoulder, braced with legs made of spaghetti, and pushed it inside where it landed on a work table with a thud. I waited a moment. No other sounds. I crawled through. The X-ray room. Dark.
I opened the interior door into a corridor that led to the examination rooms. Then I padded around to the other side of the building past Roger's office, a file room, the bookkeeper's cubicle, and finally, the casting room, where a light shone under the door. I moved close, listening to my own breathing, still heavy. An air conditioner whirred from inside, muffling voices. A man and a woman. Normal tones, no screams, no threats.
I silently let myself in. Roger wore a green gown that was splattered white. His arms were bare and splotched with plaster. He kept dipping a roll of gauze into a bowl of water. Immediately the gauze became gooey, the water mixing with the impregnated plaster. Carefully he wrapped the soggy gauze around the cotton cast padding that circled Melanie Corrigan's left arm. He smoothed out the gauze with those strong, steady hands, tucking it into place, erasing any folds or creases. Then he dipped another piece of gauze into the water and kept building.