Because Robin had been wounded, as had his huge right-hand man ‘Little’ John Nailor, I had been given the honour of leading a company of a hundred of Robin’s men to Normandy as part of King Richard’s army. I had never had sole command of such a force before, and I have to admit that the feeling was intoxicating: I felt like a mighty warlord of old; the leader of a band of brave men riding forth in search of honour and glory.
The bold Locksley men of my war-band were a mixed force of roughly equal numbers of men-at-arms and archers — all of them well mounted. The men-at-arms were lightly armoured but each was the master of a deadly lance twice as long as a man. In addition to his lance, each cavalryman had been issued with a protective padded jacket, known as an aketon or gambeson, a steel helmet and sword, and a thick cloak of dark green that marked them out as Robin’s men. Many of the men had additional pieces of armour that they had provided themselves: old-fashioned kite-shaped or even archaic round shields, iron-reinforced leather gauntlets, mail coifs and leggings and the like, scraps of iron, steel and leather, strapped here and there to protect their bodies in the melee; and many had armed themselves with extra weapons that ranged from long knives and short-handled axes to war hammers and nail-studded cudgels.
The mounted archers were mostly Welshmen who boasted that they could shoot the eye out of a starling on the wing. The bowmen had each been issued with a short sword, gambeson, helmet and green cloak, as well as a six-foot-long yew bow, and had two full arrow bags, each containing two dozen arrows, close at hand.
Under a billowing red linen surcoat emblazoned over the chest with a wild boar in black, I was clad in a full suit of mail armour — an extremely costly gift from Robin. The mail, made of inter-locking links of finely drawn iron, covered me from toe to fingertip, saddle seat to skull, in a layer that was very nearly impenetrable to a blade. I had a long, beautifully made sword, worth almost as much as the armour, hanging on my left-hand side, and a very serviceable, long triangular-bladed stabbing dagger, known as a misericorde, on the right of my belt. A short, flat-topped wood-and-leather shield that tapered to a point at the bottom was slung from my back, painted red — or gules, as the heralds would have it — and decorated in black with the same image of a walking or passant wild boar as adorned my chest, an animal I had long admired for its ferocity in battle and its enduring courage when faced with overwhelming odds. I was proud of my new device, which, since I had been knighted — by no lesser personage than King Richard himself — I was now entitled to bear, and which I had formally registered with the heralds. A conical steel cap with a heavy nose-guard and a long ash lance with a leaf-shaped blade completed my panoply.
We had sailed from Portsmouth in the middle of May, after a delay of several days due to bad weather, and landed at Barfleur to tremendous celebration from the Norman folk, overjoyed at the return of their rightful Duke. On that fine spring day, a week later, trotting south-east out of Lisieux on my tar-black stallion Shaitan, I felt the familiar lapping of excitement in my belly — I would soon be going into battle for the first time on Norman soil and taking my sword to the enemy. The King had charged me with reinforcing the garrison of the castle of Verneuil-sur-Avre, forty miles to the south-east, which was now besieged by King Philip. In truth, I had volunteered for the task: I had a very good reason for wanting to preserve one of the occupants of Verneuil from the wrath of our King’s enemies. The plan was to use surprise and speed to break through the French king’s lines to the north of the fortress. Once inside, we were ordered to bring hope and good cheer to the besieged, stiffen their defence, and to reassure them that Richard and his whole army of some three thousand men were only a matter of days behind us.
Apart from my private reasons for wanting to succeed in this task, I was very conscious of the fact that, as captain of the Locksley contingent, I was representing Robin. While I knew that King Richard had confidence in me as a soldier, I wanted to do well in this task for Robin, my liege lord, and for all the men of the Locksley lands. But I was more than a little concerned about being able to fulfil Richard’s instructions. He had spoken breezily of our galloping through King Philip’s battle lines, as if they were merely a cobweb to be brushed aside. I didn’t think it would be so easy. So, when we stopped at noon to rest the horses and snatch a bite to eat, I detailed Hanno and two mounted archers to ride several miles forward as scouts and bring back a report on the French dispositions.
As we approached the vicinity of Verneuil the mood in the column changed significantly. I put out more scouts to the east and south and we all rode in our full armour, with lances at the ready, swords loose in their scabbards and our eyes constantly searching the copses, woods and hedgerows for signs of horsemen. The flat land we rode through that afternoon, once so rich and well cultivated, now bore the harsh imprint of war. King Philip’s Frenchmen had been ravaging the farms and villages hereabouts with all the usual savagery of soldiers let loose to plunder and burn at will. It was a common tactic that allowed the occupying army to provision itself at no cost to its commanders and at the same time destroyed enemy lands and deprived the local lord of the bounty of his wheat and barley fields, his root crops, animals and orchards.
We rode through a battered, scorched landscape, the crops burnt down to charred stubble, the hamlets black and reeking, the bodies of slaughtered peasants — men, women and even children — lying unburied at the roadside, with the crows pecking greedily at their singed corpses. We did not stop to bury the dead like Christians, not wishing to delay our advance, though we could all feel the presence of unquiet spirits as we rode more or less in silence through those cinder-dusted, desecrated lands.
I was, however, sorely tempted to have the men stop and dig a decent grave for a young fair-haired peasant that we passed hanging by his neck from a walnut tree. There was something horribly familiar about the canted angle of his neck and the awful vulnerability of his dangling bare feet. I realized as I rode past that gently swaying corpse that it put me in mind of my father’s death, ten years before, in the little hamlet just outside Nottingham where I was born. My father Henry, my mother Ellen and my two younger sisters Aelfgifu and Coelwyn and I all scratched a living from a few strips of land in the fields on the edge of the village. Despite long days of hard labour, we were barely able to feed ourselves; but there had been an abundance of laughter and happiness in our small cottage, and much music and singing. My father had a wonderful voice, slow-rolling and sweet like a river of honey, and my fondest memories of that simple household were of my mother and father singing together, their voices intertwining, their melody lines looping and folding over each other in the smoky air of the low, one-room cottage like gold and silver threads in a fine castle tapestry. My father was the one who taught me to sing — and it was thanks to that skill that I first came to the attention of my master Robin Hood. Six years later, I was his personal trouvere — a ‘finder’ or composer of songs — and also his trusted lieutenant. In a way, I owed my extraordinary advancement from dirt-poor labourer to lord of war to my father’s love of music.
He had been a strange man, my father. I had been told that he was the second son of an obscure French knight, the Seigneur d’Alle and, as such, he had been destined for the Church. He had duly become a monk, a singer at the great cathedral of Notre-Dame in Paris. But somehow he had been disgraced and forced to flee to England. Robin, who had known him then, had told me that some valuable objects had gone missing from the cathedral and my father had been accused of their theft — accusations that my father had strenuously denied. Nevertheless, he had been cast out of the Church and had had to make a living with his voice. As a masterless trouvere, he had travelled to England and wandered the country singing for his supper and a place to lay his head at the castles across the land, but tidings of his expulsion from Paris ran ahead of him and he could find no secure position; no lord was willing to take a thief into his household. Eventually, during his long wanderings he met my mother, Ellen — a lovely woman in her youth — and married her and submitted to the dull but stable life of a common man working the land. I remember him cheerfully saying to me once, when I was no more than five or six years old: ‘None of us knows what God has in store for him, Alan; we may not have fine-milled bread on the board or fur-trimmed silk on our backs, but we can wrap ourselves in love, and we can always fill our mouths with song.’