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A snowplow had been down the highway earlier in the evening, and the irregular waves of plowed snow flashed by on his right. He moved further left, away from the plowed stuff: it'd be hard and irregular, it'd throw him for sure. Weather's taillights were right there. He inched closer. He was moving so fast that he would not be able to brake inside his headlight's reach: if there was a tree down across the ditch, he'd hit it.

He'd just thought of that when he saw the hump coming; he knew what it was as soon as he picked it up, a bale of hay pegged to the bottom of the ditch to slow spring erosion. The deep snow made it into a perfect snowmobile jump, but he didn't want to jump. But he had no time to go around it. He had no time to do anything but brace himself, and he was in the air again.

He came down like a bomb, hard, bounced, the sled skidding through the softer snow up the left bank. He wrestled it to the right, lost it, climbed the right bank toward the plowed snow, wrestled it left, carved a long curve back to the bottom.

Got it.

The Iceman was shaken, thought for an instant about giving it up; but she was right there, so close. He gritted his teeth and pushed harder, closing. Thirty yards. Twenty…

Weather glanced in her side mirror, saw the sled's headlight. He was coming fast. Too fast. Idiot. She smiled, remembering last year's countywide outrage. Intersections of snowmobile trails and ordinary roads were marked with diamond-shaped signs painted with the silhouette of a snowmobile. Like deer-crossing signs, but wordless. The year before, someone had used black spray paint to stencil IDIOT CROSSING on half the snowmobile signs in Ojibway County. Had done the job neatly, with a stencil, a few signs every night for a week. The paper had been full of it.

Davenport.

An image of his face, shoulders, and hands popped into her mind. He was beat-up, wary, like he'd been hurt and needed help; at the same time, he looked tough as a railroad spike. She'd felt almost tongue-tied with him, found herself trying to interest him. Instead, half the things she'd said sounded like borderline insults. Try not to shoot anyone.

God, had she said that? She bit her tongue. Why? Trying to impress him. When he'd focused on her, he seemed to be looking right into her. And she liked it.

The bobbing light in her side mirror caught her eye again. The fool on the snowmobile was still in the ditch, but had drawn almost up beside her. She glanced back over her shoulder. If she remembered right, Forest Drive was coming up. There'd be a culvert, and the guy would catapult into Price County if he tried to ride over the embankment at this speed. Was he racing her? Maybe she should slow down.

The Iceman was befuddled by the mechanics of the assassination; if he'd had a sense of humor, he might have laughed. He couldn't let go of the accelerator and keep up with her. If he let go of the brake… he just didn't feel safe without some connection with the brake. But he had no choice: he took his hand off the brake lever, pulled open the Velcro-sealed pocket flap, got a good grip on the pistol, slid it out of his pocket. He was fifteen feet back, ten feet. Saw her glance back at him…

Five feet back, fifteen feet to the left of her, slightly lower… the snow thrown up by the Jeep was still pelting him, rattling off his helmet. Her brake lights flashed, once, twice, three times. Pumping the brakes. Why? Something coming? He could see nothing up ahead. He lifted the gun, found he couldn't keep it on the window, or even the truck's cab, much less her head. He saw the edge of her face as she looked back, her brake lights still flashing… What? What was she doing?

He pushed closer, his left hand jumped wildly as he held it awkwardly across his body; the ride was getting rougher. He tried to hold it, the two vehicles ripping along at fifty miles an hour, forty-five, forty, her brakes flashing…

Finally, hissing to himself like a flattening tire, he dropped the gun to his leg and rolled back the accelerator. The whole thing was a bad idea. As he slowed, he slipped the pistol back into his pocket, got his hand back on the brake. If he'd had a shotgun, and he'd been in daylight, then it might have worked.

He looked up at the truck and saw her profile, the blonde hair. So close.

He slowed, slowed some more. She'd stopped pumping her brakes. He turned to look back, to check traffic. And suddenly the wall was there, in front of him. He jerked the sled to the right, squeezed the brake, leaned hard right, wrenched the machine up the side of the ditch. A block of frozen snow caught him, and the machine spun out into the road and stalled.

He sat in the sudden silence, out of breath, heart pounding. The Forest Road intersection: he'd forgotten all about it. If he'd kept moving on her, he'd have hit the ends of the steel culvert pipes. He'd be dead. He looked at the embankment, the cold moving into his stomach. Too close. He shook his head, cranked the sled and turned toward home. He looked back before he started out, saw her taillights disappear around a curve. He'd have to go back for her. And soon. Plan it this time. Think it out.

Weather saw the snowmobile slow and fall back. Forest Road flashed past and she came up on the highway. He must have read her taillights. She'd seen the road-crossing sign in her headlights, realized she wouldn't have time to stop, to warn him, and had frantically pumped her brakes, hoping he'd catch on.

And he had.

Okay. She saw his taillight come up, just a pinprick of red in the darkness, and touched the preset channel selector on her radio. Duluth public radio was playing Mozart's Eine kleine Nachtmusik.

Now about Davenport.

They really needed to talk again. And that might take some planning.

She smiled to herself. She hadn't felt like this for a while.

CHAPTER 4

Lucas followed Carr down the dark, snow-packed highway. A logging truck, six huge logs chained to the trailer, pelted past them and enveloped them in a hurricane of loose snow. Carr got his right wheels in the deep snow on the shoulder, nearly didn't make it out. A minute later, a snowplow pushed glumly past them, then a pod of snowmobiles.

He leaned over the steering wheel, tense, peering into the dark. The night seemed to eat up their headlights. They got past the snowplow and the highway opened up for a moment. He groped in the storage bin under the arm rest, found a tape, shoved it in the tape player. Joe Cocker came up, singing "Black-Eyed Blues."

Lucas felt like he was waking from an opium dream, spiderwebs and dust blowing off his brain. He'd come back from New York and a brutal manhunt. In Minneapolis, he'd found… nothing. Nothing to do but work for money and amuse himself.

In September he'd left the Cities for two weeks of muskie fishing at his Wisconsin cabin east of Hayward. He'd never gone back. He'd called, kept in touch with his programmers, but could never quite get back to the new office. The latest in desktop computers waited for him, a six-hundred-dollar swivel chair, an art print on the wall beside the mounted muskie.

He'd stayed in the north and fought the winter. October had been cold. On Halloween, a winter storm had blown in from the southern Rockies. Before it was done, there were twenty inches of snow on the ground, with drifts five and six feet high.

The cold continued through November, with little flurries and the occasional nasty squall. Two or three inches of new snow accumulated almost every week. Then, on the Friday after Thanksgiving, another major storm swept through, dumping a foot of additional snow. The local papers called it Halloween II and reported that half the winter snowplow budget had been used. Winter was still four weeks away.