Yeovil sat and listened to story after story of the men and women and horses of the neighbourhood; even the foxes seemed to have a personality, some of them, and a personal history. It was a little like Hans Andersen, he decided, and a little like the Reminiscences of an Irish R.M., and perhaps just a little like some of the more probable adventures of Baron Munchausen. The newer stories were evidently true to the smallest detail, the earlier ones had altered somewhat in repetition, as plants and animals vary under domestication.
And all the time there was one topic that was never touched on. Of half the families mentioned it was necessary to add the qualifying information that they “used to live” at such and such a place; the countryside knew them no longer. Their properties were for sale or had already passed into the hands of strangers. But neither man cared to allude to the grinning shadow that sat at the feast and sent an icy chill now and again through the cheeriest jest and most jovial story. The brisk run with the hounds that day had stirred and warmed their pulses; it was an evening for comfortable forgetting. Later that night, in the stillness of his bedroom, with the dwindling noises of a retiring household dropping off one by one into ordered silence, a door shutting here, a fire being raked out there, the thoughts that had been held away came crowding in. The body was tired, but the brain was not, and Yeovil lay awake with his thoughts for company. The world grew suddenly wide again, filled with the significance of things that mattered, held by the actions of men that mattered. Hunting-box and stable and gun-room dwindled to a mere pin-point in the universe, there were other larger, more absorbing things on which the mind dwelt. There was the grey cold sea outside Dover and Portsmouth and Cork, where the great grey ships of war rocked and swung with the tides, where the sailors sang, in doggerel English, that bitter-sounding adaptation, “Germania rules t’e waves,” where the flag of a World-Power floated for the world to see. And in oven-like cities of India there were men who looked out at the white sun-glare, the heat-baked dust, the welter of crowded streets, who listened to the unceasing chorus of harsh-throated crows, the strident creaking of cart-wheels, the buzz and drone of insect swarms and the rattle call of the tree lizards; men whose thoughts went hungrily to the cool grey skies and wet turf and moist ploughlands of an English hunting country, men whose memories listened yearningly to the music of a deep-throated hound and the call of a game-bird in the stubble. Yeovil had secured for himself the enjoyment of the things for which these men hungered; he had known what he wanted in life, slowly and with hesitation, yet nevertheless surely, he had arrived at the achievement of his unconfessed desires. Here, installed under his own roof-tree, with as good horseflesh in his stable as man could desire, with sport lying almost at his door, with his wife ready to come down and help him to entertain his neighbours, Murrey Yeovil had found the life that he wanted—and was accursed in his own eyes. He argued with himself, and palliated and explained, but he knew why he had turned his eyes away that evening from the little graveyard under the trees; one cannot explain things to the dead.
XIX: The Little Foxes
“Take us the foxes, the little foxes, that spoil the vines”
On a warm and sunny May afternoon, some ten months since Yeovil’s return from his Siberian wanderings and sickness, Cicely sat at a small table in the open-air restaurant in Hyde Park, finishing her after-luncheon coffee and listening to the meritorious performance of the orchestra. Opposite her sat Larry Meadowfield, absorbed for the moment in the slow enjoyment of a cigarette, which also was not without its short-lived merits. Larry was a well-dressed youngster, who was, in Cicely’s opinion, distinctly good to look on—an opinion which the boy himself obviously shared. He had the healthy, well-cared-for appearance of a country-dweller who has been turned into a town dandy without suffering in the process. His blue-black hair, growing very low down on a broad forehead, was brushed back in a smoothness that gave his head the appearance of a rain-polished sloe; his eyebrows were two dark smudges and his large violet-grey eyes expressed the restful good temper of an animal whose immediate requirements have been satisfied. The lunch had been an excellent one, and it was jolly to feed out of doors in the warm spring air—the only drawback to the arrangement being the absence of mirrors. However, if he could not look at himself a great many people could look at him.
Cicely listened to the orchestra as it jerked and strutted through a fantastic dance measure, and as she listened she looked appreciatively at the boy on the other side of the table, whose soul for the moment seemed to be in his cigarette. Her scheme of life, knowing just what you wanted and taking good care that you got it, was justifying itself by results. Ronnie, grown tiresome with success, had not been difficult to replace, and no one in her world had had the satisfaction of being able to condole with her on the undesirable experience of a long interregnum. To feminine acquaintances with fewer advantages of purse and brains and looks she might figure as “that Yeovil woman,” but never had she given them justification to allude to her as “poor Cicely Yeovil.” And Murrey, dear old soul, had cooled down, as she had hoped and wished, from his white heat of disgust at the things that she had prepared herself to accept philosophically. A new chapter of their married life and man-and-woman friendship had opened; many a rare gallop they had had together that winter, many a cheery dinner gathering and long bridge evening in the cosy hunting-lodge. Though he still hated the new London and held himself aloof from most of her Town set, yet he had not shown himself rigidly intolerant of the sprinkling of Teuton sportsmen who hunted and shot down in his part of the country.
The orchestra finished its clicking and caracoling and was accorded a short clatter of applause.
“The Danse Macabre,” said Cicely to her companion; “one of Saint-Saëns’ best known pieces.”
“Is it?” said Larry indifferently; “I’ll take your word for it. ’Fraid I don’t know much about music.”