When the first shock was over, when the lodgers had recovered themselves and realized the sort of person their late companion had been, they all subsided, relapsed into silence and began looking distrustfully at one another. Some seemed to take Semyon Ivanovitch's behaviour very much to heart, and even to feel affronted by it. What a fortune! So the man had saved up like this! Not losing his composure, Mark Ivanovitch proceeded to explain why Semyon Ivanovitch had been so suddenly panic-stricken; but they did not listen to him. Zinovy Prokofyevitch was very thoughtful, Okeanov had had a little to drink, the others seemed rather crestfallen, while a little man called Kantarev, with a nose like a sparrow's beak, left the flat that evening after very carefully packing up and cording all his boxes and bags, and coldly explaining to the curious that times were hard and that the terms here were beyond his means. The landlady wailed without ceasing, lamenting for Semyon Ivanovitch, and cursing him for having taken advantage of her lone, lorn state. Mark Ivanovitch was asked why the dead man had not taken his money to the bank. "He was too simple, my good soul, he hadn't enough imagination," answered Mark Ivanovitch.
"Yes, and you have been too simple, too, my good woman," Okeanov put in. "For twenty years the man kept himself close here in your flat, and here he's been knocked down by a feather—while you went on cooking cabbage-soup and had no time to notice it.... Ah-ah, my good woman!"
"Oh, the poor dear," the landlady went on, "what need of a bank! If he'd brought me his pile and said to me: 'Take it, Ustinyushka, poor dear, here is all I have, keep and board me in my helplessness, so long as I am on earth,' then, by the holy ikon I would have fed him, I would have given him drink, I would have looked after him. Ah, the sinner! ah, the deceiver! He deceived me, he cheated me, a poor lone woman!"
They went up to the bed again. Semyon Ivanovitch was lying properly now, dressed in his best, though, indeed, it was his only suit, hiding his rigid chin behind a cravat which was tied rather awkwardly, washed, brushed, but not quite shaven, because there was no razor in the flat; the only one, which had belonged to Zinovy Prokofyevitch, had lost its edge a year ago and had been very profitably sold at Tolkutchy Market; the others used to go to the barber's.
They had not yet had time to clear up the disorder. The broken screen lay as before, and exposing Semyon Ivanovitch's seclusion, seemed like an emblem of the fact that death tears away the veil from all our secrets, our shifty dodges and intrigues. The stuffing from the mattress lay about in heaps. The whole room, suddenly so still, might well have been compared by a poet to the ruined nest of a swallow, broken down and torn to pieces by the storm, the nestlings and their mother killed, and their warm little bed of fluff, feather and flock scattered about them.... Semyon Ivanovitch, however, looked more like a conceited, thievish old cock-sparrow. He kept quite quiet now, seemed to be lying low, as though he were not guilty, as though he had had nothing to do with the shameless, conscienceless, and unseemly duping and deception of all these good people. He did not heed now the sobs and wailing of his bereaved and wounded landlady. On the contrary, like a wary, callous capitalist, anxious not to waste a minute in idleness even in the coffin, he seemed to be wrapped up in some speculative calculation. There was a look of deep reflection in his face, while his lips were drawn together with a significant air, of which Semyon Ivanovitch during his lifetime had not been suspected of being capable. He seemed, as it were, to have grown shrewder, his right eye was, as it were, slyly screwed up. Semyon Ivanovitch seemed wanting to say something, to make some very important communication and explanation and without loss of time, because things were complicated and there was not a minute to lose.... And it seemed as though they could hear him.
"What is it? Give over, do you hear, you stupid woman? Don't whine! Go to bed and sleep it off, my good woman, do you hear? I am dead; there's no need of a fuss now. What's the use of it, really? It's nice to lie here.... Though I don't mean that, do you hear? You are a fine lady, you are a regular fine lady. Understand that; here I am dead now, but look here, what if—that is, perhaps it can't be so—but I say what if I'm not dead, what if I get up, do you hear? What would happen then?"