I, Teh Atht, was one of them that went to him, and that was how I came to hear of this tale. And I know it to be true for oft again over the years I have heard of this Loathly Lord Cthulhu that seeped down from the stars when the world was an inchoate infant. There are legends and legends, aye, and one of them is that when times have passed and the stars are right Cthulhu shall slobber forth from His House in Arlyeh again, and the world shall tremble to His tread and erupt in madness at His touch.
I leave this record for men as yet unborn, a record and a warning: leave well enough alone, for that is not dead which deeply dreams, and while perhaps the submarine tides have removed forever the alien taint which touched Arlyeh—that symptom of Cthulhu which loathsome familiar grew upon Hath Vehm and transferred itself upon certain reavers of Zar-thule—Cthulhu himself yet lives and waits upon those who would set him free. I know it. In dreams . . . I myself have heard His call!
And when dreams such as these come in the night to sour the sweet embrace of Shoosh, I wake and tremble and pace the crystal-paved floors of my rooms above the Bay of Klühn, until Cthon releases the sun from his net to rise again, and ever and ever I recall the aspect of Zar-thule as last I saw him in the flickering torchlight of his deep dungeon cell; a fumbling gray mushroom thing that moved not of its own volition but by reason of the parasite growth which lives upon and within it . . .
ANTIQUITIES
by John Crowley
John Crowley’s first book, The Deep, received much critical acclaim, and his second novel, titled Beasts, is following well in its footsteps. “Antiquities” was the first short story of his I had ever seen, and it is a member of the story saga known as the traveller’s tale, a cycle brought to its zenith by the late Lord Dunsany’s Mr. Joseph Jorkens. While not exactly taking the name of the Lord in vain, John does take a gentle look at those traveller’s reminiscences. This is a story of ancient Egypt, succubi, and much more . . .
“There was, of course,” Sir Jeffrey said, “the Inconstancy Plague in Cheshire. Short-lived, but a phenomenon I don’t think we can quite discount.”
It was quite late at the Travellers’ Club, and Sir Jeffrey and I had been discussing (as we seemed often to do in those years of the Empire’s greatest, yet somehow most tenuous, extent) some anomalous irruptions of the foreign and the odd into the home island’s quiet life—small, unlooked-for effects which those centuries of adventure and acquisition had had on an essentially stay-at-home race. At least that was my thought. I was quite young.
“It’s no good your saying ‘of course’ in that offhand tone,” I said, attempting to catch the eye of Barnett, whom I felt as much as saw passing through the crepuscular haze of the smoking room. “I’ve no idea what the Inconstancy Plague was.”
From within his evening dress Sir Jeffrey drew out a cigar case, which faintly resembled a row of cigars, as a mummy case resembles the human form within. He offered me one, and we lit them without haste. Sir Jeffrey started a small vortex in his brandy glass. I understood that these rituals were introductory—that, in other words, I would have my tale.
“It was in the latter eighties,” Sir Jeffrey said. “I’ve no idea now how I first came to hear of it, though I shouldn’t be surprised if it was some flippant note in Punch. I paid no attention at first; the ‘popular delusions and madness of crowds’ sort of thing. I’d returned not long before from Ceylon, and was utterly, blankly oppressed by the weather. It was just starting autumn when I came ashore, and I spent the next four months more or less behind closed doors. The rain! The fog! How could I have forgotten? And the oddest thing was that no one else seemed to pay the slightest attention. My man used to draw the drapes every morning and say in the most cheerful voice, ‘Another dismal wet one, eh, sir?’ and I would positively turn my face to the wall.”
He seemed to sense that he had been diverted by personal memories, and drew on his cigar as though it were the font of recall.
“What brought it to notice was a seemingly ordinary murder case. A farmer’s wife in Winsford, married some decades, came one night into the Sheaf of Wheat, a public house, where her husband was lingering over a pint. From under her skirts she drew an old fowling-piece. She made a remark which was later reported quite variously by the onlookers, and gave him both barrels. One misfired, but the other was quite sufficient. We learn that the husband, on seeing this about to happen, seemed to show neither surprise nor anguish, merely looking up and—well, awaiting his fate.
“At the inquest, the witnesses reported the murderess to have said, before she fired, ‘I’m doing this in the name of all the others.’ Or perhaps it was ‘I’m doing this, Sam (his name), to save the others.’ Or possibly, ‘I’ve got to do this, Sam, to save you from that other.’ The woman seemed to have gone quite mad. She gave the investigators an elaborate and scarifying story which they, unfortunately, didn’t take down, being able to make no sense of it. The rational gist of it was that she had shot her husband for flagrant infidelities which she could bear no longer. When the magistrate asked witnesses if they knew of such infidelities—these things, in a small community, being notoriously difficult to hide—the men, as a body, claimed that they did not. After the trial, however, the women had dark and unspecific hints to make, how they could say much if they would, and so on. The murderess was adjudged unfit to stand trial, and hanged herself in Bedlam not long after.
“I don’t know how familiar you are with that oppressive part of the world. In those years farming was a difficult enterprise at best, isolating, stultifyingly boring, unremunerative. Hired men were heavy drinkers. Prices were depressed. The women aged quickly, what with continual childbirth added to a load of work at least equal to their menfolk’s. What I’m getting at is that it is, or was, a society the least of any conducive to adultery, amours, romance. And yet for some reason it appeared, after this murder pointed it up, so to speak, dramatically, that there was a veritable plague of inconstant husbands in northern Cheshire.”
“It’s difficult to imagine,” I said, “what evidence there could be of such a thing.”
“I had occasion to go to the county that autumn, just at the height of it all,” Sir Jeffrey went on, caressing an ashtray with the tip of his cigar. “I’d at last got a grip on myself and begun to accept invitations again. A fellow I’d known in Alexandria, a commercial agent who’d done spectacularly well for himself, asked me up for the shooting.”
“Odd place to go shooting.”
“Odd fellow. Arriviste, to speak frankly. The hospitality was lavish; the house was a red-brick Cheshire faux-Gothic affair, if you know what I mean, and the impression it gave of desolation and melancholy was remarkable. And there was no shooting; poured rain all weekend. One sat about leafing through novels or playing Cairo whist—which is what we called bridge in those days—and staring out the windows. One evening, at a loss for entertainment, our host—Watt was his name, and . . .”