Pimply youths, who favoured a Black Sabbath album and the writings of Anton La Vey, and were always eager to join a coven in the hope of dancing about in their bare scuddies with naked female goths (that a friend of theirs had told them were always 'up for it'), chose their side in a nanosecond. If the Beast 666 was really here in person tonight, they were signing up with him. In blood, if necessary, although they'd prefer to use their biros.
'kill the idolator!' cried the large and terrible voice, issuing from the bishop's mouth. 'send the hell spawn back to the bottomless pit.'
And, to add a certain air of authority to his words, the bishop now levitated from the floor. It was a pretty neat trick by any account, the secret of which is only known to members of the Magic Circle. And that annoyingly clever American magician [11] who performs in the streets of New York.
At which point the Brentford constabulary, entering by the west door, which they knew to be a short cut to the bar, caught sight of the Brentford fire crew, who were simultaneously entering the bar through the east door, which they knew to be a short cut.
And though neither group had heard the bishop's words, or rather those words which the bishop spoke, for the words, as we know, were not his own, they at least knew which side they were on.
And so all and sundry went at it hammer and tongs.
'Out!' shouted Kelly to Big Bob Charker. 'Run for the exit, I'll protect you.'
'Oh good,' said a pimply youth. 'This woman is obviously the Whore of Babylon. I'm glad she's on our side.'
Kelly struck the pimply youth. 'Prat,' she said, as she struck him.
'The blue fire of her sparkling eyes burns my humble soul. If I were a fireman, I would slide her down my pole,' rhymed Derek. It was verse thirty-seven, or possibly thirty-eight. But a fat poetess with dark mous-tachios had him in a headlock. And Derek could no longer make himself heard above the roar of battle.
Kelly kicked and kata'd, folk fell sprawling to the right and left. Big Bob backed towards the exit. It was the south one and led to the river terrace.
'he flees!' cried the bishop from on high. 'the unholy one flees. pursue him with god’s speed.'
Old Vic, whose eyesight wasn't what it was, fired upon the hovering bishop. 'It's the Red Baron,' he hollered. 'Man the ack-ack. A pint of stout for the gunner who brings the blighter down.'
The pimply youth, who still had a hold of Vic's gun, lost the tip of his nose.
Gunfire often stills a mob. But sometimes it makes matters worse. And as this was one of those sometimes, the gunfire made matters worse.
'Calling FART. Calling FART,' called a constable into his lapel radio (Mute Corp 3000 series). 'Riot in progress at Waterman's Arts Centre, shots fired. Send everyone you have.'
Big Bob was now out on the terrace. Kelly was battling the new recruits to the Christian fundamentalist movement currently in hot pursuit.
'I'll have the balls off the next man who takes a step through this exit door,' she told them in no uncertain tones. Those in hot pursuit considered the trail of fractured bodies that Kelly had left in her wake. And reaching a consensus of opinion, agreed to let the Antichrist make an unharassed retreat.
'We know where you live,' shouted a poet, making the sign of the cross with his fingers. 'We'll be round tomorrow, just you wait.'
'We'll whip your sorry ass,' said a muleskinner. 'Or if you don't have an ass, we'll whip your budgie.'
'Run,' Kelly told Big Bob, but Big Bob was running already.
The gasometer by moonlight is a beautiful thing to see. Many of the Brentford Poets are inspired by it. Many of them write really long poems about it. And several would have been read out tonight, if things hadn't gone as they had.
Within the shadow of the great gasometer, Big Bob coughed and wheezed, doubled over, big hands upon his great big knees. Kelly wasn't even breathless, she looked ready for a marathon run. She reached a hand towards Big Bob, then drew it back instead.
'How are you doing?' she asked.
'I'm in a mess,' said the big one. 'Trevor Alvy stamped upon my fractured toe.'
'But other than for that?'
'Other than for that?' Big Bob coughed and wheezed some more. 'Have you any idea what I've been going through?'
'None,' said Kelly, straightening her hair and selecting a strand to twist back and forwards in the shadows.
'Hell,' said Big Bob. 'I've been through Hell. And I'm not out of it yet. It's still inside my head. I can feel it. But it's weakening.'
'no we're not,' said the voice, resounding in his skull. 'and you just lost level three. you passed us on. that's all your lives gone. you lose. We win.'
'No,' cried Big Bob, clawing at his temples. 'I'm not in your games any more.'
'you are,' said the voice. 'that was it. Level three. you had all the information. but you muffed it up and we win. and now you die.'
'What's happening?' asked Kelly. 'What's going on? I don't understand.'
'They say I've lost the game. That I've lost my final life. They're going to kill me. No, thou demons, no.'
Big Bob's hands left his temples. Kelly could see him there in the darkness beside her. She saw the big hands shaking. The look of fear upon the big man's face. The hands closing upon his own throat.
Gripping, squeezing. Harder and harder.
Tighter and tighter.
'you lose,' said the voice in Big Bob's head. 'we win. you die.'
'game over.'
'No!' and Big Bob gagged and struggled. But the hands, no longer under his control, pressed in upon his windpipe and crushed away his life.
14
Joy, joy, happy joy.
Happy happy joy.
That big fat smiley sun rose up once more above the Brentford roofscape. It beamed down today upon a borough strangely hushed. There was the milk float of Mr Melchizedec bottle-jingling-jangling along. But it seemed queerly muted, as it moved upon its jingle-jangle way. And that tomcat, softly snoring on the window sill of the Flying Swan, growled somewhat in its sleep, as Mr Melchizedec stretched his hand to tousle up its head. And Mr Melchizedec, silent whistling, was aware that something altogether wrong had entered into Brentford and was waiting cobra-coiled and deadly and about to spring.
Derek awoke in his bachelor bed. Rather bruised was Derek and not in a joyous frame of mind. He'd had more than a night of it, what with the beatings he'd taken at the hoary hands of brutal poetesses and later at the leather-gloved and far more brutal mitts of FART men, who had bundled him, along with many others, into the back of a Black Maria and later into a grossly overcrowded police cell. It had been five in the morning before he'd been able to talk his way to freedom. Which hadn't been a minute too soon, as a large and bearded tattooed poet, who was evidently no stranger to prison life and who referred to himself as 'I'm the daddy now', had just been explaining to Derek exactly what Derek's role as 'my bitch' involved.