Выбрать главу

Doc was changing in spite of himself, in spite of the prayers of his friends, in spite of his own knowledge. And why not? Men do change, and change comes like a little wind that ruffles the curtains at dawn, and it comes like the stealthy perfume of wildflowers hidden in the grass. Change may be announced by a small ache, so that you think you’re catching cold. Or you may feel a faint disgust for something you loved yesterday. It may even take the form of a hunger that peanuts will not satisfy. Isn’t overeating said to be one of the strongest symptoms of discontent? And isn’t discontent the lever of change?

Before the war Doc had lived a benign and pleasant life, which aroused envy in some gnat-bitten men. Doc made a living, as good a living as he needed or wanted, by collecting and preserving various marine animals and selling them to schools, colleges, and museums. He was able to turn affable and uncritical eyes on a world full of excitement. He combined the beauty of the sea with man’s loveliest achievement—music. Through his superb phonograph he could hear the angelic voice of the Sistine Choir[29] and could wander half lost in the exquisite masses of William Byrd.[30] He believed there were two human achievements that towered above all others: the Faust[31] of Goethe and the Art of the Fugue[32] of J. S. Bach. Doc was never bored. He was beloved and preyed on by his friends, and this contented him. For he remembered the words of Diamond Jim Brady[33] who, when told that his friends were making suckers of him, remarked, “It’s fun to be a sucker—if you can afford it.” Doc could afford it. He had not the vanity which makes men try to be smart.

Doc’s natural admiration and desire for women had always been satisfied by women themselves. He had few responsibilities except to be a kindly, generous, and amused man. And these he did not find difficult. All in all, he had always been a fulfilled and contented man. A specimen so rare aroused yearning in other men, for how few men like their work, their lives—how very few men like themselves. Doc liked himself, not in an adulatory sense, but just as he would have liked anyone else. Being at ease with himself put him at ease with the world.

In the Army there had been times when he longed for his music, for his little animals, and for the peace and interest of his laboratory. Coming home, forcing open the water-swollen door, was a pleasure and a pain to him. He sighed as he looked at his bookshelves. It took him ten minutes to decide which record to play first. And then the past was gone and he was faced with the future. Old Jingleballicks had kept the little business going in a manner even more inefficient than Doc had, and then had left it to founder. The stocks of preserved animals were depleted. The business contacts had lapsed. The bank that held his mortgage was no longer checked by patriotism. There was some question whether Doc could ever build back his marginal business. In the old days he would have forgotten such considerations in multiple pleasures and interests. Now discontent nibbled at him—not painfully, but constantly.

Where does discontent start? You are warm enough, but you shiver. You are fed, yet hunger gnaws you. You have been loved, but your yearning wanders in new fields. And to prod all these there’s time, the bastard Time. The end of life is now not so terribly far away—you can see it the way you see the finish line when you come into the stretch—and your mind says, “Have I worked enough? Have I eaten enough? Have I loved enough?” All of these, of course, are the foundation of man’s greatest curse, and perhaps his greatest glory. “What has my life meant so far, and what can it mean in the time left to me?” And now we’re coming to the wicked, poisoned dart: “What have I contributed in the Great Ledger? What am I worth?” And this isn’t vanity or ambition. Men seem to be born with a debt they can never pay no matter how hard they try. It piles up ahead of them. Man owes something to man. If he ignores the debt it poisons him, and if he tries to make payments the debt only increases, and the quality of his gift is the measure of the man.

Doc’s greatest talent had been his sense of paying as he went. The finish line had meant nothing to him except that he had wanted to crowd more living into the stretch. Each day ended with its night; each thought with its conclusion; and every morning a new freedom arose over the eastern mountains and lighted the world. There had never been any reason to suppose it would be otherwise. People made pilgrimages to the laboratory to bask in Doc’s designed and lovely purposelessness. For what can a man accomplish that has not been done a million times before? What can he say that he will not find in Lao-Tse[34] or the Bhagavadgita[35] or the Prophet Isaiah?[36] It is better to sit in appreciative contemplation of a world in which beauty is eternally supported on a foundation of ugliness: cut out the support, and beauty will sink from sight. It was a good thing Doc had, and many people wished they had it too.

But now the worm of discontent was gnawing at him. Maybe it was the beginning of Doc’s middle age that caused it—glands slackening their flow, skin losing its bloom, taste buds weakening, eyes not so penetrating, and hearing dulled a little. Or it might have been the new emptiness of Cannery Row—the silent machines, the rusting metal. Deep in himself Doc felt a failure. But he was a reasonably realistic man. He had his eyes examined, his teeth X-rayed. Dr. Horace Dormody[37] went over him and discovered no secret focus of infection to cause the restlessness. And so Doc threw himself into his work, hoping, the way a man will, to smother the unease with weariness. He collected, preserved, injected, until his stock shelves were crowded again. New generations of cotton rats crawled on the wire netting of the cages, and four new rattlesnakes abandoned themselves to a life of captivity and ease.

