Белый яд: Русская наркотическая проза первой трети ХХ века. Сост. и прим. А. Шермана. Изд. 2-е, доп. – Б. м.: Salamandra P.V.V., 2017. – 365 с., илл.
В...
Like a photographer with his camera, John Berger uses words to capture moments: preserving them, denying their inherent transience. A passing encounter, an almost unnoticed gesture, a brief pause--Berger observes and transcribes them, and in so...