One day, some curious person may inquire how Ricardo Reis conducted himself at the table, whether he slurped as he drank his soup, whether he changed hands when using knife and fork, whether he wiped his mouth before drinking or left smears on his glass, whether he made excessive use of toothpicks, whether he unbuttoned his vest at the end of a meal, and whether he checked the bill item by item. These Galician-Portuguese waiters will probably say that they never paid much attention. As you are well aware, sir, one meets all sorts, after a while we don't notice anymore, a man eats as he's been taught, but the impression made by the doctor was that of someone refined, he would come in, wish everyone good afternoon or good evening, would order immediately what he wanted, and then it was almost as if he wasn't there. Did he always eat alone, Always, but he did have one curious habit, What was that, Whenever we began to remove the setting at the opposite side of the table, he always asked us to leave it there, he said the table looked more attractive set for two, and on one occasion when I was serving him there was a strange little incident. What incident. When I poured his wine, I made the mistake of filling both glasses, his and that of the missing guest, if you see what I mean. Yes, I see, and then what happened. He said that was perfect, and from then on he always insisted that the other glass should be filled, and at the end of the meal he would drink it in one go, keeping his eyes closed as he drank. How odd. As you probably know, sir, we waiters see some curious sights. Did he do this in all the other restaurants he frequented, Ah, that I couldn't tell you, you would have to ask around. Can you recall if he ever met a friend or acquaintance, even if they did not sit at the same table. Never, he always gave the impression of someone who had just arrived from abroad, just like me when I first came here from Xunqueira de Ambia, if you get my meaning. I know exactly what you mean, we have all had that experience. Do you require anything more, sir, I must go and serve the customer over in the corner, By all means, carry on, and many thanks for the information. Ricardo Reis finished drinking the coffee he had allowed to go cold and asked for his bill. While waiting, he held the second glass, still almost full, between his two hands, raised it as if he were toasting someone sitting across from him, then, slowly, half-closing his eyes, he drank the wine. Without checking the bill, he paid, left a tip neither miserly nor excessive, the tip one might expect from a regular client, wished everyone good-evening and left. Did you see that, sir, that's how he behaves. Pausing at the edge of the sidewalk, Ricardo Reis seems undecided. The sky is overcast, the air humid, but the clouds, although lying quite low, do not appear to augur rain. There is that inevitable moment when he is assailed by memories of the Hotel Bragança. He has just finished eating his dinner, has said, Until tomorrow, Ramón, and has gone off to sit on a sofa in the lounge, his back to the mirror. Presently Salvador will come to ask if he would like more coffee, A brandy perhaps, or a liqueur, Doctor, the specialty of the hotel, and he will say no, he rarely drinks spirits. The buzzer at the bottom of the stairs has sounded, the page raises his lamp to see who is entering, it must be Marcenda, today the train from the north was very late in arriving. A tram approaches, on its illuminated destination panel it has Estrela written, and the stop, as it happens, is right here, the driver sees the gentleman standing at the edge of the sidewalk. True, the gentleman made no sign requesting the tram to stop, but an experienced driver can tell that he has been waiting. Ricardo Reis gets on. At this hour the tram is practically empty, ping-ping, the conductor rings the bell. The journey takes some time, the tram goes up the Avenida da Liberdade, along the Rua de Alexandre Herculano, across the Praça do Brasil, and up the Rua das Amoreiras. Once at the top, it goes along the Rua de Silva Carvalho, through the Campo de Ourique to the Rua de Ferreira Borges, and there at the intersection with the Rua de Domingos Sequeira, Ricardo Reis gets out. As it is already after ten, there are not many people around and few lights are to be seen in the tall façades of the buildings. This is to be expected, the residents tend to spend most of their time in the rear of the building, the women in the kitchen washing up the last of the dishes, the children already in bed, the men yawning in front of their newspaper or trying, despite the bad reception due to atmospheric disturbances, to tune in Radio Seville, for no particular reason, perhaps simply because they never had the opportunity of going there. Ricardo Reis proceeds along the Rua de Saraiva de Carvalho in the direction of the cemetery. As he gets closer, he meets fewer and fewer people, and with some way to go, the road is already deserted. He disappears into the dark stretch between two lampposts, emerges once more into the amber light. Ahead in the shadows he can hear the sound of the keys of the local night watchman, who is starting his rounds. Ricardo Reis crosses the square toward the main gate, which is locked. The watchman looks at him from afar, then continues walking, Someone, he thinks, about to unburden his sorrow by weeping in the night, perhaps he has lost a wife or child, poor man, or his mother, probably his mother, mothers are always dying, a frail little woman and exceedingly old, who closed her eyes without seeing her son, I wonder where he is, she mused, then passed away, that is how people part. Perhaps it is because he is responsible for the tranquillity of these streets that the night watchman is given to such tender thoughts. He has no memories of his own mother. How often this happens, that we feel sorry for others, never for ourselves. Ricardo Reis goes up to the grating, touches the bars with his hands. From within, almost inaudible, comes a whispering, the breeze circling the branches of the cypress trees, poor trees, stripped bare of leaves. But the senses are deceived, the noise we hear is only the snoring of those who are asleep in those tall buildings, and in those low houses beyond the walls, strains of music, the hum of words, the woman who murmurs, I feel so tired, I'm going to lie down. That is what Ricardo Reis is saying to himself, I feel so tired. He puts his hand through the grating, but no other hand comes to shake his. Reduced to corpses, these people cannot even lift an arm.