Выбрать главу

Charlie kept going on and I honestly didn’t understand more than about twenty percent of what he was saying. But when he was done I did two things. The first thing I did was I went and put that spreadsheet through the shredder. The second thing I did was go into my dad’s office the next morning and told him I wanted every penny of my trust fund right now, and if he didn’t give it to me I would tell mom about his affair. And his other affair, too.

When dad agreed to that, I immediately rented the use of the printer Charlie had been working on. Then I marched down to the printer floor and told Charlie to quit his internship, he and I were going into business, full partners. And he did. I took a picture of the two of us right after to commemorate the moment. He looked dazed, like he just got hit by a truck.

Summer Zapata:

On paper, Charlie Sebring and Rebecca Warner didn’t look they should work together at all. She was extroverted, aggressive and business-oriented, and he was classically introverted and focused on the project, almost to the exclusion of ordinary bodily functions; there’s a rumor that one day Warner came into their office and poured a gallon jug of water over his head as a hint that he should go home and take a shower.

The one thing they had in common was a commitment to the vision of what they started calling “Personal Transports.” Sebring saw the practical need and had enough rigor as an engineer not to let his design wander off into the thickets. If you look at his first set of prototypes they were, from a design point, ruthlessly robotic—all function and no esthetic. He wanted Haden’s patients to be able to move. He didn’t care what they looked like as they did.

Warner handled all the rest of it. She kept up with the business end of the Haden Research Initiative Act and worked to exploit the gaping hole where the Personal Transports would eventually go. Warner’s congressman was on the HRIA budgeting committee; she flew into DC personally to lobby him to allocate funds to biological solutions to Haden paralysis, rather than mechanical solutions. She knew that if federal funding started actively moving into her field that the project she was funding out of her own trust fund was going to get swamped.

And it worked; that year’s HRIA allocations were heavy on biology and very light on mechanics. It helped that several very large pharmaceutical companies were also lobbying heavily for biological solutions, of course. But Warner’s personal touch didn’t hurt.

Warner also handled the esthetic aspects of the Personal Transports, driving Sebring to make them as attractive as possible before they showed them to the world. She was also the one who devised the company’s publicity masterstroke.

Rebecca Warner:

They call it a publicity masterstroke but what it really was, was paying attention. The two most famous Hadens in the world were, in order, Margaret Haden and Chris Shane, Marcus Shane’s toddler. They were also the two most well-connected Hadens, since once the networks were approved for general use among Hadens, they were very likely going to be two of the first people fit with them. Which meant, honestly speaking, that if we wanted to show off our wares, it made sense to work with them. So I told Charlie to make two very specific prototypes: One designed specifically for Margaret Haden, and one specifically for Chris Shane. I wanted them ready for when both had their networks installed.

The first Margaret Haden prototype Charlie took things too literally and tried to make it look like Margaret Haden, including a representation of her face. It was creepy. There’s a concept called “the uncanny valley,” in which something that’s almost but not quite human is repulsive because you’re so very aware of it being fake. This was that. I pulled him away from that direction and gave him some design points. In particular I pointed him at the female android from a very old film called Metropolis and suggest he use that as a starting point, although he should probably dial back the overt sexuality. Margaret Haden’s public image was fit and healthy, not sexpot. It took him six tries, but he got it. Chris Shane he got in one. Children are easy.

I had developed a good relationship with [Ohio District 8 US Representative] Ed Curtis, because of his position on the House HRIA committee, and I knew that he and President Haden were friendly, so I asked him to call in one favor from the President. He was skeptical but I eventually convinced him. Ed came through and Charlie and I got an audience with President Haden where we showed him photos of the personal transport and video of it in action, being remote piloted by Charlie, and told him that a prototype was ready for the First Lady, tuned to the type of neural network I knew she had in her head.

What we hoped for was that he would be interested and that we might be able to show the prototype to him, as part of a process to getting whatever approval we needed to have the First Lady to eventually use it. But after we explained the thing to him, he looked at me and Charlie and said “Is it here?” Meaning the prototype. And it was, since we had put it in the back of a rented panel van that we drove from Ohio. So we told him so. Then he asked “Is it ready?” Which took me a minute to realize that he was asking whether the First Lady could use it now. As in, that minute.

I had no idea how to answer that. I wasn’t expecting that question. President Haden stopped looking at me and looked at Charlie, who, bless his clueless heart, said “It should be, sure.”

Five hours later we were in the West Bedroom, where the First Lady’s body and medical team were, prepping the prototype to sync with her neural network.

Janis Massey:

I thought it was a bad idea. The President’s Chief of Staff thought it was a bad idea. Mario [Schmidt, Head of the Presidential Secret Service detail] nearly had a stroke trying to argue the President out of it. But the President wouldn’t be talked out of it. The only person who possibly could have talked him out of it was Margie herself, but she was willing, although it seemed to me more for her husband’s sake than her own.

The personal transport was wheeled in on a gurney, along with a power source on a second gurney. I asked how it was supposed to work, and Charlie Sebring said that pretty much all the First Lady had to do was connect the thing to her internal network and then it would be under her control. Mario made a final objection that the personal transport could be dangerous or introduce viruses to the First Lady’s neural network. Rebecca Warner said, more than a little peremptorily, that she and Charlie Warner would be absolutely stupid to try to give a First Lady a virus in the White House, where the Secret Service could shoot them both dead at point blank range. As I said, peremptory, but she also had a point.

They got it all set up and then Charlie Sebring said to Margie that she could connect anytime she wanted. A minute later the personal transport gave a little twitch and a jerk, and then raised its hand close to its face, as if looking at it. Then it stepped out of the gurney it was on, and everyone—everyone—took a step back. The personal transport walked over to the mirror in the room and stood at it for a good minute, just looking. Then, in a very Margie Haden move, it looked over its shoulder at the President and spoke, clearly, in a voice that sounded just like Margie’s always did.

Rebecca Warner:

I remember it. She said, “I look just like C3PO!” Which, once the press got hold of the comment, is how personal transports started to be called “threeps.” I never liked the term but no one ever asked me for approval, so.