'You are here, like me,' he asked, 'resting between engagements?'
'Maternity leave of a sort,' I explained.
'Of these matters I know nothing,' he said gravely, pouring out a cup of coffee; the porcelain was White Star Line.
I took a sip and accepted the proffered biscuit. The coffee was excellent.
'Good, is it not?' he asked, a smile upon his lips.
'Indeed!' I replied. 'Better than I have ever tasted. What is it?'
'From the Guiana Basin,' he explained, 'an area of sea scattered with subterranean mountains and hills every bit as beautiful as the Andes. In a deep valley in this region I discovered an aquatic plant whose seeds, when dried and ground, make a coffee to match any that land can offer.'
His face fell for a moment and he looked into his cup, swirling the brown liquid around.
'As soon as this coffee is drunk, that will be the end of it. I have been moved around the Well of Lost Plots for almost a century now. I was to be in a sequel, you know Jules Verne had written half of it when he died. The manuscript, alas, was thrown out after his death, and destroyed. I appealed to the Council of Genres against the enforced demolition order, and I and the Nautilus, of course was reprieved.'
He sighed.
'We have survived numerous moves from book to book within the Well. Now, as you see, I am marooned here. The voltaic piles, the source of the Nautilus's power, are almost worn out. The sodium, which I extract from sea water, is exhausted. For many years I have been the subject of a preservation order, but preservation without expenditure is worthless. The Nautilus needs only a few thousand words to be as good as new yet I have no money, nor influence. I am only an eccentric loner awaiting a sequel that I fear will never be written.'
'I I wish I could do something,' I replied, 'but Jurisfiction only keeps fiction in order it does not dictate policy, nor choose which books are to be written. You have, I trust, advertised yourself?'
'For many years. Here, see for yourself.'
He handed me a copy of The Word. The 'Situations Sought' page took up half the newspaper and I read where Nemo pointed it out.
Eccentric and autocratic sea dog (ex-Verne) requires exciting and morally superior tale to exercise knowledge of the oceans and discuss man's place t within his enviornment. French spoken, has own submarine. Apply: Captain Nemo, c/o Caversham Heights, sub-basement six, WOLP.
'Every week for over a century,' he grumbled, 'but not one sensible offer.'
I doubted that his idea of a sensible offer would be like anyone else's 20,000 Leagues under the Sea was a tough act to follow.
'You have read Caversham Heights'?' he asked.
I nodded.
'Then you will know that the scrapping is not only inevitable, but quite necessary. When the book goes to the breaker's yard, I will not apply for a transfer. The Nautilus, and I too, will be broken down into text and long have I wished for it!'
He scowled at the floor and poured another cup of coffee.
'Unless,' he added, suddenly perking up, 'you thought I should have the advert in a box, with a picture? It costs extra but it might make it more eye catching.'
'It is worth a try, of course,' I replied.
Nemo rose to his feet and went below without another word. I thought he might return, but after twenty minutes had elapsed I decided to go home. I was ambling back along the lakeside path when I got a call from Havisham on the footnoterphone.[12]
'As always, Miss Havisham.'[13]
'Perkins must be annoyed about that,' I said, thinking, what with grammasites, a minotaur, Yahoos and a million or two rabbits, life in the bestiary must be something of a handful.[14]
'I'm on my way.' ,
17
Minotaur trouble
'TravelBook Standard-issue equipment to all Jurisfiction agents, the dimensionally ambivalent TravelBook contains information, tips, maps, recipes and extracts from popular or troublesome novels to enable speedier transbook travel It also contains numerous JurisTech gadgets for more specialised tasks such as an MV mask, TextMarker and Eject-O-Hat The TravelBook's cover is read-locked to each individual operative and contains as standard an emergency alert and auto-destruct mechanism '
I read myself into the Well and was soon in an elevator, heading up towards the Library. I had bought a copy of The Word; the front page led with: 'Nursery rhyme characters to go on indefinite strike'. Farther down, the previous night's attack on Heathcliff had been reported. It added that a terror group calling itself 'The Great Danes' had also threatened to kill him they wanted Hamlet to win this year's 'Most Troubled Romantic Lead' BookWorld award and would do anything to achieve this. I turned to page two and found a large article extolling the virtues of UltraWord with an open letter from Text Grand Central explaining how nothing would change and all jobs and privileges would be protected.
The elevator stopped on the first floor; I quickly made my way to Sense and Sensibility and read myself in. The crowd was still outside the doors of Norland Park, this time with tents, a brass band and a metal brazier burning scrap wood. As soon as they saw me a chant went up:
'WE NEED A BREAK, WE NEED A BREAK '
A tired-looking woman with an inordinate number of children gave me a leaflet.
'Three hundred and twenty-five years I've been doing this job,' she said, 'without even so much as a weekend off!'
'I'm sorry.'
'We don't want pity,' said Solomon Grundy, who, what with it being a Saturday, wasn't looking too healthy, 'we want action. Oral traditionalists should be allowed the same rights as any other fictioneers.'
'Right,' said a young lad carrying a bucket with his head wrapped in brown paper, 'no amount of money can compensate the brotherhood for the inconvenience caused by repetitive retellings. However, we would like to make the following demands. One: that all nursery rhyme characters are given immediate leave of absence for a two-week period. Two: that'
'Really,' I interrupted him, 'you're talking to the wrong person. I'm only an apprentice. Jurisfiction has no power to dictate policy anyway you need to speak to the Council of Genres.'
'The Council sent us to talk to TGC, who referred us to the Great Panjandrum,' said Humpty Dumpty to a chorus of vigorous head-nodding, 'but no one seems to know if he or she -even exists.'
'If you've never seen him he probably doesn't exist,' said Little Jack Horner. 'Pie, anyone?'
'I've never seen Vincent Price,' I observed, 'but I know he exists.'
'Who?'
'An actor,' I explained, feeling somewhat foolish. 'Back home.'
Humpty Dumpty narrowed his eyes suspiciously.
'You're talking complete Lear, Miss Next.'
'King?'
'No,' he replied, 'Edward.'
'Oh.'
'MONGOOSE!' yelled Humpty, drawing a small revolver and throwing himself to the ground where, unluckily for him, there just happened to be a muddy puddle.
'You're mistaken,' explained Grundy wearily, 'it's a guide dog. Put the gun away before you hurt yourself.'
'A guide dog?' repeated Humpty, slowly getting to his feet. 'You're sure?'
'Have you spoken to WordMaster Libris?' I asked. 'We all know he exists.'
'He won't speak to us,' said Humpty Dumpty, wiping his face with a large handkerchief. 'The oral tradition is unaffected by the UltraWord upgrade so he doesn't think we're that important. If we don't negotiate a few rights before the new system comes in, we won't ever get any!'
13
'Good. Meet me at the Junsfiction office as soon as possible. It's about Perkins the minotaur has escaped.'
14
'Not really. You see, Perkins isn't responding to footnoterphone communications we think something might have happened to him.'