You see he ought to have said that sooner; for the moment he expressed the wish his head was free; and cured of all his paroxysms of love, he hastened off to his room, where the pains consequent on the fright the Shoes had prepared for him, did not so soon take their leave.
But you must not think that the affair is over now; it grows much worse.
The night passed, the next day also; but nobody came to fetch the Shoes.
In the evening “Dramatic Readings” were to be given at the little theatre in King Street. The house was filled to suffocation; and among other pieces to be recited was a new poem by H. C. Andersen, called, My Aunt’s Spectacles; the contents of which were pretty nearly as follows:
“A certain person had an aunt, who boasted of particular skill in fortune-telling with cards, and who was constantly being stormed by persons that wanted to have a peep into futurity. But she was full of mystery about her art, in which a certain pair of magic spectacles did her essential service. Her nephew, a merry boy, who was his aunt’s darling, begged so long for these spectacles, that, at last, she lent him the treasure, after having informed him, with many exhortations, that in order to execute the interesting trick, he need only repair to some place where a great many persons were assembled; and then, from a higher position, whence he could overlook the crowd, pass the company in review before him through his spectacles. Immediately ‘the inner man’ of each individual would be displayed before him, like a game of cards, in which he unerringly might read what the future of every person presented was to be. Well pleased the little magician hastened away to prove the powers of the spectacles in the theatre; no place seeming to him more fitted for such a trial. He begged permission of the worthy audience, and set his spectacles on his nose. A motley phantasmagoria presents itself before him, which he describes in a few satirical touches, yet without expressing his opinion openly: he tells the people enough to set them all thinking and guessing; but in order to hurt nobody, he wraps his witty oracular judgments in a transparent veil, or rather in a lurid thundercloud, shooting forth bright sparks of wit, that they may fall in the powder-magazine of the expectant audience.”
The humorous poem was admirably recited, and the speaker much applauded. Among the audience was the young man of the hospital, who seemed to have forgotten his adventure of the preceding night. He had on the Shoes; for as yet no lawful owner had appeared to claim them; and besides it was so very dirty out-of-doors, they were just the thing for him, he thought.
The beginning of the poem he praised with great generosity: he even found the idea original and effective. But that the end of it, like the Rhine, was very insignificant, proved, in his opinion, the author’s want of invention; he was without genius, etc. This was an excellent opportunity to have said something clever.
Meanwhile he was haunted by the idea—he should like to possess such a pair of spectacles himself; then, perhaps, by using them circumspectly, one would be able to look into people’s hearts, which, he thought, would be far more interesting than merely to see what was to happen next year; for that we should all know in proper time, but the other never.
“I can now,” said he to himself, “fancy the whole row of ladies and gentlemen sitting there in the front row; if one could but see into their hearts—yes, that would be a revelation—a sort of bazar. In that lady yonder, so strangely dressed, I should find for certain a large milliner’s shop; in that one the shop is empty, but it wants cleaning plain enough. But there would also be some good stately shops among them. Alas!” sighed he, “I know one in which all is stately; but there sits already a spruce young shopman, which is the only thing that’s amiss in the whole shop. All would be splendidly decked out, and we should hear, ‘Walk in, gentlemen, pray walk in; here you will find all you please to want.’ Ah! I wish to Heaven I could walk in and take a trip right through the hearts of those present!”
And behold! to the Shoes of Fortune this was the cue; the whole man shrunk together and a most uncommon journey through the hearts of the front row of spectators, now began. The first heart through which he came, was that of a middle-aged lady, but he instantly fancied himself in the room of the “Institution for the cure of the crooked and deformed,” where casts of mis-shapen limbs are displayed in naked reality on the wall. Yet there was this difference, in the institution the casts were taken at the entry of the patient; but here they were retained and guarded in the heart while the sound persons went away. They were, namely, casts of female friends, whose bodily or mental deformities were here most faithfully preserved.
With the snake-like writhings of an idea he glided into another female heart; but this seemed to him like a large holy fane.[8] The white dove of innocence fluttered over the altar. How gladly would he have sunk upon his knees; but he must away to the next heart; yet he still heard the pealing tones of the organ, and he himself seemed to have become a newer and a better man; he felt unworthy to tread the neighboring sanctuary which a poor garret, with a sick bed-rid mother, revealed. But God’s warm sun streamed through the open window; lovely roses nodded from the wooden flower-boxes on the roof, and two sky-blue birds sang rejoicingly, while the sick mother implored God’s richest blessings on her pious daughter.
He now crept on hands and feet through a butcher’s shop; at least on every side, and above and below, there was nought but flesh. It was the heart of a most respectable rich man, whose name is certain to be found in the Directory.
He was now in the heart of the wife of this worthy gentleman. It was an old, dilapidated, mouldering dovecot. The husband’s portrait was used as a weather-cock, which was connected in some way or other with the doors, and so they opened and shut of their own accord, whenever the stern old husband turned round.
Hereupon he wandered into a boudoir formed entirely of mirrors, like the one in Castle Rosenburg; but here the glasses magnified to an astonishing degree. On the floor, in the middle of the room, sat, like a Dalai-Lama, the insignificant “Self” of the person, quite confounded at his own greatness. He then imagined he had got into a needle-case full of pointed needles of every size.
“This is certainly the heart of an old maid,” thought he. But he was mistaken. It was the heart of a young military man; a man, as people said, of talent and feeling.
In the greatest perplexity, he now came out of the last heart in the row; he was unable to put his thoughts in order, and fancied that his too lively imagination had run away with him.
“Good Heavens!” sighed he. “I have surely a disposition to madness—‘tis dreadfully hot here; my blood boils in my veins and my head is burning like a coal.” And he now remembered the important event of the evening before, how his head had got jammed in between the iron railings of the hospital. “That’s what it is, no doubt,” said he. “I must do something in time: under such circumstances a Russian bath might do me good. I only wish I were already on the upper bank.”[9]
9
In these Russian (vapor) baths the person extends himself on a bank or form, and as he gets accustomed to the heat, moves to another higher up towards the ceiling, where, of course, the vapor is warmest. In this manner he ascends gradually to the highest.