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When he was at home for the holidays Bouchard’s parents assigned him sleeping quarters in the same room with an adolescent chambermaid. This girl was all virtue while she was awake, but could not, it was obvious, be responsible for what happened while she was asleep. And according to her private system of casuistry, it made no difference whether she was really asleep or merely pretending. Later on, when Jean-Jacques’ schooldays were over, there was a little peasant girl who minded the cows in the orchard. For a halfpenny, she was ready to grant any favours her young master might demand. Yet another maid, who had left because Bouchard’s half-brother, the Prior of Cassan, had tried to seduce her, now re-entered the family’s service and soon became Jean-Jacques’ guinea-pig and co-worker in the sexual experimentation described in the second half of the Confessions.

Between Bouchard and the heir to the throne of France the gulf was wide and deep. And yet the moral atmosphere in which the future Louis XIII was brought up is similar in many respects to that breathed by his humbler contemporary. In the Journal of Dr. Jean Héroard, the little Prince’s physician, we possess a long and detailed record of a seventeenth-century childhood. True, the Dauphin was a very exceptional child—the first son born to a King of France in more than eighty years. But the very preciousness of this unique infant throws into yet sharper relief certain, to us, most extraordinary features of his upbringing. If this sort of thing was good enough for a child, for whom, by definition, nothing was good enough, then what, we may ask ourselves, was good enough for ordinary children? To start with, the Dauphin was brought up with a whole flock of his father’s illegitimate children by three or four different mothers. Some of these left-handed brothers and sisters were older than himself, some younger. By the age of three—and perhaps earlier—he knew very clearly what bastards were and in what manner they were fabricated. The language in which this information was communicated was so consistently coarse that the child was often shocked by it. “Fi donc!” he would say of his Gouvernante, Mme. de Montglat, “how nasty she is!”

Henry IV was very partial to dirty songs, and his courtiers and servants knew large numbers of them, which they were for ever singing as they went about their business in the palace. And when they were not vocalizing their smut, the Prince’s attendants, male and female, liked to joke obscenely with the child about his father’s bastards and his own future wife (for he was already as good as betrothed), the Infanta, Anne of Austria. Moreover, the Dauphin’s sexual education was not merely verbal. At night the child would often be taken into the beds of his waiting-women—beds which they shared (without nightdresses or pyjamas) either with other women or their husbands. It seems likely enough that, by the time he was four or five, the little boy knew all the facts of life, and knew them not merely by hearsay, but by inspection. This seems all the more probable since a seventeenth-century palace was totally without privacy. Architects had not yet invented the corridor. To get from one part of the building to another, one simply walked through a succession of other people’s rooms, in which literally anything might be going on. And there was also the matter of etiquette. Less fortunate in this respect than his or her inferiors, a royal personage was never permitted to be alone. If one’s blood were blue, one was born in a crowd, one died in a crowd, one even relieved nature in a crowd and on occasion one had to make love in a crowd. And the character of the circumambient architecture was such that one could scarcely avoid the spectacle of others being born, dying, relieving nature and making love. In later life Louis XIII displayed a decided aversion for women, a decided, though probably platonic, inclination for men, and a decided repugnance for all kinds of physical deformity and disease. The behaviour of Mme. de Montglat and the other ladies of the court may easily have accounted for the first and also, by a natural reaction, for the second of these two traits; as for the third—who knows what repulsive squalors the child may not have stumbled upon in the all too public bedchambers of Saint-Germain-en-Laye?

Such, then, was the kind of world in which the new parson had been brought up—a world in which the traditional sexual taboos lay very lightly on the ignorant and poverty-stricken majority and not too heavily upon their betters; a world where duchesses joked like Juliet’s nurse and the conversation of great ladies was a nastier and stupider echo of the Wife of Bath’s; where a man of means and good social standing could (if he were not too squeamish in the matter of dirt and lice) satisfy his appetites almost ad libitum; and where, even among the cultivated and the thoughtful, the teachings of religion were taken for the most part in a rather Pickwickian sense, so that the gulf between theory and overt behaviour, though a little narrower than in the mediaeval Ages of Faith, was yet sufficiently enormous. A product of this world, Urbain Grandier went to his parish with every intention of making the best both of it and of the other, the heavenly universe beyond the abhorred chasm. Ronsard was his favourite poet, and Ronsard had written certain stanzas which perfectly expressed the young parson’s point of view.

Quand au temple nous serons, Agenouillés nous ferons Les dévots selon la guise De ceux qui, pour louer Dieu, Humbles se courbent au lieu Le plus secret de l’Église.
Mais quand au lit nous serons, Entrelacés nous ferons Les lascifs selon les guises Des amants qui librement Pratiquent folâtrement Dans les draps cent mignardises.[2]

It was a description of ‘the well-rounded life,’ and a well-rounded life was what this healthy young humanist was resolved to lead. But a priest’s life is not supposed to be well-rounded; it is supposed to be one-pointed—a compass, not a weathercock. In order to keep his life one-pointed, the priest assumes certain obligations, makes certain promises. In Grandier’s case the obligations had been assumed and the vows pronounced with a mental restriction, which he was to make public—and then only for a single reader—in a little treatise on the celibacy of the clergy, written some ten years after his first coming to Loudun.

Against celibacy Grandier makes use of two main arguments. The first may be summed up in the following syllogism. “A promise to perform the impossible is not binding. For the young male, continence is impossible. Therefore no vow involving such continence is binding.” And if this does not suffice, here is a second argument based on the universally accepted maxim that we are not bound by promises extorted under duress. “The priest does not embrace celibacy for the love of celibacy, but solely that he may be admitted to holy orders.” His vow “does not proceed from his will, but is imposed upon him by the Church, which compels him, willy-nilly, to accept this hard condition, without which he may not practise the sacerdotal profession.” The upshot of all this was that Grandier felt himself at perfect liberty ultimately to marry and, meanwhile, to lead the well-rounded life with any pretty woman who was ready to be co-operative.

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2

When we are in the temple, kneeling, we shall act the part of the devout, in the manner of those who, to praise God, humbly bow themselves in the most secret corner of the Church. But when we are in bed, intertwined, we shall act the part of wantons, in the manner of those lovers who, free and frolicsome, practise a hundred fondling arts.