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“We know who has soup, and who has pancakes for dinner to-day, who has cutlets, and who has eggs. How interesting!”

“Yes, but keep my secret, for I am an Emperor’s daughter.”

The swineherd—that is to say—the Prince, for no one knew that he was other than an ill-favored swineherd, let not a day pass without working at something; he at last constructed a rattle, which, when it was swung round, played all the waltzes and jig tunes, which have ever been heard since the creation of the world.

“Ah, that is superbe!” said the Princess when she passed by. “I have never heard prettier compositions! Go in and ask him the price of the instrument; but mind, he shall have no more kisses!”

“He will have a hundred kisses from the Princess!” said the lady who had been to ask.

“I think he is not in his right senses!” said the Princess, and walked on, but when she had gone a little way, she stopped again. “One must encourage art,” said she, “I am the Emperor’s daughter. Tell him he shall, as on yesterday, have ten kisses from me, and may take the rest from the ladies of the court.”

“Oh—but we should not like that at all!” said they. “What are you muttering?” asked the Princess. “If I can kiss him, surely you can. Remember that you owe everything to me.” So the ladies were obliged to go to him again.

“A hundred kisses from the Princess,” said he, “or else let everyone keep his own!”

“Stand round!” said she; and all the ladies stood round her whilst the kissing was going on.

“What can be the reason for such a crowd close by the pigsty?” said the Emperor, who happened just then to step out on the balcony; he rubbed his eyes, and put on his spectacles. “They are the ladies of the court; I must go down and see what they are about!” So he pulled up his slippers at the heel, for he had trodden them down.

As soon as he had got into the court-yard, he moved very softly, and the ladies were so much engrossed with counting the kisses, that all might go on fairly, that they did not perceive the Emperor. He rose on his tiptoes.

“What is all this?” said he, when he saw what was going on, and he boxed the Princess’s ears with his slipper, just as the swineherd was taking the eighty-sixth kiss.

“March out!” said the Emperor, for he was very angry; and both Princess and swineherd were thrust out of the city.

The Princess now stood and wept, the swineherd scolded, and the rain poured down.

“Alas! Unhappy creature that I am!” said the Princess. “If I had but married the handsome young Prince! Ah! how unfortunate I am!”

And the swineherd went behind a tree, washed the black and brown color from his face, threw off his dirty clothes, and stepped forth in his princely robes; he looked so noble that the Princess could not help bowing before him.

“I am come to despise thee,” said he. “Thou would’st not have an honorable Prince! Thou could’st not prize the rose and the nightingale, but thou wast ready to kiss the swineherd for the sake of a trumpery plaything. Thou art rightly served.”

He then went back to his own little kingdom, and shut the door of his palace in her face. Now she might well sing,

“Ach! du lieber Augustin, Alles ist weg, weg, weg!”

THE REAL PRINCESS

There was once a Prince who wished to marry a Princess; but then she must be a real Princess. He travelled all over the world in hopes of finding such a lady; but there was always something wrong. Princesses he found in plenty; but whether they were real Princesses it was impossible for him to decide, for now one thing, now another, seemed to him not quite right about the ladies. At last he returned to his palace quite cast down, because he wished so much to have a real Princess for his wife.

One evening a fearful tempest arose, it thundered and lightened, and the rain poured down from the sky in torrents: besides, it was as dark as pitch. All at once there was heard a violent knocking at the door, and the old King, the Prince’s father, went out himself to open it.

It was a Princess who was standing outside the door. What with the rain and the wind, she was in a sad condition; the water trickled down from her hair, and her clothes clung to her body. She said she was a real Princess.

“Ah! we shall soon see that!” thought the old Queen-mother; however, she said not a word of what she was going to do; but went quietly into the bedroom, took all the bed-clothes off the bed, and put three little peas on the bedstead. She then laid twenty mattresses one upon another over the three peas, and put twenty feather beds over the mattresses.

Upon this bed the Princess was to pass the night.

The next morning she was asked how she had slept. “Oh, very badly indeed!” she replied. “I have scarcely closed my eyes the whole night through. I do not know what was in my bed, but I had something hard under me, and am all over black and blue. It has hurt me so much!”

Now it was plain that the lady must be a real Princess, since she had been able to feel the three little peas through the twenty mattresses and twenty feather beds. None but a real Princess could have had such a delicate sense of feeling.

The Prince accordingly made her his wife; being now convinced that he had found a real Princess. The three peas were however put into the cabinet of curiosities, where they are still to be seen, provided they are not lost.

Wasn’t this a lady of real delicacy?

THE SHOES OF FORTUNE

I. A Beginning

Every author has some peculiarity in his descriptions or in his style of writing. Those who do not like him, magnify it, shrug up their shoulders, and exclaim—there he is again! I, for my part, know very well how I can bring about this movement and this exclamation. It would happen immediately if I were to begin here, as I intended to do, with: “Rome has its Corso, Naples its Toledo”—“Ah! that Andersen; there he is again!” they would cry; yet I must, to please my fancy, continue quite quietly, and add: “But Copenhagen has its East Street.”

Here, then, we will stay for the present. In one of the houses not far from the new market a party was invited—a very large party, in order, as is often the case, to get a return invitation from the others. One half of the company was already seated at the card-table, the other half awaited the result of the stereotype preliminary observation of the lady of the house:

“Now let us see what we can do to amuse ourselves.”

They had got just so far, and the conversation began to crystallise, as it could but do with the scanty stream which the commonplace world supplied. Amongst other things they spoke of the middle ages: some praised that period as far more interesting, far more poetical than our own too sober present; indeed Councillor Knap defended this opinion so warmly, that the hostess declared immediately on his side, and both exerted themselves with unwearied eloquence. The Councillor boldly declared the time of King Hans to be the noblest and the most happy period.[2]  

While the conversation turned on this subject, and was only for a moment interrupted by the arrival of a journal that contained nothing worth reading, we will just step out into the antechamber, where cloaks, mackintoshes, sticks, umbrellas, and shoes, were deposited. Here sat two female figures, a young and an old one. One might have thought at first they were servants come to accompany their mistresses home; but on looking nearer, one soon saw they could scarcely be mere servants; their forms were too noble for that, their skin too fine, the cut of their dress too striking. Two fairies were they; the younger, it is true, was not Dame Fortune herself, but one of the waiting-maids of her handmaidens who carry about the lesser good things that she distributes; the other looked extremely gloomy—it was Care. She always attends to her own serious business herself, as then she is sure of having it done properly.

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A.D. 1482-1513