“She has been in this room,” he cried, and he sprang to wrest from it a token, for he knew he would recognize the smallest thing that had belonged to her or that she had touched. This enveloping scent of mignonette, the odour that she had loved and made her own – whence came it?
The room had been but carelessly set in order. Scattered upon the flimsy dresser scarf were half a dozen hairpins – those discreet, indistinguishable friends of womankind, feminine of gender, infinite of mood and uncommunicative of tense. These he ignored, conscious of their triumphant lack of identity. Ransacking the drawers of the dresser he came upon a discarded, tiny, ragged handkerchief. He pressed it to his face. It was racy and insolent with heliotrope; he hurled it to the floor. In another drawer he found odd buttons, a theatre programme, a pawnbroker’s card, two lost marshmallows, a book on the divination of dreams. In the last was a woman’s black satin hair bow, which halted him, poised between ice and fire. But the black satin hair-bow also is femininity’s demure, impersonal, common ornament, and tells no tales.
And then he traversed the room like a hound on the scent, skimming the walls, considering the corners of the bulging matting on his hands and knees, rummaging mantel and tables, the curtains and hangings, the drunken cabinet in the corner, for a visible sign, unable to perceive that she was there beside, around, against, within, above him, clinging to him, wooing him, calling him so poignantly through the finer senses that even his grosser ones became cognisant of the call. Once again he answered loudly: “Yes, dear!” and turned, wild-eyed, to gaze on vacancy, for he could not yet discern form and colour and love and outstretched arms in the odour of mignonette. Oh, God! whence that odour, and since when have odours had a voice to call? Thus he groped.
He burrowed in crevices and corners, and found corks and cigarettes. These he passed in passive contempt. But once he found in a fold of the matting a half-smoked cigar, and this he ground beneath his heel with a green and trenchant oath. He sifted the room from end to end. He found dreary and ignoble small records of many a peripatetic tenant; but of her whom he sought, and who may have lodged there, and whose spirit seemed to hover there, he found no trace.
And then he thought of the housekeeper.
He ran from the haunted room downstairs and to a door that showed a crack of light. She came out to his knock. He smothered his excitement as best he could.
“Will you tell me, madam,” he besought her, “who occupied the room I have before I came?”
“Yes, sir. I can tell you again. ’Twas Sprowls and Mooney, as I said. Miss B’retta Sprowls it was in the theatres, but Missis Mooney she was. My house is well known for respectability. The marriage certificate hung, framed, on a nail over —”
“What kind of a lady was Miss Sprowls – in looks, I mean?”
“Why, black-haired, sir, short, and stout, with a comical face. They left a week ago Tuesday.”
“And before they occupied it?”
“Why, there was a single gentleman connected with the draying business. He left owing me a week. Before him was Missis Crowder and her two children, that stayed four months; and back of them was old Mr. Doyle, whose sons paid for him. He kept the room six months. That goes back a year, sir, and further I do not remember.”
He thanked her and crept back to his room. The room was dead. The essence that had vivified it was gone. The perfume of mignonette had departed. In its place was the old, stale odour of mouldy house furniture, of atmosphere in storage.
The ebbing of his hope drained his faith. He sat staring at the yellow, singing gaslight. Soon he walked to the bed and began to tear the sheets into strips. With the blade of his knife he drove them tightly into every crevice around windows and door. When all was snug and taut he turned out the light, turned the gas full on again and laid himself gratefully upon the bed.
It was Mrs. McCool’s night to go with the can for beer. So she fetched it and sat with Mrs. Purdy in one of those subterranean retreats where house-keepers foregather and the worm dieth seldom[224].
“I rented out my third floor, back, this evening,” said Mrs. Purdy, across a fine circle of foam. “A young man took it. He went up to bed two hours ago.”
“Now, did ye, Mrs. Purdy, ma’am?” said Mrs. McCool, with intense admiration. “You do be a wonder for rentin’ rooms of that kind. And did ye tell him, then?” she concluded in a husky whisper, laden with mystery.
“Rooms,” said Mrs. Purdy, in her furriest tones, “are furnished for to rent. I did not tell him, Mrs. McCool.”
“’Tis right ye are, ma’am; ’tis by renting rooms we kape alive. Ye have the rale sense for business, ma’am. There be many people will rayjict[225] the rentin’ of a room if they be tould a suicide has been after dyin’ in the bed of it.”
“As you say, we has our living to be making,” remarked Mrs. Purdy.
“Yis, ma’am; ’tis true. ’Tis just one wake ago this day I helped ye lay out the third floor, back. A pretty slip of a colleen she was to be killin’ herself wid the gas – a swate little face she had, Mrs. Purdy, ma’am.”
“She’d a-been called handsome, as you say,” said Mrs. Purdy, assenting but critical, “but for that mole she had a-growin’ by her left eyebrow. Do fill up your glass again, Mrs. McCool.”
The Brief Début of Tildy
If you do not know Bogle’s Chop House and Family Restaurant it is your loss. For if you are one of the fortunate ones who dine expensively you should be interested to know how the other half consumes provisions. And if you belong to the half to whom waiters’ checks are things of moment, you should know Bogle’s, for there you get your money’s worth – in quantity, at least.
Bogle’s is situated in that highway of bourgeoisie, that boulevard of Brown-Jones-and-Robinson, Eighth Avenue. There are two rows of tables in the room, six in each row. On each table is a caster-stand, containing cruets of condiments and seasons. From the pepper cruet you may shake a cloud of something tasteless and melancholy, like volcanic dust. From the salt cruet you may expect nothing. Though a man should extract a sanguinary stream from the pallid turnip, yet will his prowess be balked when he comes to wrest salt from Bogle’s cruets. Also upon each table stands the counterfeit of that benign sauce made “from the recipe of a nobleman in India.”
At the cashier’s desk sits Bogle, cold, sordid, slow, smouldering, and takes your money. Behind a mountain of toothpicks he makes your change, files your check, and ejects at you, like a toad, a word about the weather. Beyond a corroboration of his meteorological statement you would better not venture. You are not Bogle’s friend; you are a fed, transient customer, and you and he may not meet again until the blowing of Gabriel’s dinner horn[226]. So take your change and go – to the devil if you like. There you have Bogle’s sentiments.
The needs of Bogle’s customers were supplied by two waitresses and a Voice. One of the waitresses was named Aileen. She was tall, beautiful, lively, gracious and learned in persiflage. Her other name? There was no more necessity for another name at Bogle’s than there was for finger-bowls.
The name of the other waitress was Tildy. Why do you suggest Matilda? Please listen this time – Tildy – Tildy. Tildy was dumpy, plain-faced, and too anxious to please to please. Repeat the last clause to yourself once or twice, and make the acquaintance of the duplicate infinite.
224
the worm dieth seldom – a part of the phrase from the Bible that describes the blazing inferno
226
the blowing of Gabriel’s dinner horn – Archangel Gabriel, the messenger of the God, according to the Old Testament texts blew a trumpet (horn)