We are all kin to the Gustave Dore and John Martin landscapes that caused the roustabout sorcerer Melies to film his secret moon, and Winsor McCay to walk his small boy Nemo upside down through inverted boulevards, and cause yet further films to be built around that grand door and wall and the huge skull on Kong’s island. Ending at last with the birth of Spielberg and Lucas, who picked up the bottle marked Drink Me—inside of which was the whole history of magazines, comics, science fiction covers, nineteenth-century painters and etchers—and drank the whole damn thing until the founts of Technicolor squirted out their ears.
The worst, you might be tempted to say, is yet to come. Yes, but the best also, I say. Why not the best? Science fiction remains the architecture of our dreams, and science fiction illustration will continue to inspire our next generation of dreamers.
THE GIRLS WALK THIS WAY; THE BOYS WALK THAT WAY
In Mexico, in any small-town plaza every Thursday and Sunday night with the band playing and the weather mild, the boys walk this way, the girls walk that, around and around, and the mothers and fathers sit on iron-scrolled benches and watch. In Paris, with miserable weather, in thousands of outdoor drinking and eating places, the generations gather to talk and stare. Even this late in the century in many crossroads-country-junction American towns, Saturday night finds pumpkin boys rolling in from the farms to hold up cigar storefronts with their shoulders and paw the sidewalk with their hooves as the girls go laughing by. Which is what life is all about. Gathering and staring is one of the great pastimes in the countries of the world. But not in Los Angeles. We have forgotten how to gather. So we have forgotten how to stare. And we forgot not because we wanted to, but because, by fluke or plan, we were pushed off the familiar sidewalks or banned from the old places. Change crept up on us as we slept. We are lemmings in motion now, with nowhere to go. How did we lose it all? How can we bring it back? Can’t we imitate the Latins who have enough sense to make a town plaza work for them? Can’t we be like those boys and girls who gather in far towns where the Iowa dust blows through like talcum powder on the air, following the ghosts of ancient locomotives? Well, I have a plan for a whole city block where we might meet as in the old days, and walk and shop and sit and talk and simply stare. And, finally, not just one block. But 80 or 90 city blocks spread over the entire freeway-junket-run of all 80 or 90 of the separate lonely Ohio-Illinois-Kansas-style towns, which is what Los Angeles truly is. But to show you my L.A. tomorrow, I must first show you what L.A. was when I grew up here. In the thirties, with TV unborn, you listened to radio or walked to the movies. Who could afford a car? No one. And, going to the movies, you stopped at the sweet shop next door for candy and popcorn, and after the show you came back to the same sweet shop for a malt or the corner drugstore for a Coke, and you lolled at those soda fountains until midnight with all your friends. For, you see, in those days there was a microscopic community in every neighborhood: the theater, the sweet shop, the drugstore fountain. Your friends? Why, they were always there! Well, that dear drugstore and its hissing fount, through economics, has vanished. The few that are left have no fountains at all. The few with fountains close at six each night. The sweet shop? That was shot dead when theaters installed their own lobby popcorn and candy stalls. So, there go two of your most important social halls. Today, 30 years later, as if by proclamation, we have all been told: Move On! So we climb in our cars. We drive… and drive… and drive… and come home blind with exhaustion. We have seen nothing, nor have we been seen. Our total experience? Six waved hands, a thousand blurred faces, seventeen Volkswagen rears and some ripe curses from a Porsche and an MG behind. And when we do occasionally get somewhere, the Strip, or Hollywood Boulevard, what do we find? Ten thousand other Dante’s Inferno Souls, locked in immovable ice floes ahead, irritably inhaling their exhausts, unwanted by themselves and the traffic police. So the exasperated madness and the inhumanity grow.
Where can we go that isn’t home? What can we see that isn’t TV? Why were we astonished two years back when the kids, evicted from every community by default, confronted our city fathers and the law on the new-found Sunset Boulevard stamping grounds? How do we build proper new stamping grounds in proper places for proper peoples?
Here is my remedy. A vast, dramatically planned city block. One to start with. Later on, one or more for each of the 80 towns in L.A.
My block would be a gathering place for each population nucleus. A place where, by the irresistible design and purpose of such a block, people would be tempted to linger, loiter, stay, rather than fly off in their chairs to already overcrowded places.
Let me peel my ideal shopping center like an onion:
At the exact center: a round bandstand or stage.
Surrounding this, a huge conversation pit. Enough tables and chairs so that four hundred people can sit out under the stars drinking coffee or Cokes.
Around this, in turn, would be laid the mosaics of a huge plaza walk where more hundreds might stroll at their leisure to see and be seen.
Surrounding the entirety, an immense quadrangle of three dozen shops and stores, all facing the central plaza, the conversation pit, the bandstand.
At the four corners of the block, four theaters. One for new films. A second for classic old pictures. A third to house live drama, one-act plays, or, on occasion, lectures. The fourth theater would be a coffeehouse for rock-folk groups. Each theater would hold between three hundred and five hundred people.
With the theaters as dramatic environment, let’s nail down the other shops facing the plaza:
Pizza parlor. Malt shop. Delicatessen. Hamburger joint. Candy shop. Spaghetti cafe…
But, more important, what other kinds of shops are most delicious in our lives? When browsing and brooding, what’s the most fun?
Stationery shops? Good. Most of us love rambling among the bright papers in such stores.
Hardware shops? Absolutely. That’s where men rummage happily, prowling through the million bright objects to be hauled home for use some other year.
Two bookstores, now. Why not three?!
One for hardcovers, one for paperbacks and the third to be an old and rare bookseller’s crypt, properly floundered in dust and half-light. This last should have a real fire-hearth at its center where, on cool nights, six easy chairs could be drawn about for idling bookmen/students in séance with Byron’s ghost, bricked in by thousands of ancient and honorable tomes. Such a shop must not only spell age but sound of its conversations.
How about an art supply shop? Fine! Paints, turpentines, brushes, the whole lovely smelling works. Next door? An art gallery, of course, with low- and high-price ranges for every purse!
A record shop, yes? Yes. They’ve proven themselves all over our city, staying open nights.
What about a leather shop, and a tobacconist’s… but make your own list from here on! The other dozen or two dozen shops should be all shapes, sizes and concepts. A toy shop. A magic shop, perhaps, with a resident magician.
And, down a small dark cob-webbed alley, maybe a ramshackle spook theater with only 90 seats where every day and every night a different old horror film would scuttle itself spider-wise across a faintly yellow parchment-screen…