Travels With My Cats
by Mike Resnick
I found it in the back of a neighbor's garage. They were retiring and moving to Florida, and they'd put most of their stuff up for sale rather than pay to ship it south.
I was eleven years old, and I was looking for a Tarzan book, or maybe one of Clarence Mulford's Hopalong Cassidy epics, or perhaps (if my mother was looking the other way) a forbidden Mickey Spillane novel. I found them, too — and then the real world intruded. They were 50 cents each (and a whole dollar for Kiss Me Deadly), and all I had was a nickel.
So I rummaged some more, and finally found the only book that was in my price range. It was called Travels With My Cats, and the author was Miss Priscilla Wallace. Not Priscilla, but Miss Priscilla. For years I thought Miss was her first name.
I thumbed through it, hoping it at least had some photos of half-naked native girls hidden in its pages. There weren't any pictures at all, just words. I wasn't surprised; somehow I had known that an author called Miss wasn't going to plaster naked women all over her book.
I decided that the book itself felt too fancy and feminine for a boy who was trying out for the Little League later in the day — the letters on the cover were somehow raised above the rest of the surface, the endpapers were an elegant satin, the boards were covered with a russet, velvet-like cloth, and it even had a bookmark which was a satin ribbon attached to the binding. I was about to put it back when it fell open to a page that said that this was Number 121 of a Limited Printing of 200.
That put a whole new light on things. My very own limited edition for a nickel — how could I say No? I brought it to the front of the garage, dutifully paid my nickel, and waited for my mother to finish looking (she always looked, never shopped — shopping implies parting with money, and she and my father were Depression kids who never bought what they could rent cheaper or, better yet, borrow for free.)
That night I was faced with a major decision. I didn't want to read a book called Travels With My Cats by a woman called Miss, but I'd spent my last nickel on it — well, the last until my allowance came due again next week — and I'd read all my other books so often you could almost see the eyetracks all over them.
So I picked it up without much enthusiasm, and read the first page, and then the next — and suddenly I was transported to Kenya Colony and Siam and the Amazon. Miss Priscilla Wallace had a way of describing things that made me wish I was there, and when I finished a section I felt like I'd been there.
There were cities I'd never heard of before, cities with exotic names like Maracaibo and Samarkand and Addis Ababa, some with names like Constantinople that I couldn't even find on the map.
Her father had been an explorer, back in the days when there still were explorers. She had taken her first few trips abroad with him, and he had undoubtedly give her a taste for distant lands. (My own father was a typesetter. How I envied her!)
I had half hoped the African section would be filled with rampaging elephants and man-eating lions, and maybe it was — but that wasn't the way she saw it. Africa may have been red of tooth and claw, but to her it reflected the gold of the morning sun, and the dark, shadowy places were filled with wonder, not terror.
She could find beauty anywhere. She would describe two hundred flower sellers lined up along the Seine on a Sunday morning in Paris, or a single frail blossom in the middle of the Gobi Desert, and somehow you knew that each was as wondrous as she said.
And suddenly I jumped as the alarm clock started buzzing. It was the first time I'd ever stayed up for the entire night. I put the book away, got dressed for school, and hurried home after school so that I could finish it.
I must have read it six or seven more times that year. I got to the point where I could almost recite parts of it word-for-word. I was in love with those exotic faraway places, and maybe a little bit in love with the author, too. I even wrote her a fan letter addressed to "Miss Priscilla Wallace, Somewhere," but of course it came back.
Then, in the fall, I discovered Robert A. Heinlein and Louis L'Amour, and a friend saw Travels With My Cats and teased me about its fancy cover and the fact that it was written by a woman, so I put it on a shelf and over the years I forgot about it.
I never saw all those wonderful, mysterious places she wrote about. I never did a lot of things. I never made a name for myself. I never got rich and famous. I never married.
By the time I was 40, I was finally ready to admit that nothing unusual or exciting was ever likely to happen to me. I'd written half of a novel that I was never going to finish or sell, and I'd spent 20 years looking fruitlessly for someone I could love. (That was Step One; Step Two — finding someone who could love me — would probably have been even more difficult, but I never got around to it.)
I was tired of the city, and of rubbing shoulders with people who had latched onto the happiness and success that had somehow eluded me. I was Midwestern born and bred, and eventually I moved to Wisconsin's North Woods, where the most exotic cities were small towns like Manitowoc and Minnaqua and Wausau — a far cry from Macau and Marrakech and the other glittering capitals of Priscilla Wallace's book.
I worked as a copy editor for one of the local weekly newspapers — the kind where getting the restaurant and real estate ads right was more important than spelling the names in the news stories correctly. It wasn't the most challenging job in the world, but it was pleasant enough, and I wasn't looking for any challenges. Youthful dreams of triumph had gone the way of youthful dreams of love and passion; at this late date, I'd settled for tranquility.
I rented a small house on a little nameless lake, some 15 miles out of town. It wasn't without its share of charm: it had an old-fashioned veranda, with a porch swing that was almost as old as the house. A pier for the boat I didn't own jutted out into the lake, and there was even a water trough for the original owner's horses. There was no air-conditioning, but I didn't really need it — and in the winter I'd sit by the fire, reading the latest paperback thriller.
It was on a late summer's night, with just a bit of a Wisconsin chill in the air, as I sat next to the empty fireplace, reading about a rip-roaring gun-blazing car chase through Berlin or Prague or some other city I'll never see, that I found myself wondering if this was my future: a lonely old man, spending his evenings reading pop fiction by a fireplace, maybe with a blanket over his legs, his only companion a tabby cat.
And for some reason — probably the notion of the tabby — I remembered Travels With My Cats. I'd never owned a cat, but she had; there had been two of them, and they'd gone everywhere with her.
I hadn't thought of the book for years. I didn't even know if I still had it. But for some reason, I felt an urge to pick it up and look through it.
I went to the spare room, where I kept all the stuff I hadn't unpacked yet. There were maybe two dozen boxes of books. I opened the first of them, then the next. I rummaged through Bradburys and Asimovs and Chandlers and Hammetts, dug deep beneath Ludlums and Amblers and a pair of ancient Zane Greys — and suddenly there it was, as elegant as ever. My one and only Limited Numbered Edition.
So, for the first time in perhaps 30 years, I opened the book and began reading it. And found myself just as captivated as I had been the first time. It was every bit as wonderful as I remembered. And, as I had done three decades ago, I lost all track of the time and finished it just as the sun was rising.
I didn't get much work done that morning. All I could do was think about those exquisite descriptions and insights into worlds that no longer existed — and then I began wondering if Priscilla Wallace herself still existed. She'd probably be a very old lady, but maybe I could update that old fan letter and finally send it.