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BEFORE DESPATCHING THE BENGAL CHEST TO LONDON nearly two years ago, I had spent any number of hours in organising its contents. Lord Harold had pursued no particular method while amassing his accounts. He had merely tossed his correspondence and journals into the depths of the chest as tho’ it were a diminutive lumber-room. Over time his records of travels in India, his schoolboy missives from Eton, his maps of Paris scrawled with marginalia, and his passionate letters to ladies long mouldering in the grave, formed an incoherent jumble. During a succession of winter days in my Hampshire village, I had established my own system of classification as rigourous as any natural philosopher’s: at the bottom of the chest I placed the childish scrawls of letters written to his beloved mother; next, his first desperate entanglement with a lady and the dissolute accounts of young manhood: gaming hells, club debauches, meetings at Chalk Farm at dawn.[9] The squandering of a second son’s income could be traced in the piles of old debts, the dunning letters of tailors, wine merchants, chandlers, and gunsmiths; the sale of a string of hunters at Tattersall’s. The inevitable exile to India filled the next layer, and the layer after that; the fifth Duke’s death and his lordship’s accession to an uncle’s fortune; his investments in the Honourable Company; the Revolution in France and the demand for his talents as a secret government envoy. It was in this guise I had finally encountered him: the Gentleman Rogue at the height of his powers — polished, cynical, adept, and aloof. He caught and held my interest precisely because the greater part of his mind was always withheld from me — who had never found it very hard to understand everybody.

“My grandfather will be pleased to learn that you have paid us this call,” Sylvester Chizzlewit told me. “I hope I may assure him of your continued health and happiness, Miss Austen?”

“I am well enough,” I replied, “but I collect that Mr. Chizzlewit is not. He no longer sits in chambers?”

“He was much beset by an inflammation of the lung this winter, and undertakes a trial of the waters at Bath. We are hopeful they may prove beneficial. Miss Austen, I must beg you to remain where you stand, and avert your eyes, as the measures we have adopted for the concealment of our keys will admit the confidence of no one.”

The words were uttered with as much courtesy as the intelligence of his grandfather’s indisposition, or his wishes for my continued health; but there was a firmness in tone that brooked no question or delay. I turned my head away, and heard a soft click under Sylvester Chizzlewit’s fingers, as tho’ a panel in the wainscotting had slid back on hidden springs.

“Very well,” he said, raising a formidable ring of keys; “we must now seek the mates of these from Jonas.”

Jonas, it was presently revealed, was an elderly clerk whose white hair sprouted in tufts about his head, and whose back was stooped with a deformity of the spine. He smiled vaguely when roused from his ledgers in the room adjoining Sylvester Chizzlewit’s; his myopic pale eyes roamed over my figure.

“Keys,” he murmured, as if to himself. “But can she be trusted? His lordship thought so, aye — but his lordship’s dead, isn’t he?”

“That will be quite enough, Jonas,” Chizzlewit said sharply. “Pray bestir yourself.”

The old man sighed, and eased his arthritic frame from the high stool on which it was perched. “None too young, is she, and not what his lordship might be expected to favour. A lady-bird, they said, as was in his keeping, but I cannot credit it. Too long in the tooth by half … ”

I was put to the blush, and knew not where to look, but Mr. Chizzlewit preserving a perfect gravity, I attempted insensibility, and followed in Jonas’s muttering train.

The clerk led us down a corridor lit by flaring lamps set into the woodwork, and into a pleasant room devoid of company. A handsome table held down the centre of the room, and several easy chairs were scattered about, but no fire burned in the imposing hearth.

Jonas crossed to the chimneypiece, and took up a position on one side. Mr. Chizzlewit stood at the other. Without a word, the two inserted their keys into indiscernible holes in the woodwork, and at the count of three, sprang the locks in a single motion.

The chimneypiece swung outwards, as tho’ it were a door: revealing a considerable chamber behind, inky with blackness. Sylvester Chizzlewit coolly reached for a taper that lay on the false mantel, and lit it in the flame of an oil lamp. Then he held it aloft.

“I must beg you, Miss Austen, not to attempt to look within. Jonas, we require the Bengal chest.”

TO BE LEFT ALONE WITH MY TREASURE WAS TO FIND again the comforting embrace of a familiar friend. When the door of the patrons’ chamber had closed behind the solicitor and his clerk, I ran my fingers over the raised figures carved in teak (most of them grossly improper), the heavy iron hasps and hinges, and the sloping initials cut on the lid. Then I drew an ornate key from my reticule and — glancing over my shoulder with apprehension, for Jonas’s air of mystery was infectious — set it in the lock.

There were too many riches within. I might have been tempted to peruse the journals that described his lordship’s trek by horseback into the wilds of Central Asia; his visits to the court of St. Petersburg, and his views on the murder of the present Tsar’s father; his abduction of a lady from a harem near Jaipur; or his tête-à-tête with Napoleon Buonaparte, in a Paris prison from which he subsequently escaped, in lowering himself through a series of drains — but I had not come to Chizzlewit’s chambers solely to indulge in memory. Lord Harold was killed in the autumn of 1808, and if memory served, he had been much taken up with government policy at that time, being newly returned from the Peninsula. George Canning had then held the Foreign Ministry, and Robert Stewart, Lord Castlereagh, the Ministry of War. Lord Harold must certainly have been acquainted intimately with both.

The journal I sought was a slim one bound in bottle-green calf, the chronicle of the Rogue’s final year — begun in January of 1808 and ending abruptly with the first few days of November. I skimmed rapidly through several passages; his lordship had been writing from Oporto. The relevant entries spanned several months.

… unfortunate that Gustavus IV should be quite mad, as he is the sole ally on which His Majesty may depend in the region of the Baltic… my man writes from St. Petersburg of the Tsar’s threats to our Swedish King, to suggest that if Gustavus prefers to keep Finland, he had much better join with Russia and drive Britain out of these waters …

… seems clear that our intelligence of the Tsar’s intentions is wide of the mark. I cannot make out why the reports I obtain are so transparent on the matter, and those that Castlereagh reads directly contradict them … Thornton signs his treaty in Stockholm, and two weeks later Russian troops cross the Finnish border … there is duplicity in all this.

Castlereagh’s ten thousand men are sailing north to Gothenburg, with no clear orders and no one but Sir John Moore to save them … he is to defer to a mad king, who wishes to use British troops to seize Zealand from the Danes …

… I am sick at heart that when we most need troops here in Portugal and Spain, they are sent on a fool’s errand instead, to bait the Baltic tiger … I cannot make my voice heard in Canning’s ministry … he is all for helping the Spaniards to help themselves, but ordnance and funds are lacking … here, where we most require troops to face Marshal Junot, our attention is divided. Do we fight Napoleon, or the Tsar?

… Moira tells me of disputes between Canning and Castlereagh, and fears it will end badly… Canning is everywhere known to be less of a gentleman than Robert, and it is not to be wondered at, his father dead in his infancy and his mother upon the stage, the kept mistress of a dozen men — but one would have thought he would learn loyalty during his days at Oxford …

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9

This was the traditional meeting ground of duelists, outside London. — Editor’s note.