Thus the roof was finished, but the whole of the front was open. He dreaded the search for more logs, so tried a new plan. He found, first, some sticks about six feet long and two or three inches through. Not having an axe to sharpen and drive them, he dug pairs of holes a foot deep, one at each end and another pair near the middle of the front ground log.
Into each of these he put a pair of upright sticks, leading up to the eave log, one inside and one outside of it, then packed the earth around them in the holes. Next, he went to the brook-side and cut a number of long green willow switches about half an inch thick at the butt. These switches he twisted around the top of each pair of stakes in a figure 8, placing them to hold the stake tight against the bottom and top logs at the front.
Down by the spring he now dug a hole and worked water and clay together into mortar, then with a trowel cut out of a shingle, and mortar carried in an old bucket, he built a wall within the stakes, using sticks laid along the outside and stones set in mud till the front was closed up, except a small hole for a window and a large hole for a door.
Now he set about finishing the inside. He gathered moss in the woods and stuffed all the chinks in the upper parts, and those next the ground he filled with stones and earth. Thus the shanty was finished; but it lacked a door.
The opening was four feet high and two feet wide, so in the woodshed at home he cut three boards, each eight inches wide and four feet high, but he left at each end of one a long point. Doing this at home gave him the advantage of a saw. Then with these and two shorter boards, each two feet long and six inches wide, he sneaked out to Glenyan, and there, with some nails and a stone for a hammer, he fastened them together into a door. In the ground log he pecked a hole big enough to receive one of the points and made a corresponding hole in the under side of the top log. Then, prying up the eave log, he put the door in place, let the eave log down again, and the door was hung. A string to it made an outside fastening when it was twisted around a projecting snag in the wall, and a peg thrust into a hole within made an inside fastener. Some logs, with fir boughs and dried grass, formed a bunk within. This left only the window, and for lack of better cover he fastened over it a piece of muslin brought from home. But finding its dull white a jarring note, he gathered a quart of butternuts, and watching his chance at home, he boiled the cotton in water with the nuts and so reduced it to a satisfactory yellowish brown.
His final task was to remove all appearance of disturbance and to fully hide the shanty in brush and trailing vines. Thus, after weeks of labour, his woodland home was finished. It was only five feet high inside, six feet long and six feet wide—dirty and uncomfortable—but what a happiness it was to have it.
Here for the first time in his life he began to realize something of the pleasure of single-handed achievement in the line of a great ambition.
VIII
Beginnings of Woodlore
During this time Yan had so concentrated all his powers on the shanty that he had scarcely noticed the birds and wild things. Such was his temperament—one idea only, and that with all his strength.
His heart was more and more in his kingdom now he longed to come and live here. But he only dared to dream that some day he might be allowed to pass a night in the shanty. This was where he would lead his ideal life—the life of an Indian with all that is bad and cruel left out. Here he would show men how to live without cutting down all the trees, spoiling all the streams, and killing every living thing. He would learn how to get the fullest pleasure out of the woods himself and then teach others how to do the same. Though the birds and Fourfoots fascinated him, he would not have hesitated to shoot one had he been able, but to see a tree cut down always caused him great distress. Possibly he realized that the bird might be quickly replaced, but the tree, never.
To carry out his plan he must work hard at school, for books had much that he needed. Perhaps some day he might get a chance to see Audubon's drawings, and so have all his bird worries settled by a single book.
That summer a new boy at school added to Yan's savage equipment. This boy was neither good nor bright; he was a dunce, and had been expelled from a boarding school for misconduct, but he had a number of schoolboy accomplishments that gave him a tinge of passing glory. He could tie a lot of curious knots in a string. He could make a wonderful birdy warble, and he spoke a language that he called Tutnee. Yan was interested in all, but especially the last. He teased and bribed till he was admitted to the secret. It consisted in spelling every word, leaving the five vowels as they are, but doubling each consonant and putting a "u" between. Thus "b" became "bub," "d" "dud," "m" "mum," and so forth, except that "c" was "suk," "h" "hash," "x" "zux," and "w" "wak."
The sample given by the new boy, "sus-hash-u-tut u-pup yak-o-u-rur mum-o-u-tut-hash," was said to be a mode of enjoining silence.
This language was "awful useful," the new boy said, to keep the other fellows from knowing what you were saying, which it certainly did. Yan practised hard at it and within a few weeks was an adept. He could handle the uncouth sentences better than his teacher, and he was singularly successful in throwing in accents and guttural tones that imparted a delightfully savage flavour, and he rejoiced in jabbering away to the new boy in the presence of others so that he might bask in the mystified look on the faces of those who were not skilled in the tongue of the Tutnees.
He made himself a bow and arrows. They were badly made and he could hit nothing with them, but he felt so like an Indian when he drew the arrow to its head, that it was another pleasure.
He made a number of arrows with hoop-iron heads, these he could file at home in the woodshed. The heads were jagged and barbed and double-barbed. These arrows were frightful-looking things. They seemed positively devilish in their ferocity, and were proportionately gratifying. These he called his "war arrows," and would send one into a tree and watch it shiver, then grunt "Ugh, heap good," and rejoice in the squirming of the imaginary foe he had pierced.
He found a piece of sheepskin and made of it a pair of very poor moccasins. He ground an old castaway putty knife into a scalping knife; the notch in it for breaking glass was an annoying defect until he remembered that some Indians decorate their weapons with a notch for each enemy it has killed, and this, therefore, might do duty as a kill-tally. He made a sheath for the knife out of scraps of leather left off the moccasins. Some water-colours, acquired by a school swap, and a bit of broken mirror held in a split stick, were necessary parts of his Indian toilet.
His face during the process of make-up was always a battle-ground between the horriblest Indian scowl and a grin of delight at his success in diabolizing his visage with the paints. Then with painted face and a feather in his hair he would proudly range the woods in his little kingdom and store up every scrap of woodlore he could find, invent or learn from his schoolmates.
Odd things that he found in the woods he would bring to his shanty: curled sticks, feathers, bones, skulls, fungus, shells, an old cowhorn—things that interested him, he did not know why. He made Indian necklaces of the shells, strung together alternately with the backbone of a fish. He let his hair grow as long as possible, employing various stratagems, 
even the unpalatable one of combing it to avoid the monthly trim of the maternal scissors. He lay for hours with the sun beating on his face to correct his colour to standard, and the only semblance of personal vanity that he ever had was pleasure in hearing disparaging remarks about the darkness of his complexion. He tried to do everything as an Indian would do it, striking Indian poses, walking carefully with his toes turned in, breaking off twigs to mark a place, guessing at the time by the sun, and grunting "Ugh" or "Wagh" when anything surprised him. Disparaging remarks about White-men, delivered in supposed Indian dialect, were an important part of his pastime. "Ugh, White-men heap no good" and "Wagh, paleface—pale fool in woods," were among his favourites.