But the discontent was still there. The pains that came to Doc were like a stir of uneasiness or the flick of a skipped heartbeat. Whisky lost its sharp delight and the first long pull of beer from a frosty glass was not the joy it had been. He stopped listening in the middle of an extended story. He was not genuinely glad to see a friend. And sometimes, starting to turn over a big rock in the Great Tide Pool[38]—a rock under which he knew there would be a community of frantic animals—he would drop the rock back in place and stand, hands on hips, looking off to sea, where the round clouds piled up white with pink and black edges. And he would be thinking, What am I thinking? What do I want? Where do I want to go? There would be wonder in him, and a little impatience, as though he stood outside and looked in on himself through a glass shell. And he would be conscious of a tone within himself, or several tones, as though he heard music distantly.

Or it might be this way. In the late night Doc might be working at his old and battered microscope, delicately arranging plankton on a slide, moving them with a thread of glass. And there would be three voices singing in him, all singing together. The top voice of his thinking mind would sing, “What lovely little particles, neither plant nor animal but somehow both—the reservoir of all the life in the world, the base supply of food for everyone. If all of these should die, every other living thing might well die as a consequence.” The lower voice of his feeling mind would be singing, “What are you looking for, little man? Is it yourself you’re trying to identify? Are you looking at little things to avoid big things?” And the third voice, which came from his marrow, would sing, “Lonesome! Lonesome! What good is it? Who benefits? Thought is the evasion of feeling. You’re only walling up the leaking loneliness.”

вернуться

29

Sistine Choir: Recordings of the Vatican’s Sistine Chapel Choir.

вернуться

30

William Byrd: William Byrd (1540?–1623) was one of the most celebrated English composers of the Renaissance. His three famous masses (in Latin) were written between 1592 and 1595.

вернуться

31

Faust of Goethe: German author Johann Wolfgang von Goethe’s tragedy of a man who sells his soul to Mephistopheles the devil in exchange for unlimited power. Part I was published in 1808 and revised in 1828–29; part II was published in 1832, the year Goethe died.

вернуться

32

Art of the Fugue of J. S. Bach: Johann Sebastian Bach (1685 O.S.–1750 N.S.) was a prolific German composer and organist of sacred and secular works for choir, orchestra, and solo instruments. His final (and unfinished) collection of fugues and canons was composed between 1745 and 1750, and published after his death in 1750. See below pp. 80, 135, and 201.

вернуться

33

Diamond Jim Brady: James Buchanan Brady (1856–1917), American businessman, financier, and philanthropist of the Gilded Age, whose appetite for food was legendary.

вернуться

34

Lao-Tse: Major Chinese philosopher said to have lived in the sixth century BCE; however, many historians place his life in the fourth century BCE. He was credited with writing the seminal Taoist work, the Tao Te Ching, and he was recognized as the founder of Taoism.

вернуться

35

Bhagavadgita: The Bhagavad Gita is a passage of 701 verses in the epic Mahabharata and is revered as a sacred text of Hindu philosophy. Bhagavad Gita, a conversation between divine Krishna and Arjuna, proposes that true enlightenment comes from growing beyond identification with the Ego, the little Self, and that one must identify with the Truth of the immortal Self (the soul, or Atman), the ultimate Divine Consciousness. Through detachment from the personal Ego, the Yogi, or follower of a particular path of Yoga, is able to transcend his mortality and attachment from the material world, and see the Infinite.

вернуться

36

Prophet Isaiah: Jewish prophet (eighth–seventh centuries BCE) who prophesied during the reigns of four biblical kings and is generally regarded to have authored the Book of Isaiah, which delivers messages of peace, compassion, and justice.

вернуться

37

Dr. Horace Dormody: In 1930, Dr. Horace Dormody (1897–1984), with his brother Dr. Hugh Dormody, opened Peninsula Community Hospital (renamed Community Hospital of Monterey Peninsula in 1961).

вернуться

38

Great Tide Pooclass="underline" An especially rich ecological zone and consequently one of Doc’s prime specimen collecting sites. It is located off Monterey’s Ocean View Boulevard at the western foot of the Point Pinos light house. In chapter 4 of Cannery Row, Steinbeck wrote:

It is a fabulous place: when the tide is in, a wave-churned basin, creamy with foam, whipped by the combers that roll in from the whistling buoy on the reef. But when the tide goes out the little water world becomes quiet and lovely. The sea is very clear and the bottom becomes fantastic with hurrying, fighting, feeding, breeding animals.