"Oh, boy, you're tellingme ?" Genero said.
Monoghan was wearing a black homburg, a black suit, a white shirt, and a black tie. His hands were in his jacket pockets, only the thumbs showing. He looked like a sad, neat undertaker. Genero was trying to look like a hip big-city detective disguised as a college boy. He was wearing blue slacks and a reindeer-patterned sweater over a sports shirt open at the throat. Brown penny loafers. No hat. Curly black hair, brown eyes. He resembled a somewhat stupid poodle.
Monoghan looked at him.
"You the one found this thing here?" he asked.
"Well, yes," Genero said, wondering if he should have admitted this.
"Any other parts in these other garbage cans?"
"I didn't look," Genero said, thinking one part had been plenty.
"Want to look now?"
"Don't get prints on any of those garbage-can lids," one of the techs warned.
Genero tented a handkerchief over his hand and began lifting lids.
There were no other parts.
"So all we got here is this chest here," Monoghan said.
"Hello, boys," the M.E. said, coming up the alley. "What've we got here?"
"Just this chest here," Monoghan said, indicating the torso.
The M.E. peeked into the garbage can.
"Very nice," he said, and put down his satchel. "Did you want me to pronounce it dead, or what?"
"You could give us a postmortem interval, that'd be helpful," Monoghan said.
"Autopsy'll give you that," the M.E. said.
"Looks of this one," Monoghan said, "somebody alreadydone the autopsy. What'd he use, can you tell?"
"Who?" the M.E. said.
"Whoever cut him up in pieces."
"He wasn't a brilliant brain surgeon, I can tell you that," the M.E. said, looking at the torn and jagged flesh where the head, arms, and lower torso had been.
"So what was it? A cleaver? A hacksaw?"
"I'm not a magician," the M.E. said.
"Any marks, scars, tattoos?" Brown asked quietly.
"None that I can see. Let me roll it over."
Genero noticed that the M.E. kept referring to it as "it."
The M.E. rolled it over.
"None here, either," he said.
"Nothing but a piece of fresh meat," Monoghan said.
Hawes was wearing only a lightweight sports jacket over a shirt open at the throat, no tie, no hat. A mild breeze riffled his red hair; October this year was like springtime in the Rockies. Marie Sebastiani seemed uncomfortable talking to a cop. Most honest citizens did; it was the thieves of the world who felt perfectly at home with law-enforcement officers.
Fidgeting nervously, she told him how she'd changed out of her costume and into the clothes she was now wearing mdash;a tweed jacket and skirt, a lavender blouse and high-heeled pumps mdash;while her husband, Sebastian the Great, a.k.a. Frank Sebastiani, had gone out behind the high school to load the car with all thelittle tricks he used in the act. And thenshe'd gone out back to where she was supposed to meet him, and the car was gone, and he was gone, and his tricks were scattered all over the driveway.
"Bylittle tricks hellip;" Hawes said.
"Oh, you know, the rings, and the scarves, and the balls, and the bird cage hellip; well, all this stuff all over the place here. Jimmy comes with the van to pick up the boxes and the bigger stuff."
"Jimmy?"
"Frank's apprentice. He's a jack of all trades, drives the van to wherever we're performing, helps us load and unload, paints the boxes when they need it, makes sure all the spring catches are working properly hellip; like that."
"He dropped you both off today, did he?"
"Oh, yes."
"And helped you unload and all?"
"Same as always."
"And stayed for the performance?"
"No, I don't know where he went during the performance. Probably out for a bite to eat. He knew we'd be done here around five, five-thirty."
"So where is he now? Jimmy?"
"Well, I don't know. What time do you have?"
Hawes looked at his watch.
"Five after six," he said.
"Gee, I don't knowwhere he is," Marie said. "He's usually very punctual."
"What timedid you get done here?" Hawes asked.
"Like I said, around five-fifteen or so."
"And you changed your clothes hellip;"
"Yes. Well, so did Frank."